Following the closure of a gypsum mine in the Nevada town she calls home, Fern (Frances McDormand) packs her van and sets off on the road in this "exquisite film" (Joe Morgenstern, The Wall Street Journal). Exploring an unconventional life as a modern-day nomad, Fern discovers a resilience and resourcefulness unlike any she's known before long the way, she meets other nomads who become mentors in the vast landscape of the American West.
In the final days of World War 2, a young Hungarian is making his way home, through countryside full of the debris of war, when he is captured and imprisoned by Russians. Left in the custody of a young Russian soldier, the two youths form a friendship in spite of not speaking each other's language. The Hungarian's attempts to continue his journey homeward provide the framework for this powerful film, considered Miklos Jancso's first masterpiece. Jancso's consistent vision - the psychological presence of landscape, the randomness of violence, the arbitrary nature of power - is first evident in this poetic, evocative and deeply personal work from one of cinema's most acclaimed filmmakers.
Janos (Péter Andorai) and Katalin (Ildikó Bánsági) are strangers but forced to pose as husband and wife to hide their links to the anti-Nazi resistance in Budapest 1944. The intensity and intimacy of this relationship forces them to passionately confront their past, challenging what they believe and in whom they can place their trust.
The first in-depth documentary about a long time underestimated composer by Reiner E. Moritz Underestimated by his contemporaries, but today acclaimed as one of the greatest and imaginative composers of his time. Anton Bruckner was a genius of tones. Such great conductors like Kent Nagano, Valery Gergiev and Simon Rattle let the composer come alive in the documentary „Anton Bruckner: The Making of a Giant" telling the ups and downs of life through his music. Using the opportunity of drawing on Gergiev's recording of the Bruckner Cycle with the Munich Philharmonic, contributions from the Florianer Sängerknaben, organists at St. Florian Linz and the Vienna Court Chapel as well as the conductor of the Linzer Singakademie, we gain insights into the work of the composer. We visit his birthplace, hear about his teaching assignments, his triumphs as organist in France and England, his relationship with Wagner and the difficult times in Vienna, where he spent the latter part of his life.
Jep Gambardella, a 65-year-old journalist and once promising novelist, lives his easy life among Rome's decadent high society in a swirl of rooftop parties and late-night soirees. But when he learns of the death of his friend's wife - a woman he once loved as an 18-year-old - his life is thrown into perspective and he begins to see the world through new eyes...
One of the most critically acclaimed films of the year, 'Tabu' is a diptych starting off in present day Lisbon where Teresa Madruga gives a luminous performance as Pilar, a woman concerned about her neighbour Aurora's eccentricities. Finally Pilar meets Gian Luca, a figure from Aurora's past. He starts his story and the film jumps back in time to colonial Africa, where he and Aurora had a passionate love-affair. This second part is made as a quasi-silent film, with no dialogue, just music and voice-over. Former film critic Miguel Gomes both uses and slyly comments on all the techniques of cinema to make a truly virtuoso film. With a soundtrack that ranges from Lisztian piano music to cover versions of Phil Spector. 'Tabu' is just a delight. Not to mention the sad and melancholy crocodile...
CoIm Bairead's beautifully understated feature debut finds a young girl coming to terms with loss and the importance of family in rural Ireland. Cait (Catherine Clinch), a quiet, neglected young girl, is sent away from her dysfunctional family to live with relatives for the summer. At first intimidated by her new environment, she quickly blossoms in the care of Eibhlin (Carrie Crowley) and her farmer husband, Sean (Andrew Bennett). As this new home becomes an idyll for her, Cait senses that something is plaguing her new foster parents - an unspoken pain that Eibhlin and Sean never discuss, which Cait's youthful curiosity begins to uncover.
During the economic boom of the 1960s, Europe's highest building is being built in Italy's prosperous North. At the other end of the country, young cavers explore Europe's deepest cave in the untouched Calabrian hinterland. The bottom of the Bifurto Abyss, 700 metres below Earth, is reached for the first time. The intruders' venture goes unnoticed by the inhabitants of a small neighbouring village, but not by the old shepherd of the Pollino plateau whose solitary life begins to interweave with the group's journey. 'il Buco' chronicles a visit to the depths of life and nature and parallels two great voyages to the interior.
Based on the internationally bestselling novel by Ferdinand Von Schirach 'The Collini Case' is a masterful court room drama carefully exposing and laying bare the sins of the past. Fabrizio Collini (Franco Nero) is accused, without any apparent motive, of murdering the respected industrial magnate Hans Meyer (Manfred Zapatka). For Caspar, (Elyas M'Barek) accepting this as his first case as defence counsel would propel his career exponentially. But the victim was not only the grandfather of his childhood sweetheart but also a mentor and father figure to him in his youth. As Caspar delves deeper, he unravels the dark secret past of the family. He soon discovers a scandalous law that shakes the legal justice system to its core, turning it into one of Germany's most high-profile cases of the century.
Nitram (Caleb Landry Jones) lives with his mother (Judy Davis) and father (Anthony LaPaglia) in suburban Australia in the mid 1990s. He lives a life of isolation and frustration at never being able to fit in. That is until he unexpectedly finds a close friend in a reclusive heiress, Helen (Essie Davis). However when that relationship meets its tragic end, and Nitram's loneliness and anger grow, he begins a slow descent that leads to disaster.
The Outfit is a gripping and masterful thriller in which an expert tailor (Mark Rylance) must outwit a dangerous group of mobsters in order to survive a fateful night.
Young Finnish archaeology student Laura (Seidi Haarla) is convinced by her lecturer - and lover - to take a trip to an ancient site of petroglyphs near the Arctic Circle. However, when she boards the long-distance train to take her there, she finds that she has to share her carriage with the boorish and belligerent Ljoha (Yuriy Borisov), a foul-mouthed, misogynistic drunk travelling to his new job as a miner. Initially, they seem to have nothing in common, but, like the landscape they're travelling through, the more time Laura spends with Ljoha the more he thaws, revealing an unforeseen kindness beneath the macho facade. This chance meeting between the two occupants of compartment no.6 brings about an awakening within them, forming a bond they will never forget.
There is a philosophical theory that we should be born with a small amount of alcohol in our blood; that modest inebriation opens our minds to the world around us diminishing problems and increasing creativity. Intrigued Martin (Mads Mikkelsen) and three of his friends all weary high school teachers, embark on a risky experiment to maintain a constant level of intoxication throughout the workday. Initial results are positive, but as the units are knocked back and stakes are raised, it becomes increasingly clear that some bold acts carry severe consequences.
France, 1963. Anne (Anamaria Vartolomei) is a bright young student with a promising future ahead of her. But when she falls pregnant, she sees the opportunity to finish her studies and escape the constraints of her social background disappearing. With her final exams fast approaching and her pregnancy progressing, Anne resolves to act, even if she has to confront shame and pain, even if she must risk prison to do so.
Alexander (Ilja Monti) auditions at a prestigious Berlin music school. The vote is split, but Anna Bronsky (Nina Hoss) insists she can train him. Her obsessive quest begins to draw out of him the unique sound she believes he possessed in his audition. However, Alexander does not respond well to her increasingly strict and regimented approach. She is also invited to join a quintet, but is reluctant to perform in concert and her eventual participation leads to an exceptionally embarrassing experience. Anna is pushed over the edge and doubles down on Alexander. Come the day of his exam, events take a tragic turn.
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