monsieurk's - Rented List

Shakespearian, flamboyant, sensual, violent, funny, 'Wild At Heart', is without a doubt one of the major movies by the genius director David Lynch. Inspired by Barry Gifford's novel, with a soundtrack composed by Angelo Badalamenti, this is an unmissable masterpiece.

"New Order" is a gripping action thriller from acclaimed writer-director Michel Franco (Chronic, After Lucia). Set in contemporary Mexico City, it follows the dramatic events that unfurl after a lavish high society wedding is interrupted by a violent nationwide uprising.

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This ambitious, sharp and hilarious satire of petty bureaucracy and cultural misunderstandings is set in a small Romanian town during the 1999 Kosovo conflict.

A US-manned NATO train bound for the border unexpectedley reaches the end of the line when a stubborn and pedantic station master applies the brakes over a paperwork technicality. Sensing a golden opportunity to profit from the Americans' unexpected presence, the local community go to ridiculous lengths to welcome them, while the stranded troops' hard-bitten and increasingly frustrated captain decides to take matters into his own hands...

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Ben Sharrock's critically adored 'Limbo' is a wry, funny and poignant cross-cultural satire that subtly sews together the hardship and hope of the refugee experience. Set on a fictional remote Scottish island, it follows a group of new arrivals as they await the results of their asylum claims.

Among them is Omar (Amir El-Masry), a young Syrian musician struggling with the guilt, regret and grief that comes with leaving his former life behind. This deadpan comedy-drama from a bold new voice in British cinema shines a light on the hearts and lives of those at the centre of a crisis that is mostly only experienced through the headlines.

From writer and director Ben Wheatley, 'In the Earth' is the story of a scientist and park scout who venture deep in the forest for a routine equipment run. Through the night, their journey becomes a terrifying voyage through the heart of darkness, the forest coming to life around them.

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Award-winning director Kelly Reichardt (Meek's Cutoff, Wendy and Lucy) returns with the eagerly awaited 'First Cow', a gripping and glorious story of friendship, petty crime and the pursuit of the American dream on the harsh frontier of the Pacific Northwest.

In 1820's Oregon, two loners team up to seek their fortune through a scheme to steal milk from the wealthy landowner's prized Jersey cow - the first, and only, in the territory. A true masterpiece from one of the great modern American filmmakers.

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In a career-defining performance, Alain Delon plays Jef Costello, a contract killer with samurai instincts.

After carrying out a flawlessly planned hit, Jef finds himself caught between a persistent police investigator and a ruthless employer, and not even his armor of fedora and trench coat can protect him. An elegantly stylized masterpiece of cool by maverick director Jean-Pierre Melville, 'Le Samourai' is a razor-sharp cocktail of 1940's American gangster cinema and 1960's French pop culture - with a liberal dose of Japanese lone-warrior mythology.

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'Beat' Takeshi -Japan's most popular and charismatic star plays the lead role in this very original tale of the last days of a tough Tokyo gangster.

'Beat' Takeshi plays Murakawa , an established and ruthless Yakuza, sent outside his usual turf to intervene in gang war on the tropical island of Okinawa. Things go badly wrong and he and his gang get caught into the crossfire. Forced to retreat to seaside hideaway they kill time and fool around on the beach, but then their enemies start to pick them off. Takeshi decides to go on the offensive for a final and breathtaking showdown...

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The film that propelled Rohmer to international acclaim remains one of the finest achievements of his career.

The fourth in the 'Moral Tales' series, it tells the story of a chaste and conservative thirty-something (Jean-Louis Trintignant) who sees a woman that he believes will be his perfect match whilst attending church. But when he unwittingly spends the night at the apartment of the worldly and spirited divorcee Maud (Francoise Fabian), he finds the moral certainties of his life are suddenly thrown into question.

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Zola (newcomer Taylour Paige), a Detroit waitress, strikes up a new friendship with a customer, Stefani (Riley Keough), who seduces her to join a weekend partying in Florida.

What at first seems like a glamorous trip full of "hoeism" rapidly transforms into a 48-hour journey involving a nameless pimp, an idiot boyfriend, some shady guys in Tampa, and other unexpected adventures in this wild, see-it-to-believe-it tale.

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Rose (Ann Skelly), an adopted child, wants to discover her biological parents. When Rose finds her birth mother Ellen (Orla Brady), it quickly becomes clear that she has no wish to have any contact. But Rose is determined, and Ellen is forced to reveal a secret she has kept hidden for over 20 years.

This revelation forces Rose to accept the nature of how she came into existence. Rose believes she has little to lose when she sets out to confront her father, Peter (Aidan Gillen). What Rose cannot foresee is that she is on a course that will prove both violent and unsettling.

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If cinema has its equivalents to the master modernists of music, painting, or literature, then one of the tradition's foremost practitioners is undoubtedly Alain Resnais - and "Muriel, ou le Temps d'un retour" represents one of his earliest, and greatest, triumphs.

In Resnais' two preceding features, the master filmmaker pioneered new ways of representing inner reality and emotion; but with Muriel, he merged the vicissitudes of his characters' personal pasts, and married them to the traumas of the political present - namely, the French war in Algeria. The story of the middle-aged Helene, an antique dealer located in the provincial port-town of Boulogne-Sur-Mer, who resides amid her wares inside the same flat that serves as her business showroom. An old lover of Helene's comes to visit and soon takes up a more permanent residence within her life, despite the presence of a suspicious, tortured, and sexualised stepson who is haunted by a woman, a name, from his own past: "Muriel". Scripted by Jean Cayrol, the co-writer of Resnais' landmark early short film Night and Fog, Muriel is one of the great family films, and stands like a cinema landmark as one of the most complex and rewarding films of the 1960s.

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12:08pm on the 22 December 1989 was the exact time of Ceausescu's fall from power in Romania. Sixteen years on, a provincial TV talk show decides to commemorate the event by asking local heroes to reminisce about their own contributions to the revolution.

But securing suitable guests proves an unexpected challenge and the producer is left with two less than ideal participants - a drink-addled history teacher and a retired and lonely sometime-Santa Claus grateful for the company. In the farcical show that follows, the men's fanciful boasts of rebellious glory are hilariously disputed by phone-ins from viewers who recall an altogether different version of events. With entertainingly wry humour, Corneliu Porumboiu's debut feature sharply satirises the short memories and inconsistencies of post-revolutionary Romania.

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As the title suggests, Walkabout is a journey not only in distance, but also in the transition for one Australian aborigine, from adolescence to manhood. While on a family picnic a beautiful teenager and her brother suddenly find themselves very much alone after the tragic death of their father.

As they wander through the outback they meet the young aborigine. The film unfolds and tells the tale of survival, resourcefulness and sexual awareness, as the travellers become lost in the Australian wilderness.

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French director, screenwriter, actor and producer Bertrand Tavernier looks at the rich history of French cinema and its impact on his life, from his youth as a movie buff to his own career as a filmmaker.

Along the way, he explores the works of acclaimed French directors such as Jacques Becker, Jean-Pierre Melville, Claude Sautet, Frangois Truffaut, and Jean-Luc Godard.