monsieurk's - Rented List

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"Saint Omer" follows novelist Rama (Kayije Kagame) who attends the trial of Laurence Coly (Guslagie Malanda), a young woman accused of killing her 15-month-old daughter.

As the legal proceedings move forward, the words of the accused along with witness testimonies begin to shake Rama's convictions and call into question both her judgement and that of the viewer. Featuring an array of outstanding performances, 'Saint Omer' is a riveting and utterly unmissable courtroom drama from acclaimed filmmaker Alice Diop.

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One of the great American independent films of the 1990's, the surprise hit 'Metropolitan' by writer-director Whit Stillman, is a sparkling comedic chronicle of a middle-class young man's romantic misadventures in New York City's debutante society.

Stillman's deft, literate dialogue and hilariously highbrow observations earned this first film an Academy Award nomination for best original screenplay. Alongside the wit and sophistication, though, lies a tender tale of adolescent anxiety.

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From Damien Chazelle, 'Babylon' is an original epic set in 1920s Los Angeles led by Brad Pitt, Margot Robbie and Diego Calva, with an ensemble cast including Jovan Adepo, Li Jun Li and Jean Smart.

A tale of outsized ambition and outrageous excess, it traces the rise and fall of multiple characters during an era of unbridled decadence and depravity in early Hollywood.

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After years behind bars, Max Dembo faces 'Straight Time'. He hopes it will mean a new life, a job, a place to call home, perhaps even a girl of his own. Instead, it's a one-way ticket to disaster.

Dustin Hoffman plays Max, a freed con trapped by an indifferent criminal system and his selfdestructive bent. Before and during the film's shoot, Hoffman apprenticed himself to Edward Bunker, the ex-con whose book No Beast So Fierce inspired the movie. The resulting experience is intensely real and superbly acted by Hoffman and a terrific ensemble (Theresa Russell, Harry Dean Stanton, Gary Busey, M. Emmet Walsh and Kathy Bates). As Newsweek's David Ansen wrote, 'Straight Time' "has an edgy, lingering intensity".

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Two of the giants of film-acting come together as a married couple living in crisis: Marcello Mastroianni and Jeanne Moreau. He is a renowned author and 'public intellectual'; she is 'the wife.

' Over the course of one day and the night into which it inevitably bleeds, the pair will come to re-examine their emotional bonds, and grapple with the question of whether love and communication are even possible in a world built out of profligate idylls and sexual hysteria.

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Michel Simon plays Paul Braconnier, a man with designs on murdering his wife Blandine (Germaine Reuver) - a woman with similar designs on her husband.

When Braconnier visits Paris to consult with a lawyer about the perfect way of killing a spouse - that is, the way in which he can get away with it - an acid comedy unfolds that reaches its peak in a courtroom scene for the ages.

From director-writer-producer Todd Field comes Tar, starring Cate Blanchett as the iconic musician, Lydia Tar. The film examines the changing nature of power, its impact and durability in our modern world.

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In the latest film from the director of the Cannes Palme d'Or winning 'Uncle Boonmee who can Recall his Past Lines', soldiers with a mysterious sleeping sickness are transferred to a temporary clinic in a former school.

The memory-filled space becomes a revelatory world for volunteer Jenjira, as she watches over Itt, a handsome soldier with no family visitors. Jen befriends Keng who uses her psychic powers to help loved ones communicate with the comatose men. Doctors explore ways, including coloured light therapy, to ease the mens' troubled dreams.There may be a connection between the soldiers' enigmatic syndrome and the mythic ancient site that lies beneath the clinic. Magic, healing, romance and dreams are all part of Jen's tender path to a deeper awareness of herself and the world around her.

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Left to his own devices when his fiancee goes to London, Adrien decides to spend his vacation experimenting with monastic life in the peace and quiet of a large house in St Tropez. However, the villa already has two occupants: his artist friend Daniel and Haydee, a woman he does not know.

Haydee collects lovers and comes home at all hours of the night, disturbing Adrien's ascetic pursuits, yet despite his resistance, Adrien finds himself beginning to surrender to her charms. The third in the 'Moral Tales' series.

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In this Academy Award-nominated Best Picture, two widowed mothers - one white, Beatrice Pullman (Claudette Colbert), and one black, Delilah Johnson (Louise Beavers) - decide to pool their talents and go into business together, opening a waffle shop.

A surprising financial success, their business is quickly franchised into a chain of coffee shops that market their unique product line - Delilah's waffle recipe and Bea's maple sugar-candy hearts. But their success is a mixed blessing because it complicates their relationships with their own daughters. Ashamed of her mother, Peola seeks a new life by passing for white. Bea's love for her daughter is tested when she and Jessie fall for the same man.

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EO, a grey donkey with melancholic eyes and a curious spirit, begins his life as a circus performer before escaping on a trek across the Polish and Italian countryside.

During his travels, he encounters an eclectic cast of characters, including a countess, a young Italian priest and a riotous Polish football team. An equine hero, EO boldly points out societal ills and serves as warning of the dangers of neglect and inaction, all while on a quest for freedom.

Lake Bell stars in 'In a World...', a hilarious and heartfelt comedy about a struggling vocal coach who strikes it big in the cutthroat world of movie-trailer voiceovers, only to find herself in direct competition with the industry's reigning king - her father.

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Abbas Kiarostami takes metanarrative gamesmanship to masterful new heights in the final instalment of The Koker Trilogy.

Unfolding "behind the scenes" of 'And Life Goes On', this film traces the complications that arise when the romantic misfortune of one of the actors - a young man who pines for the woman cast as his wife, even though, in real life, she will have nothing to do with him - creates turmoil on set and leaves the hapless director caught in the middle. An ineffably lovely, gentle human comedy steeped in the folkways of Iranian village life, 'Through the Olive Trees' peels away layer after layer of artifice as it investigates the elusive, alchemical relationship between cinema and reality.

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From the legendary filmmaking duo Powell and Pressburger, 'The Small Back Room' is the story of the troubled love affair between a tormented back room scientist and a beautiful secretary, told against a background of ministerial intrigue and empire building.

Sammy Rice (David Farrar) was the army's finest bomb disposal officer until he was injured in the war and left with a false foot. Now part of a specialist 'back room' team, he dismantles the booby-trapped devices being dropped by Nazi bombers. He falls in love with Susan (Kathleen Byron), a colleague, and the two begin a secret affair. However, embittered by life, he feels inferior; inferior as a lover, inferior as a man unable to wear uniform; inferior in his work for, although a brilliant scientist, he allows himself to be exploited by his power-hungry boss. Haunted by his past, he drowns his sorrows in whiskey. Sammy's life is descending into disarray when the news comes; a bomb has exploded with catastrophic consequences, and another has been found. Faced with the biggest challenge of his career, Sammy must confront his demons and take his own life in his hands to solve the mystery of the bomb's lethal mechanism.

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It's night over Europe, the night of 2nd of May 1945. A crippled Lancaster Bomber struggles home across the English Channel, all crew dead save for the young pilot desperately scanning the radio for signs of life.

His prayers are answered, June (Kim Hunter), a young radio operator, picks up his signal, and in the final moments of the young flyer's life, a special bond is formed. The next morning washed up on an English beach, Squadron Leader Peter Carter (David Niven) is alive. He finds June, and the two fall in love. Somehow he survived. It's a miracle...or is it? Peter Carter should have died that night; a heavenly escort missed him in the fog above the Channel, and now he must face the celestial court of appeal for his right to live.