Keith Carradine and Harvey Keitel star in this dramatic film about two officers in Napoleon's army who violently confront each other in a series of duels. The duels begin as a reaction to a minor incident and escalate into a consuming passion that rules the lives of both men for a period of 15 years. Based on Joseph Conrad's story, 'The Duellists' explores the themes of obsession, honour and violence.
Marcello Mastroianni stars as a reluctant revolutionary whose cowardice keeps him from joining his comrades. As he struggles to manage his lies he gets embroiled in a suicidal uprising in Southern Italy.
John Thunderbolt Doherty (Clint Eastwood) is a former thief whose razor-sharp wits and steely nerves made him a monster of his profession, but he's about to to enter the criminal world with a new partner. Lightfoot (Jeff Bridges), a brash young drifter whose energy and exuberance give the veteran a new outlook on life. Their target: the seemingly impenetrable Montana Armored Depository. After forming an uneasy alliance with Thunderbolt's former partners in crime (George Kennedy and Geoffrey Lewis), they launch an amazing scheme that will test the limits of their endurance...and the power of their friendship.
Beginning with the collapse of an apartment building in a working-class district, the film zeroes in on the subsequent investigation of responsibility surrounding the disaster. At the centre is Edoardo Nottola (Rod Steiger), a wealthy land developer and council member of the government's ruling party, who is determined to keep his personal and professional interests in the building of new government housing as intertwined as possible.
In a rural community of grinding economic and spiritual poverty, where poaching and delivering bootleg liquor supplement meagre incomes and love is absent, Mouchette is endlessly abused. She cares selflessly and without thanks for her family as her mother slowly dies, whilst she is humiliated by a teacher for singing out of tune, is called a slut by a shopkeeper and even, as she is about to speak to a young man who smiled at her on the dodgems, is slapped by her harsh, judgemental father. Finally, having sought to help the epileptic poacher Arsene, she is raped by him. Even then, she later protects him. Mouchette may not understand all that she experiences but nor is she a helpless victim. She cares for her mother and especially for her infant sibling. Ostracised by her cruel classmates, she retaliates, throwing mud at them. She also avenges herself against the woman who speaks with pious reverence of the dead and who offers Mouchette a funeral shroud for her mother and a dress for herself.
This beautifully composed drama centres on a middle-aged filmmaker and her mother, who spend a few nights in an old country hotel that holds meaning for them both. Featuring a towering, deeply moving performance by Tilda Swinton, 'The Eternal Daughters' is an intricately layered piece about motherhood, memory and loss, dressed up as a gothic chiller. Swirling mist, looming shadows, a ghostly presence half-glanced in a window...embracing some of the heightened stylistic flourishes seen in 'The Souvenir Part II', 'The Eternal Daughter' takes Joanna Hogg into exciting new territory, while retaining her distinctive naturalistic signature. The film exists entirely as its own deeply enthralling and moving drama, but fans of the filmmaker's recent work will also find it a puzzle box of metatextual delights.
Kurosawa's remarkable film - his only produced and financed and survival, based on the memoirs of Russian explorer Vladimir Arseniev (Yuriy Solomin). In the harsh environs of the Siberian frontier, an expedition led by Arseniev encounters the momadic Goldi tribesman Dersu Uzala (Maksim Munzuk), who agrees to guide the men through the vast uncharted wilderness. Although initially considered but the group as little more that a savage, Dersu's skill, courage and spiritual wisdom soon earn their respect and admiration, as well as instilling in them a new-found compassion for the natural world.
Struggling poet Vijay (Guru Dutt) is ridiculed by his brothers and scorned by publishers. Vijay finds encouragement in a sweet prostitute Gulabo (Waheeda Rehman). One day he meets his exgirlfriend Meena (Mala Sinha) and gets hired as servant by her husband Mr.Ghosh (Rehman) who is a publisher. In a train mishap, the beggar clad in Vijay's coat dies while Vijay gets injured. Gulabo convinces Ghosh to print Vijay's poems, believing him to be dead. After recovering from injuries, Vijay's close friends and brothers refuse to recognize him for their ulterior motives and he is confined to mental asylum for claiming to be someone who is dead. He escapes from the mental asylum and arrives at the function held to honour him. There he denounces this corrupt and hypocrite world and declares that he is not Vijay.
Gian Maria Volonté (A Fistful of Dollars) stars in one of provocative filmmaker Elio (Investigation of a Citizen Above Suspicion) Petri's most politically charged films as factory worker Lulu: a man on the verge of a nervous breakdown, following an accident at work. Too tired to sleep with his girlfriend, cut out of his son's life by his ex, humiliated and disrespected, 'The Working Class Go to Heaven' is an oftentimes surreal and darkly comic look at the life of an everyday Italian trying to find a sense of purpose in a world where he is only allowed to be a tool for industry. A savage takedown of capitalism and industrial corruption, the film was recipient of the prestigious Cannes Film Festival Palme d'Or and features a gloriously unhinged, award-winning performance from Volonté, accompanied by an exceptional score by Ennio Morricone and stunning cinematography by Luigi Kuveiller (Deep Red).
Humphrey Bogart stars as Dixon Steele, a screenwriter who is faced with the odious task of scripting a trashy best-seller. He enlists hat-check girl Mildred Atkinson to tell him the story in her own words. Later that night, Mildred is murdered and Steele is a prime suspect; his record of belligerence when angry and his macabre sense of humour implicate him. Fortunately, lovely neighbour Laurel Gray (Gloria Grahame) gives him an alibi. Laurel proves to be just what Steele needed. and their friendship ripens into love. m Will suspicion, doubt, and Steele's inner demons come between them?
Alain Delon, Gian Maria Volontè and Yves Montand star as the elegant, mis-matched trio, locked in an elaborate and dangerous game of cat-and-mouse with the inscrutable police inspector (André Bourvil), who is determined to foil their attempts to pull off the perfect crime, despite being drawn irresistibly to his prey. As the day of the heist dawns, the story unfolds, with all four players determined to cheat fate.
The story, told in the manner of a Christian parable, is about a humble and unworldly priest who attempts to live by the precepts of Christianity, but is despised for his pains.
In this wild and incredible tale, young Bella Baxter (Emma Stone) is brought back to live by a brilliant and unorthodox scientist. Eager to learn and hungry for the worldliness she lacks, Bella runs off on an adventure that inspires in her a fantastical evolution leading to a fierce dedication to equality and liberation.
Joan Crawford plays Vienna, a saloon owner with a sordid past. Persecuted by the townspeople, Vienna must protect her life and her property when a lynch mob led by her sexually repressed rival, Emma Small (Mercedes McCambridge), attempts to frame her for a string of robberies she did not commit. Enter Johnny Guitar (Sterling Hayden), a guitar-strumming ex-gunfighter who has a history with Vienna.
The second of Ingmar Bergman's trilogy on faith, 'Winter Light' springs from Bergman's desire to define man's relation to God - if He exists. A village pastor, unloved and empty of faith, reveals his bitter failure to offer spiritual consolation to his flock. Sombre and poignant, the film sketches a world of half empty churches - but a world not entirely without hope in God's universe. The story brings together four personalities in a shared quest for spiritual reassurance. A susceptible and disillusioned fisherman (Max Von Sydow) is urged by his wife (Gunnel Lindblom) to seek solace from his local priest (Gunnar Bjornstrand). However, the priest is struggling to regain his own belief - a tragic and intimately depicted conflict, in which he is eventually supported by the cynical resilience of the local school mistress (Ingrid Thulin).
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