A contented ex-villain is forced to do one last spectacular robbery by a psychotic face from his past in this mould-breaking stylish thriller by director Jonathan Glazer. Gary Dove (Ray Winstone) is blissfully retired, living in a Spanish villa paradise with the wife he adores. His perfect lifestyle is shattered by the arrival of his gangster nemesis Don Logan (Ben Kingsley), intent on persuading him to return to London for a big heist. Desperate not to sacrifice his carefully built idyll, Dove is drawn into a shocking battle of wills with Logan, ending in an explosive psychological showdown, and a sensational underwater bank robbery in which he must risk everything to protect the woman he loves.
Set in the picture-postcard small town environs of Lumberton, Kyle MacLachlan plays the clean cut Jeffrey Beaumont, who, whilst returning from a visit to his hospitalised father, makes the shocking discovery of a severed human ear. After reporting his discovery to a local police detective, Jeffrey decides to pursue his own line of enquiry, aided by the detective's daughter, Sandy (Laura Dern). This sets Jeffrey on a voyage of discovery that takes him to the very heart of Lumberton's seedy and sinister underworld where he encounters a collection of misfits whose various chronic compulsions to engulf him in their twisted and nightmarish world.
"It was an evil house from the beginning, a house that was born bad". The place is the 90-year-old mansion called Hill House. No one lives there. Or so it seems. But please do come in. Because even if you don't believe in ghosts, there's no denying the terror of 'The Haunting'. Robert Wise returned to psychological horror for this much admired, first screen adaptation of Shirley Jackson's 'The Haunting of Hill House'. Four people come to the house to study its supernatural phenomena. Or has the house drawn at least one of them to it?
Jimmy Logan (Channing Tatum) is from a blue-collar family from the hills of West Virginia, whose clan has been famous for its bad luck for nearly 90 years. After being fired from his job, and with his ex-wife (Katie Holmes) threatening to move out of State taking their daughter with her, Jimmy decides he has to do something to get his family's life back on track. With a little help from his brother Clyde Logan (Adam Driver), his sister Mellie (Riley Keough) and an incarcerated explosive expert, the aptly named Joe Bang (Daniel Craig), he plans to steal $14 million from the Charlotte Motor Speedway on the busiest race day of the year.
Celine (Juliet Berto), a magician, and Julie (Dominique Labourier), a librarian, meet in Montmartre and wind up sharing the same flat, bed, finance, clothes, identity and imagination. Soon, thanks to a magic sweet, they find themselves spectators, then participants, in a Henry James-inspired 'film-within-the-film' - a melodrama unfolding in a mysterious suburban house with the 'Phantom Ladies Over Paris' (Bulle Ogier and Marie-France Pisier), a sinister man (Barbet Schroeder) and his child.
The belief in evil - and that evil can be cast out. From these two strands of faith, author William Peter Blatty and director William Friedkin wove The Exorcist, the frightening and realistic story of an innocent girl inhabited by a malevolent entity.
Romeo (Adrian Titieni), a physician living in a small mountain town in Transylvania, has raised his daughter Eliza (Maria-Victoria Dragus) with the idea that once she turns 18, she will leave to study abroad in the UK. But on the day before Eliza's first entrance exam to university, she is assaulted in an attack which threatens to jeopardise her entire future. Now Romeo has a decision to make: there are ways of solving her predicament, but not without betraying the moral principles that he, as a father, has taught Eliza throughout her life.
An alien entity inhabits the earthly form of a seductive young woman who combs the Scottish highways in search of the human prey it is here to plunder. It lures its isolated and forsaken male victims into an otherworldly dimension where they are stripped and consumed. But life in all its complexity starts to change the alien. It begins to see itself as 'she', as human, with tragic and terrifying consequence. 'Under the Skin' is about seeing ourselves through alien eyes.
Legendary film director John Huston creates one of his most cerebral films that will stay with the viewer for a long time. Set in the American Deep South during the post-war era, 'Wise Blood' stars Brad Dourif as Hazel Motes, an unhinged and aimless war-veteran, who decides to become a Bible-thumping preacher for a quasi-religious cult called 'The Church Without Christ'. Linking up with a fraudulent hustler from hellfire-and-brimstone preaching circuit - who pretends to be blind for the assembled believers - Motes is put under pressure by the fraudster to blind himself for real so that he can truly 'see the light'. A dark satire on religious movements that, beautifully acted by Dourif, Huston and William Hickey.
When Chris (Daniel Kaluuya), a young African-American man, visits his white girlfriend's (Allison Williams) family estate, he becomes ensnared in the more sinister, real reason for the invitation. At first, Chris reads the family's overly accommodating behaviour as nervous attempts to deal with their daughter's interracial relationship, but as the weekend progresses, a series of increasingly disturbing discoveries lead him to a truth that he could have never imagined.
Julien (Ewen Bremner) is schizophrenic. His sister Pearl (Chloe Sevigny) is pregnant, father unknown. His pathetic brother Chris (Evan Neumann) aspires to be a wrestling champion. His ex-army father (Werner Herzog) rules the family with an iron fist. A gripping and moving journey into the heart of the dysfunctional American family, Julien Donkey-Boy is both a wildly imaginative step toward what Korine calls a 'New Cinema' as well as one of the most convincing and affecting portraits of schizophrenia ever captured on film.
Married at seventeen to Baron von Instetten (Wolfgang Schenk) a much older district councillor who previously had designs on her mother, the bored and naive Effi (Hanna Schygulla) spends his long absences innocently dallying with the charming Major Crampas (Ulli Lommel).
Winner of the International Critics' Prize at Cannes in 1974, Bresson's masterpiece has lost none of its power and continues to cast a mystical spell. In this compelling and hypnotic film about the Arthurian legend, the Knights of the Round Table, their numbers depleted by their bloody and fruitless quest for the Holy Grail, return to King Arthur's court. Once there, Lancelot's passionate relationship with Queen Guinevere causes the Knights to fall out amongst themselves, eventually leading to their downfall.
She's an ex-gun moll and showgirl suddenly forced to protect a kid whose parents have been rubbed out by the mob. Now the mob wants the kid dead too - but first they'll have to deal with Gloria. Director John Cassavetes, known for his unique approach to filmmaking, creates a powerful, tension-filled story. An accountant (Buck Henry) is in possession of a ledger which could put a number of mob bosses behind bars for a long time. Before he is killed, however, he manages to entrust the ledger and his son to a neighbour, Gloria (Gena Rowlands in an Oscar nominated performance, Best Actress, 1980), for protection. Gloria reluctantly takes the kid on the run while keeping the mob at bay, sometimes at gunpoint. Finally, tired of running, she decides to confront them head on!
Albert Serra's new film is an adaptation of the Due de Saint-Simon's memoirs, starring Jean-Pierre as the Sun King in his last days. The dying king can barely move from his bed in Versailles. His relatives and his closest counsellors come in turns at his bedside, but he can barely rule his kingdom. His secret wife Madame de Maintenon, and his doctor Fagon dread his last breath and try to hide it from the public, to preserve the future of France. Jean-Pierre Leaud, in his costume, hair and poses, fully embodies the last few days of the longest serving king of France, who, with his seventy-two years reign, changed the face of the monarchy and of France.
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