In a remote Costa Rican village, Clara (Wendy Chinchilla Araya), believed to possess divine healing powers, lives under the repressive care of her pious elderly mother. Clara seeks solace in the natural world until the fragile balance of her life is unexpectedly disrupted by a powerful sexual awakening, stirred by the arrival of her young niece's handsome boyfriend. Desire ignites a dangerously unstoppable force that leads Clara to a hitherto unexplored world of discovery and self-determination.
It's 1976 in Chile, 3 years after Pinochet's military coup overthrew the socialist government of Salvador Allende, and opponents of the new regime are being hunted down. Carmen (Aline Küppenheim) heads off to her beach house to supervise its renovation. Her husband, children and grandchildren come back and forth during the winter vacation. When the family priest asks her to take care of a young man he is sheltering in secret, Carmen steps into unexplored territories, away from the quiet life she is used to.
The Fabelmans (2022)Untitled Steven Spielberg/Amblin Partners Project / Untitled Steven Spielberg Project
Inspired by Steven Spielberg's own childhood, rediscover the magic of movies in 'The Fabelmans', a coming-of-age story about a young man uncovering a shattering family secret and the power of film and imagination to help us see the truth about ourselves and each other. With a star-studded cast featuring Michelle Williams, Paul Daho, Seth Rogen, Gabriel LaBelle and Judd Hirsch, 'The Fabelmans' tells a timeless tale of heartbreak, healing, and hope for the dreamer inside all of us.
Irene Jacob is utterly captivating in the twin roles of Veronique and Weronika, two young women leading totally separate lives in France and in Poland, yet each strangely aware of the other's presence. Despite their different backgrounds, the two share not only many of the same likes, foibles and prodigious musical talents, but also the same wisdom, inspiring one to unconsciously avoid making the same mistakes in life as the other.
"Close" is an elegant, poetic and empathetic study of youth from acclaimed writer-director Lukas Dhont. Thirteen-year-olds Léo (Eden Dambrine) and Rémi (Gustav De Waele) are inseparable; best friends, as close as brothers. However as they start a new school year, the pressures of burgeoning adolescence challenge their bond with unexpected and far-reaching consequences.
In the late 19th century, Denmark regards Iceland as its territory, which extends beyond matters of geography and governance to the spiritual health of the population. So Lucas (Elliott Crosset Hove), a Lutheran priest, is sent by the Church of Denmark to establish a parish. Ever an optimist, Lucas believes his faith will guide him, even when he is warned of the obstacles, including a people who may be less than welcoming. 'Godland' makes the most of a breathtakingly austere Icelandic landscape in its story of a man on a singular mission.
Inspired by true events, writer/director Jasmila Zbanic's gripping, Oscar-nominated thriller tells the story of a United Nations translator attempting to save the lives of her family, whilst pandemonium and escalating conflict rages around them.
Sooner or later, every police investigator comes across a case that remains unsolved and that haunts them. For Yohan (Bastien Bouillon), Clara's (Lula Cotton-Frapier)'s murder proves to be that case. What starts as a thorough investigation into the victim's life soon turns into a nagging obsession. One interrogation follows another, there is no shortage of suspects and Yohan has more and more doubts. Only one thing is sure, the crime occurred on the night of the 12th.
"No Bears" is the outstanding new film from acclaimed Iranian auteur Jafar Panahi. In the film Panahi plays himself, a filmmaker trying to direct a cast and crew in Turkey, who is forced to remain in an Iranian village close to the border. As his actors perform their own story of attempted escape to Europe, Panahi finds himself coming up against suspicion and local traditions in the village where he is staying. Panahi's latest film is a testimony to how artistry and protest can find inspiration in the very restrictions that he and other creative voices face.
The third and final part of Kieslowski's trilogy has been acclaimed as his masterpiece. Immaculately played by an extraordinary cast, "Red" masterfully plays on Kieslowski's interpretation of brotherhood and destiny. Irene Jacob is stunning as a young model who meets a retired judge by chance when she rescues his dog from a car accident. Jean-Louis Trintignant is utterly compelling as the embittered judge who spends his days eavesdropping on his neighbours' phone conversations. Their initially fiery relationship mellows into a close friendship that ultimately liberates them both. A final twist of fate reveals the destinies of the characters from all three parts of the trilogy.
Julie (Juliette Binoche) loses her composer husband and their child in a car crash and, though devastated, she tries to make a new start, away from her country house and a would-be lover. But music still surrounds her and she uncovers some unpleasant facts about her husbands life. Slowly Julie learns to live again, as music and the gift of creativity prove to be a healing force.
'Three Colours White', a very funny and ironic black comedy, is the second in Krzysztof Kieslowski's acclaimed trilogy based on the ideals of the French Revolution. Karol (Zbigniew Zamachowski), a Polish hairdresser, is divorced by his beautiful French wife Dominique (Julie Delpy) and thrown onto the streets of Paris, penniless and with no passport. All seems lost until he meets a fellow Pole who ingeniously smuggles Karol back to Warsaw in a suitcase. Once there, Karol is determined to take revenge against his ex-wife. He deals successfully on the black market until he has enough money to put his plan into action, but he hasn't counted on love getting in the way of its perfect execution.
From director-writer-producer Todd Field comes Tar, starring Cate Blanchett as the iconic musician, Lydia Tar. The film examines the changing nature of power, its impact and durability in our modern world.
Emerging from the primordial soup of glamour, gutter sleaze, and feverish creativity that was New York's 1960s underground culture, the Velvet Underground redefined music with its at once raw and exalted blend of experimentation and art-damaged rock and roll. In his kaleidoscopic documentary 'The Velvet Underground', Todd Haynes vividly evokes the band's incandescent world: the creative origins of the twin visionaries Lou Reed and John Cale, Andy Warhol's fabled Factory, and the explosive tension between pop and the avant-garde that propelled the group and ultimately consumed it. Never-before-seen performances, interviews, rare recordings, and mind-blowing transmissions from the era's experimental cinema scene come together in an ecstatic swirl of sound and image that is to the traditional music documentary what the Velvets were to rock: utterly revolutionary.
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