Winner of the Best New Director award at the San Sebastian Film Festival, Benedikt Erlingsson's critically acclaimed debut feature 'Of Horses and Men' is a darkly comic country romance about the human streak in the horse and the horse in the human. Set in the stunning Icelandic countryside, love, death and sex become interlaced in this playful, affectionate yet unflinching portrait of a remote valley community as seen from the horses' perspective.
Jackie (Kate Dickie) works as a CCTV operator in Glasgow. Each day she watches over a small part of the world, protecting the people living their lives under her gaze. One day a man appears on her monitor, whom she thought she would never see again, whom she never wanted to see again. Now that she has no choice, she is compelled to confront him.
To her friends, Halla (Halldóra Geirharðsdóttir) leads a quiet and routine life. But her happy and upbeat exterior hides a secret double life as a committed environmental activist. Known to others as "The Mountain Woman", she wages a one-woman-war on the local aluminium industry to protect the stunning highland landscape that is under threat. Just as she begins planning her biggest and boldest operation yet, she receives an unexpected letter that will change everything. She will be forced to choose between her environmental crusade and the chance of fulfilling her dream of becoming a mother. Funny, moving and utterly unique, 'Woman at War' follows Halla as she juggles the adoption of a beautiful little girl whilst planning her final act of industrial sabotage.
This potent film from Michael Winterbottom is a story of survival and love, a celebration of the small pleasures of everyday life. The father (John Simm) is in prison. The mother Karen (Shirley Henderson) has to bring up a family of 4 children by herself. Filmed over a period of five years, 'Everyday' uses the repetitions and rhythms of everyday life to explore how a family can survive a prolonged period apart. The story unfolds in a series of visits: first the family visiting the father in prison, later the father visiting the family at home. With each visit the distance between the children and their father becomes harder to bridge. By avoiding the normal cinematic conventions of time passing, 'Everyday' focuses on the small subtle changes as people grow up and grow old whilst being apart.
"Summerland" follows the story of fiercely independent folklore investigator, Alice (Gemma Arterton) who secludes herself in her clifftop study, debunking myths using science to disprove the existence of magic. Consumed by her work, but also profoundly lonely, she is haunted by a love affair from her past. When spirited young Frank (Lucas Bond), an evacuee from the London Blitz, is dumped into her irritable care, his innocence and curiosity awaken Alice's deeply buried emotions. Bravely embracing life's miraculous unpredictability, Alice learns that wounds may be healed, second chances do occur, and that, just perhaps - magic really does exist.
"Greed" tells the story of self-made British billionaire Sir Richard McCreadie (Steve Coogan), whose retail empire is in crisis. For 30 years he has ruled the world of retail fashion but after a damaging public government investigation, his image is tarnished. To save his reputation, he decides to bounce back with a highly publicised and extravagant party celebrating his 60th birthday on the Greek island of Mykonos. A satire on the grotesque inequality of wealth in the fashion industry, the film sees McCreadie's rise and fall through / the eyes of his biographer, Nick (David Mitchell).
In 1970, the Miss World competition took place in London, hosted by US comedy legend, Bob Hope (Greg Kinnear). At the time, Miss World was the most-watched TV show on the planet with over 100 million viewers. Claiming that beauty competitions demeaned women, the newly formed Women's Liberation Movement achieved overnight fame by invading the stage and disrupting the live broadcast of the competition. Not only that, when the show resumed, the result caused uproar: the winner was not the Swedish favourite but Miss Grenada, the first black woman to be crowned Miss World. In a matter of hours, a global audience had witnessed the patriarchy driven from the stage and the Western ideal of beauty turned on its head.
Jane Austen's beloved comedy about finding your equal and earning your happy ending, is reimagined in this delicious new film adaptation of 'Emma'. Handsome, clever, and rich, Emma Woodhouse (Anya Taylor-Joy) is a restless queen bee without rivals in her sleepy little town. In this glittering satire of social class and the pain of growing up, Emma must adventure through misguided matches and romantic missteps to find the love that has been there all along.
France 1940. As Hitler's armies take control of Paris and bring total occupation to France, Lucile (Michelle Williams) awaits news from her husband who is being held a prisoner of war. Living with her mother-in-law (Kristin Scott Thomas) and leading a stifled existence in a town struggling to cope with their terrifying German rulers, Lucile's life is turned upside down when a handsome and charming German officer (Matthias Schoenaerts) is posted to live with them. Despite their hopeless situation they find themselves drawn to each other, until the desperate realities of war threaten to destroy them.
Jonathan Ames: writer, romantic, unlicensed private detective. After his girlfriend leaves him and breaks his heart, Jonathan is looking to throw away some heavy emotional baggage through an unusual second career solving cases of espionage, missing persons and infidelity in the Big Apple.
Two lovers from very different walks of life collide in 'Model Shop'...Los Angeles architect George Matthews (Gary Lockwood) is down on his luck. Unemployed, broke and facing imminent deployment to Vietnam, he suddenly and unexpectedly finds himself transfixed by the captivating Lola (Anouk Aimee), a pin-up who works in a low rent "model shop" specialising in erotic photographs. After spending his last $12 to photograph her, George realises they are kindred spirits, both adrift and without hope in the City of Angels, and, during a night of drinking and lovemaking at Lola's apartment, he forges a connection with the damaged woman that will have lasting consequences for them both...
The year is 1984, and on the rural East Coast of New Zealand, Thriller is changing kids lives. Inspired by the Oscar nominated Two Cars, One Night, 'Boy' is the hilarious and heartfelt coming-of-age tale about heroes, magic and Michael Jackson. Boy (James Rolleston) is a dreamer who loves Michael Jackson. He lives with his brother Rocky (Te Aho Eketone-Whitu), a tribe of deserted cousins and his Nan. Boy's other hero, his father, Alamein (Taika Waititi), is the subject of Boy's fantasies, and he imagines him as a deep sea diver, war hero and a close relation of Michael Jackson (he can even dance like him). In reality Alamein is an inept, wannabe gangster who has been in jail for robbery. When Alamein returns home after seven years away, Boy is forced to confront the man he thought he remembered, find his own potential and learn to get along without the hero he had been hoping for.
Birds of Prey (2020)Birds of Prey (And the Fantabulous Emancipation of One Harley Quinn)
You ever hear the one about the cop, the songbird, the psycho andnSfe mafia princess? This twisted tale is told by Harley Quinn herself, as only Harley can tell it. When Gotham's most nefariously narcissistic villain, Roman Sionis (a.k.a. Black Mask), and his zealous right hand, Zsasz, put a target on a young girl named Cass, the city is turned upside down looking for her. While on the trail, Harley clashes with the Birds of Prey, but the unlikely foursome may have to team up to take Roman down.
"Jojo Rabbit" follows a lonely German boy Jojo (Roman Griffin Davis), whose world view is turned upside down when he discovers his mother Rosie (Scarlett Johansson) is hiding a Jewish girl Elsa (Thomasin McKenzie) in their attic. Aided by his wildly idiotic imaginary friend, Adolf Hitler (Taika Waititi), Jojo must confront his blind nationalism.
Ricky (Kris Hitchen) and his family have been fighting an uphill struggle against debt since the 2008 financial crash. An opportunity to wrestle back some independence appears with a shiny new van and the chance to run a franchise as a self employed delivery driver. It's hard work, and his wife's job as a carer is no easier. The family unit is strong but when both are pulled in different directions everything comes to breaking point.
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