monsieurk's - Rented List

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Gary is young, agile, a quick learner. He's one of those who's never been promised anything. After a succession of odd jobs, he's taken on at a nuclear power plant.

There, amongst the reactors and their high doses of radioactivity, he finally finds what he's been looking for: money, a team, a family. But the team also includes Karole, Toni's wife, with whom he falls in love... 'Grand Central' is a passionate story about lust and forbidden love, set against the dangerous backdrop of a nuclear power plant.

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Francois (Philippe Marlaud) loves Anne (Marie Rivière). However, his night-shift job at the post office means they rarely get to spend much time together. One day, he sees her leaving home with her ex, Christian (Mathieu Carrière), who had come to break up with her for good.

Reeling from the news, Anne lets Francois fall prey to his jealous imagination. Obsessed with the idea that she may have cheated on him, Francois decides to stay up all night. As he wanders, desolate, through the streets of Paris, he comes across his rival sitting in a cafe with a blonde-haired woman. Intrigued, he follows them. A young woman catches on to what he's up to and accosts him in an alley of the Buttes-Chaumont.

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In a town in the French Alps during the Occupation, Barny (Emmanuelle Riva) is a young, wayward, sexually frustrated widow, living with her little girl. She is also a communist militant who long ago decided that the easiest way was the best.

One day she enters a church, randomly chooses a priest (Jean-Paul Belmondo) to confess to and, while in confessional, attempts to provoke him by criticizing Catholicism. Instead of being affronted, the priest engages her in an intellectual discussion regarding religion. The priest is Leon Morin, young, handsome, smart and altruistic. He invites Barny to continue the conversation outside of confessional. She begins regularly seeing him and is impressed by his moral strength, while he makes it his mission to steer her onto the right path.

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One of the most emotional film experiences of any era, Carl Theodor Dreyer's 1928 'The Passion of Joan of Arc' is a miracle of the cinema, an enigmatic and profoundly moving work that merges the worlds of the viewer and of saintly loan herself into one shared experience of hushed delirium.

Drever's film charts the final days of Joan of Arc as she undergoes the debasement that accompanies her trial for charges of heresy - through her imprisonment and execution at the stake.

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Gillo Pontecorvo's multi-award winning picture 'The Battle of Algiers' has perhaps never been as pertinent as it is now. Set from 1954 to 1962, the movie uses documentary-style black and white photography to recreate real events.

Algerian liberation fighters use terrorist techniques against the French colonial occupiers; the French retaliate with brutal military force. Brilliantly directed set-pieces and remarkable crowd scenes make the film a masterpiece; the ominous familiarity of its subject makes it a must-see" - The Times How to win battle against terrorism and lose the war of ideas. Children shoot soldiers at point blank range. Women plant bombs in Cafes. Sounds familiar? The French have a plan. It succeeds tactically, but fails strategically. To understand why, come to a rare showing of this film.'' - Pentagon tlyer for their in-house screening of Battle Of Algiers All the armies of the world - including the Pentagon - will never, but never, be able to conquer a country which wants to control its own destiny" - Saadi Yacef

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Based on Stephen King's terrifying novel comes a film critics are calling a "creepy masterpiece." After the Creed family relocates from Boston to rural Maine, they soon discover an ancient burial ground hidden deep in the woods near their new home.

When tragedy strikes, the grief-stricken father is driven by the cemetery's sinister power, setting off a perilous chain of events that unleashes an unfathomable evil with horrific consequences. Some secrets are best left buried in this "twisted and bone-chilling" thrill ride.

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Maggie Cheung (playing herself) has been cast by a once revered but now out of touch director as the latex-clad cat-burglar in his ill-fated remake of the French classic 'Les Vampires'.

From the moment she arrives in Paris chaos ensues until the director finally has a breakdown and is replaced by another who doesn't know why she was cast in the first place. Amidst all the confusion Cheung becomes drawn to her character and is soon pulling on latex and prowling her hotel corridors at night.

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‘City Lights’ begins with an uproarious skewering of pomp and formality, ends with one of the most famous last shots in movie history and, from start to finish, so completely touches the heart and tickles the funny bone that in 1998 it was named one of the American Film Institute’s Top-100 American

Films. Talkies were well entrenched when Charles Chaplin swam against the filmmaking tide with this forever classic that’s silent except for music and sound effects. The story, involving the Tramp’s attempts to get money for an operation that will restore sight to a blind flower girl, provides a star with an ideal framework for sentiment and laughs. The tramp is variously a street sweeper, a boxer, a rich 0poseur, and a rescuer of a suicidal millionaire. His message is unspoken, but universally understood: love is blind.

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1902: John McCabe (Warren Beatty) turns up in a northwest mining town called Presbyterian Church, starts gambling and sets up a successful brothel with his girlfriend Constance Miller (Julie Christie), an opium-addicted madam.

They refuse an offer from the mine operators to buy them out, but the mine bosses refuse to take no for an answer.

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Quentin Tarantino's Once Upon a Time...in Hollywood visits 1969 Los Angeles, where everything is changing, as TV star Rick Dalton (Leonardo DiCaprio) and his longtime stunt double Cliff Booth (Brad Pitt) make their way around an industry they hardly recognize anymore.

The ninth film from the writer-director features a large ensemble cast and multiple storylines in a tribute to the final moments of Hollywood's golden age.

Attorney Ned Racine's life coasts along in neutral - until he meets a siren in white (with a well-to-do husband) named Matty Walker (Kathleen Turner). Ned (William Hurt) knows Matty's the kind of woman a man would kill to be with. So he does.

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The Ambassador of the small South American country of Miranda is trafficking in drugs with some French bourgeois friends of his. But every time they want to have dinner together, their plans are put off due to unexpected events.

In their quest of a lavish feast, the dividing-line between reality and dreams becomes unclear for each guest, leading to complete and utter ridicule.

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In the 19th Century much of the Parisian sex trade was confined to 'maisons closes', populated by elegant madams and a vetted clientele. The ladies were provocatively dressed and, upstairs, occupied numerous boudoirs ready for carnal pleasures.

However, even in such a controlled environment, dangers still lurked: disease was rampant and sometimes a gentleman might lose his temper and harm one of the women.

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Finally released in 1946, ten years after it was shot, Jean Renoir's Partie de campagne was hailed as an 'unfinished masterpiece'. Since then, his masterly adaptation on a Maupassant story has grown in reputation to the point where it has become Renoir's best-loved film.

On an idyllic country picnic, a young girl leaves her family and fiancé for a while, and succumbs to an all-too-brief romance. Shot on location on the banks of two small tributaries of the Seine, Renoir's sensuous tribute to the countryside - and to the river - has seldom been surpassed. In its bitter-sweet lyricism, its tenderness and poetic feel for nature, its tolerant satire of bourgeois conventions and its poignant sense of the transience of innocence and love, 'Partie De Campagne' seems to distil the essence of all that is most personal of Renoir's art.

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"Stromboli, Land of God" follows Karin (Ingrid Bergman), a young Lithuanian woman who, eager to escape from a refugee camp, marries Antonio (Mario Vitale), a simple Italian fisherman, after he promises a great life on his home island of Stromboli.

Karin soon discovers the island is harsh and unforgiving, with the locals acting in a hostile manner towards her, a strange, foreign woman. Her despondency increasing, she starts looking for ways to escape the desolation of this new life.