After a successful shoplifting spree, Osamu (Lily Franky) and his son rescue a little girl in the freezing cold and invite her home with them. Osamu's wife Nobuyo (Sakura Ando) reluctantly agrees to shelter her. Although the family is poor, they live happily together until an unforeseen incident upsets the delicate balance they have created, revealing long-buried secrets...
On one random day in the San Fernando Valley, a dying father, a young wife, a male caretaker, a famous lost son, a police officer in love, a boy genius, an ex-boy genius, a game show host and an estranged daughter will each become part of one story. Through coincidence, chance, human action, past history and divine intervention they will weave through each other's lives on a day that builds to an unforgettable climax.
Winner of the 2010 Cannes Palme d'Or, Thai artist and filmmaker Apichatpong Weerasethakul is recognised as one of contemporary cinema's most unique voices. 'Mysterious Object at Noon' is his hallucinatory debut feature, an extraordinary mix of experimental documentary and fiction. The film is structured as a surrealist game; a small film-crew travel the Thai countryside asking people they encounter along the way to invent the next chapter of a story. The daisy-chain structure of interlocking vignettes - alternately fantastical, comic and workaday - result in a boldly original debut that looks and feels like nothing else.
Sexy worldly Mrs. Wardh (Edwige Fenech) endures a stifling marriage in the hope of repressing her perverse past - a sadomasochistic relationship with the degenerate Jean (Ivan Rassimov). Disillusioned with her unloved existence, she embarks upon a torrid affair with suave playboy George (George Hilton). But happiness may prove short-lived: as Jean reappears, a brutal razor-slasher begins bloodily dispatching the nubile nymphets of Vienna... Fearing that she may next face the killer's blade, tormented and deceived, she spirals into an uncontrollable emotional maelstrom where her deviant desires reawaken in a welter of sex, sadism and slaughter...
"One Cut of the Dead" opens in a run-down, abandoned warehouse where a film crew are making a zombie film. Yet this is no ordinary warehouse. It's been said that it's the site of military experiments on humans. From nowhere, real zombies arrive and terrorize the crew! This may sound like a the plot of a cliched zombie film, but 'One Cut of the Dead' is something completely different! Starting off with a non-stop one-take 37 minute shot, the film then completely switches direction and turns the zombie genre completely upside-down into a charming, audience-friendly comedy with an ending you won't see coming!
Gaspar Noe, director of the hugely controversial 'Irreversible', 'Enter the Void' and 'Love', makes a triumphant return with 'Climax' - a visually dazzling feast of music and mayhem, and perhaps his most critically acclaimed work to date. Following a successful rehearsal, a dance troupe set about celebrating with a party. But when it becomes apparent that someone has spiked the sangria, the joyous atmosphere soon transforms into a nightmarish hellscape of violence and twisted carnality as the dancers begin to turn on each other in an orgiastic frenzy. Inspired equally by the worlds of modern dance and esoteric arthouse-horror (chief among them, Dario Argento's Suspiria and Andrzej Zutawski's Possession), 'Climax' - which pulses towards its astonishing conclusion with a thumping score by the likes of Daft Punk, Aphex Twin and Gary Numan - illustrates a director at the height of his hallucinatory filmmaking powers.
Mecha (Graciela Borges), the family matriarch, lives in a dilapidated country retreat near La Cienaga (the Swamp) with her husband Gregorio (Martin Adjemian) and her teenage children. The humidity is stifling and the only leisure the adults can think of is to drink - constantly. One drinking session by the pool leads to a trip to the hospital, leaving the children - with no adult supervision - to their own devices; sunbathing, hunting, dancing, driving illegally and diving in the stagnant pool. The only adults who seem to care at all are the Indian servants who are constantly being harassed by Mecha for allegedly stealing towels. What unfolds is a subtle and sly look at intimacies of a midldle class family in crisis, with Mattel's microscope artfully observing the infidelities, alliances, prejudices and secret infatuations.
From visionary filmmaker Spike Lee comes the incredible true story of an American hero. In the early 1970's, Ron Stallworth (John David Washington) becomes the first African-American detective in the Colorado Springs Police Department. Determined to make a difference, he bravely sets out on a dangerous mission: infiltrate and expose the Ku Klux Klan. He recruits a seasoned colleague, Flip Zimmerman (Adam Driver), into the undercover investigation. Together, they team up to take down the extremist organisation aiming to garner mainstream appeal. 'BlacKkKlansman' offers an unflinching, true-life examination of race relations in 1970's America that is just as relevant in today's tumultuous world.
Collin (Daveed Diggs), a parolee facing his final three days of probation, needs to stay clear of trouble. Miles (Rafael Casal), Collin's hot-tempered best friend, can't stay out of it. When Collin witnesses a police shooting, the two men's friendship is tested, sending Collin and Miles on a collision course with each other in this bold and thought-provoking film that bursts with energy, style and humour.
In a near-future world, where technology controls everything, technophobe Grey Trace (Logan Marshall-Green) is the victim of a brutal mugging that leaves his wife dead and him paralysed. A reclusive billionaire inventor offers him an experimental cure, an A.I. implant called Stem. Grey accepts and is immediately transformed into an unstoppable killing machine with enhanced strength and agility. Now it's payback time.
After Cameron Post (Chloe Grace Moretz) is caught with another girl in the back seat of a car on prom night, she's quickly shipped off to a conversion therapy centre that treats teens "struggling with same-sex attraction". At the facility, Cameron is subjected to outlandish discipline, dubious "de-gaying" methods, and earnest Christian rock songs - but this unusual setting also provides her with an unlikely gay community. For the first time, Cameron connects with peers, and she's able to find her place among fellow outcasts.
During the long hot summer of 1947 Dr. Faraday (Domhnall Gleeson) is called to a patient at Hundreds Hall, where his mother once worked. Hundreds Hall has been home to the Ayres family for more than two centuries, but it is now in decline and its inhabitants - mother, son and daughter - are haunted by something more ominous than a dying way of life. When he takes on his new patient, Faraday has no idea how closely, and how terrifyingly, the family's story is about to become entwined with his own.
The film is directly based on the director, Carla Simon's, own childhood. Following the death of her parents, 6 years old Frida (Laia Artigas) moves from Barcelona to the Catalan countryside to live with her aunt and uncle, her new legal guardians. She now has a new little sister whom she has to take care of, and has to deal with new feelings, such as jealousy. Often, Frida is naively convinced that running away would be the best solution to her problems. Slowly, Frida realizes that she is there to stay. Before the summer is over, she has to cope with her emotions and her new parents have to learn to love her as their own daughter.
The unbelievable but entirely true story of four friends (Evan Peters, Barry Keoghan, Blake Jenner and Jared Abrahamson) living a routine existence in Kentucky, who brazenly attempt one of the most audacious art heists in US history. Determined to live lives that are out of the ordinary, they plan the brazen theft of some of the world's most valuable books from the special collections room of Transylvania University Library. But not everything is as it seems, and as the thrilling theft unfolds, each of them starts to question whether their attempts to inject excitement and purpose into their lives is simply a misguided attempt at achieving the American Dream.
Marcello (Marcello Fonte) is a small and gentle dog groomer who wants two things, to look after his dogs and take his daughter on exotic holidays. But to fund this lifestyle he runs a side business which has more unsavoury clientele and he soon finds himself involved in a dangerous relationship of subjugation with Simone (Edoardo Pesce), a former violent boxer who terrorises the entire neighbourhood. When Simone exploits him too much, Marcello must make a crucial and potentially dangerous decision in order to regain his dignity.
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