Series two kicks off on 1982 where leg warmers are cool, fluorescent is colour of choice, Thatcher is in her element and bullish DCI Gene Hunt is back, policing the streets in his politically incorrect and loud mouthed style. Sassy Alex Drake, with whom Hunt shares a fiery working relationship, is by his side, desperately trying to keep him in line. Though no nearer to getting back to her daughter, Alex believes she is suspended in time and finally understands how the world around her works. But when she starts hearing news from the future, she realises nothing is as it seems. Clinging on to fast fading hope, she discovers she may not be alone in her predicament. A mysterious stranger who also seems to be stuck in 1982 is making Alex doubt her current world is merely a figment of her imagination. Is he a friend who can help her get home or a foe who will destroy all she knows?
Series Four of 'Outlander' continues the story of Claire (Caitriona Balfe) and Jamie Fraser (Sam Heughan) as they try to make in colonial America. The Frasers settle in North Carolina at yet another turning point in history - the cusp of the American Revolution - where they must negotiate a tenuous loyalty to the current British ruling class, despite Claire's knowledge of the bloody rebellion to come. Along the way, the Frasers cross paths with notorious pirate and smuggler Stephen Bonnet in a fateful meeting that will come back to haunt the Fraser family. Meanwhile, Brianna Randall and Roger Wakefield grow closer in the 20th century but make a shocking discovery that makes them consider following in Claire's footsteps.
"DCI Gene Hunt, (Philip Glenister) the Neanderthal copper last seen in Life on Mars is Back. Joined in London by his faithful sidekicks, DS Ray Carling (Dean Andrews), DC Chris Skelton (Marshall Lancaster) and a brand new red Audi Quattro, Gene is ready to take on the "southern Nancy" criminal scum and show the Met a thing or tow about policing. Only this time it’s 1981 and the world has changed: Charles and Diana are about to marry, there’s been rioting in Brixton and there are perms, pastel suits and cocktails all around him. Worse still, Hunt has finally met his match with the arrival of Di Alex Drake (Keeley Hawes), a sexy, sophisticated police psychologist from 2008 who has studied the world of the now deceased Sam Tyler. When Alex is shot and wakes up in 1981, she realises she has assimilated Sam’s fantasies with here own experiences to create this world. She needs to do everything in here power to keep fighting, to stay alive and to get back to the daughter Molly. To a soundtrack of Duran Duran, The Clash, OMD and The Human League, sparks fly as Hunt and Drake grapple with each other and the world around them.
A film crew and actors arrive at the seemingly secure and beautiful Venetian hotel to film a version of the classic Jacobean tragedy. 'The Duchess of Malfi'. Shadowing the production are two rival entertainment reporters (Salma Hayek and Lucy Liu) who immediately start a war of egos. When the director (Rhys Ifans) is put out of commission, the producer (David Schwimmer) must take over the production, and that's when the cannibals and vampires start picking off the film crew and guests...
"Vox Lux" is a powerful and stylish portrait of a troubled pop star from writer-director Brady Corbet, which follows her rise from the ashes of a major national tragedy to global superstardom. Oscar winner Natalie Portman gives a remarkable performance as pop singer Celeste, who must overcome personal and familial struggles to mount a comeback with the help of her talent manager (Jude Law), after a scandalous incident that nearly derailed her career. Set over a 15 year period, this acclaimed and unique examination of modern celebrity features new songs by Sia and an original score by Scott Walker.
From writer and director Steven Knight and starring Matthew McConaughey and Anne Hathaway, comes a mysterious tale of a fishing boat captain whose past is about to crash up against his life on a small island in the Caribbean and ensnare him in a new reality that might not be all it seems.
Adam (Richard E. Grant) is a rich industrialist and frustrated opera singer aspiring to a more cultured world. Spurred on by playful jibes that he's just a City suit living a capitalist dream he decides to stage an opera in his lavish country retreat. He feels sure the shallow taunting will end once his friends see him in full voice. In tact his singing might even help him win the hand of Celia (Sarah Brightman) the female conductor he's been pursuing, especially since she is the first to be recruited for his showpiece.
For Marty, School Days were the worst days of his life... When the alumni of an all-American high school make a trip to attend a class reunion, they reconnect with their pasts in ways more bloody and fatal than they could possibly imagine in the 80s slasher classic 'Slaughter High'.
On arrival, they discover the school shuttered and in disrepair, as if the reunion were just a ruse to drag them back. Still, the old pupils decide to break in and celebrate anyway. A deadly error considering that Marty, the nerd whose teenage life they made a living hell, is lurking in the dank, dark corridors, waiting to bring fear, torment and slicing, dicing murder to each and every one of them.
A group of post-apocalyptic survivors, struggle to survive in a world where jungles and forests and primeval wetlands and deserts have obliterated civilization. They staunchly face genetically mutating beasts and mysterious diseases in an attempt to re-establish the human race as masters of Earth.
"On the Basis of Sex" is inspired by the powerful and timely true story of US Supreme Court Justice Ruth Bader Ginsburg (Felicity Jones) who led the fight against gender discrimination and blazed an unprecedented trail for equality. From being one of only a few women accepted at Harvard Law to co-founding the Women's Rights Project at the ACLU, Bader Ginsburg overcame all odds to become one of the most influential figures in the battle for equal rights, passionately arguing ground-breaking landmark cases and giving a voice to those unable to be heard.
Featuring a stellar UK cast, "Alleycats" is a high-octane, action/thriller set in London against the authentic backdrop of the cut-throat world of illegal bike racing. When bike courier Chris (Josh Whitehouse) witnesses what looks like a murder, his first instinct is to cut and run. But when his curiosity draws him back in, he is soon embroiled in a world of corruption, political power and blackmail. Compelled to uncover the web of bribery that's entangled her brother, Chris' sister Danni (Eleanor Tomlinson) soon takes matters into her own hands. With an adrenaline-pumping soundtrack and stunning racing visuals, "Alleycats" is a tense and riotously entertaining thrill-ride not to be missed.
As the manager of the council's women-only steam baths, Violet (Diana Dors) finds herself acting as den mother to the walking wounded who come through her doors. Seeking escape from the world - and their men - the women are free to talk openly about their humdrum lives, vicious boyfriends, money worries and dead end jobs. Nancy (Vanesa Redgrave) and Sarah (Sarah Miles) come from privileged backgrounds, while Josie (Patti Love) is working class through and through, but all find common ground in their experiences. Now, however, the council are threatening to close down the baths, and the women must get together to fight...
To all appearances the two men had nothing in common, but for the fact they were both residents of the Argentine outpost of Corrientes and shared an English background. Eduardo Plarr (Richard Gere) was a diligent, hardworking man of medicine; Charley Fortnum (Michael Caine) an alcoholic, good-for-nothing Honorary Consul. Taken captive when a terrorist plan to kidnap an American diplomat backfires, they both become prey to some very unwholesome revelations. For some time, both men have been sharing the favours of, and an obsession with the same woman. Only one has the capacity to love her.
When country girl Sidonie-Gabrielle Colette (Keira Knightley) marries a charismatic egomaniac named Willy (Dominic West), he unlocks the door to the tantalizing world of the Parisian arts scene. With her creative appetite sparked, Willy has Colette write novels under his name. The phenomenal success of her 'Claudine' series makes Willy famous and elevates them both to the high life. Although she is now the toast of the town, the lack of recognition begins to gnaw at Colette. In turn, their marriage starts to internally combust, fuelled by Willy's infidelities and Colette's growing interest in women, and the gender defying Missy (Denise Gough). On a downward spiral, Willy resorts to increasingly desperate measures to pay his debts and sabotage his wife, but Colette is developing resources of her own.
This witty and compelling portrait of the eighties music scene is viewed through the eyes of Tony Wilson: a young Cambridge graduate and TV presenter, who, inspired by the Sex Pistols first Manchester gig, founds the now world-famous Factory Records and the hacienda night-club. The bands he signs include Joy Division and The Happy Mondays - who became seminal artists of their time - whilst the Hacienda transforms Manchester - a declining industrial city into "Mad-Chester" - the place to be. All this is built on Wilson's anarchic business philosophy: no contracts, just passion, music and hedonism - if the bands don't like it they are free to leave. No-one leaves, but with debts and hangovers rocketing, things do get completely out of hand...Comedian Steve Coogan is brilliantly cast as the wry Wilson, struggling to hold it together in a worlds of vice and angst-ridden geniuses. The fabulous soundtrack includes hits from The Happy Mondays, New Order and Joy Division.
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