There is a philosophical theory that we should be born with a small amount of alcohol in our blood; that modest inebriation opens our minds to the world around us diminishing problems and increasing creativity. Intrigued Martin (Mads Mikkelsen) and three of his friends all weary high school teachers, embark on a risky experiment to maintain a constant level of intoxication throughout the workday. Initial results are positive, but as the units are knocked back and stakes are raised, it becomes increasingly clear that some bold acts carry severe consequences.
France, 1963. Anne (Anamaria Vartolomei) is a bright young student with a promising future ahead of her. But when she falls pregnant, she sees the opportunity to finish her studies and escape the constraints of her social background disappearing. With her final exams fast approaching and her pregnancy progressing, Anne resolves to act, even if she has to confront shame and pain, even if she must risk prison to do so.
Alexander (Ilja Monti) auditions at a prestigious Berlin music school. The vote is split, but Anna Bronsky (Nina Hoss) insists she can train him. Her obsessive quest begins to draw out of him the unique sound she believes he possessed in his audition. However, Alexander does not respond well to her increasingly strict and regimented approach. She is also invited to join a quintet, but is reluctant to perform in concert and her eventual participation leads to an exceptionally embarrassing experience. Anna is pushed over the edge and doubles down on Alexander. Come the day of his exam, events take a tragic turn.
The Damned (1969)La Caduta degli dei / Luchino Visconti's the Damned
The most savagely subversive film by the iconoclastic auteur Luchino Visconti employs the mechanics of deliriously stylized melodrama to portray Nazism's total corruption of the soul. In the wake of Hitler's ascent to power, the wealthy industrialist von Essenbeck family and their associates - including the scheming social climber Friedrich (Dirk Bogarde), the conniving matriarch Sophie (Ingrid Thulin), and the cruelly deviant heir Martin (Helmut Berger) - descend into a self-destructive spiral of decadence, greed, perversion, and allconsuming hatred as they vie for power, over the family business and over one another.
Bored by the daily tedium of her office job, Kate (Ruth Wilson) is sleepwalking through life when a chance sexual encounter with a charismatic stranger (Tom Burke) awakens her. High on infatuation and the exhilaration of this new relationship, she finds herself inexplicably drawn to this mysterious new man. Hoping he will provide the escape she so desperately desires, she embarks on an emotionally dangerous journey that slowly begins to consume her. With a cast that also includes Hayley Squires, 'True Things' is the unmissable new film from acclaimed director Harry Wootliff.
Multi-award-winning and hailed as one of the finest films of recent years, Pedro Costa's exquisite 'Vitalina Varela' follows the titular Vitalina, a woman left behind in Cape Verde when her husband leaves to find work in Portugal. Years later, she finally makes the journey to Lisbon herself but arrives three days after his funeral. Alone and isolated in her late husband's home, Vitalina is determined to persevere and confront the ghosts of the past. Haunting, strikingly visualised and marked by a towering central performance, 'Vitalina Varela' is an unforgettable modern masterwork.
Seventeen-year-old Ola (Zofia Stafiej) travels to Ireland to bring her father's body back to Poland after he died working on a construction site. But never mind her dad, Ola wants to know if he saved money for the car he had promised. In a foreign country all by herself, Ola will have the trip of her lifetime, a journey into the unknown, on which she will try to reconnect with her estranged father. In Ireland, she will come to know a different world and meet people who will change her approach to life.
Eve (Gabriela Cartol) is a conscientious hotel chambermaid. Punctual and enterprising, paying close attention to the details, she hopes her impeccable professionalism will bring her promotion to the Hotel Presidente's exclusive penthouse floor. Long, laborious shifts prevent Eve from caring for her child while she helps guests with their own children. Aviles records her day-to-day activities, from the detail of ensuring rooms are immaculately presented each morning to enrolling in the hotel's adult education programme, which will help her chances of promotion. When things don't result as planned, Eve transforms her lonely explorations and newfound courage into the necessary strength to face a life outside the glimmering tower.
After a bitter divorce, Miriam (Léa Drucker) and Antoine (Denis Ménochet) battle for sole custody of their son, Julien (Thomas Gioria). Miriam claims the father is violent but lacks proof. Antoine accuses her of manipulating their son for her own ends. Both sides seem to be hiding something with the truth buried in a web of deceit and jealousy. When the judge awards joint custody, an already tense situation soon brings the family's fraught past to light. And as the truth slowly begins to emerge, a chain of events is set in motion with Julien an innocent bystander in an increasingly dangerous situation.
Rio de Janeiro, 1950. Eurídice (Carol Duarte), 18, and Guida (Julia Stockler), 20, are two inseparable sisters. Although immersed in a traditional life, each one nourishes a dream: Eurídice of becoming a renowned pianist, Guida of finding true love. But they are separated by their father and forced to live apart. They take control of their separate destinies, while never giving up hope of finding each other.
An audacious, genre-defying mix of horror and folklore, 'Lamb' is the debut feature from Icelandic writer-director Valdimar Johannsson. A couple on a remote sheep farm find a mysterious newborn and decide to raise it as their own, but soon face the consequences of defying the will of nature.
In a career-defining performance, Alain Delon plays Jef Costello, a contract killer with samurai instincts. After carrying out a flawlessly planned hit, Jef finds himself caught between a persistent police investigator and a ruthless employer, and not even his armor of fedora and trench coat can protect him. An elegantly stylized masterpiece of cool by maverick director Jean-Pierre Melville, 'Le Samourai' is a razor-sharp cocktail of 1940's American gangster cinema and 1960's French pop culture - with a liberal dose of Japanese lone-warrior mythology.
Life has turned upside-down for brooding Bulcsu (Sandor Csanyi), a ticket inspector who patrols the platforms and trains of the city's underground network with a motley crew of colleagues. Bulcsu has forged a series of ' 'relationships' with other long-term denizens of this neon-lit world - the serial fare-dodger, the shadowy serial-killer, the veteran whose seen it all before, and the mysterious, beautiful woman who rides the rails in a bear suit.
Christine 'Lady Bird' McPherson (Saoirse Ronan) fights against but is exactly like her wildly loving, deeply opinionated and strong-willed mum (Laurie Metcalf), a nurse working tirelessly to keep her family afloat after Lady Bird's father (Tracy Letts) loses his job. 'Lady Bird' is an affecting look at the relationships that shape us, the beliefs that define us, and the unmatched beauty of a place called home.
Working on the fringes of the murky underworld and constantly pumped on steroids and hormones, the domineering Jacky (Matthias Schoenaerts) initiates a shady deal with a notorious mafioso meat trader. But when an investigating federal agent is assassinated and a woman from his traumatic past resurfaces, Jacky is forced to confront his demons and face the far-reaching consequences of his decisions.
We use cookies to help you navigate our website and to keep track of our promotional efforts. Some cookies are necessary for the site to operate normally while others are optional. To find out what cookies we are using please visit Cookies Policy.