The plot concerns a yachting trip by a small group of jaded socialites, including Sandro (Gabriele Ferzetti), an aging architect who sold out for easy money long ago, his mistress Anna (Lea Massari), and her friend Claudia (Monica Vitti), who doesn't fit in with the wealthy jet-setters' dissolute ethics. When Anna disappears during a tour of a volcanic island, Claudia initially blames Sandro's emotionally barren behavior toward her. As they search the island, however, Claudia and Sandro grow closer and - when it is apparent that Anna is gone forever - become lovers. Unfortunately, Sandro cannot find anything decent inside himself and betrays Claudia with a local prostitute. Caught in the act, Sandro has a heartrending breakdown on a desolate beach, but Claudia silently forgives him.
What connects us? Is it our relationships? Proximity? Love, hate, confusion? What draws us together or keeps us apart? In this groundbreaking work, director Robert Altman poses answers to these questions by intricately intertwining the stories of legendary writer Raymond Carver. 'Short Cuts' burst onto the scene in 1993 and set the stage for an entirely new way of thinking about storytelling that has been fully comprehended and embraced by modern filmmakers in recent years. Winning a special award for its ensemble cast at the 1994 Golden Globes, Short Cuts features a seemingly endless dream cast. Never before and not since its release has a single film captured the range of human emotions and interactions like Short Cuts has. You're invited to experience the countless moments that make up these characters' lives at a time and in a place where death is never far away and life is on the tip of everybody's tongue.
When young Father O'Malley (Crosby) arrives to join the congregation at an old established church, things get complicated. St. Dominic's, crusty old Father Fitzgibbon (Barry Fitzgerald) doesn't think much of O'Malley or his ideas. These two priests simply can't agree. But when O'Malley's fresh methods succeed in reaching out to the neighbourhood's toughest kids the community start to change. The neighbourhood becomes closer as the church's meaning grows dearer to their souls.
While away on business, Harry Graham (Edmond O'Brien) hops a Hollywood tour bus. Sitting next to him is a tough-talking waitress, Phyllis Martin (Ida Lupino). He lights her cigarette and, a few more trips to Los Angeles later, Harry and Phyllis are wed. Back home in San Francisco, he and his wife, Eve (Joan Fontaine), are trying to adopt a child. Harry hesitates before granting the adoption agency permission to investigate their lives.
Based on a novel by George Bernanos, 'Diary of a Country Priest' marked the first in Director Robert Bresson's so-called "prison trilogy" (followed by 'Pickpocket' and 'A Man Escaped'). The film begins with the arrival of a young, sickly priest (Claude Laydu) at the godless parish of Ambricourt in Northern France. Here he becomes drawn into the complex domestic life of a wealthy Count (Jean Riveyre), his tormented wife, his manipulative daughter and his mistress, Miss Louise (Nicole Maurey). Narrated by excerpts of the priest's diary, the film follows his efforts to awaken the villagers from their spiritual lethargy, with their struggles, suffering and triumphs representing in a microcosm those of humankind itself. Bresson's intensely personal style, minimalist approach to dialogue and music, and use of non-professional actors marked a new kind of filmmaking, which was to influence such diverse directors as Paul Schrader, Richard Linklater and Andrei Tarkovsky.
Antoine Doinel has married Christine Darbon. He's working for a florist tinting flowers in the courtyard of the building where they live. Their neighbours are an eccentric bunch including an opera singer and his wife, a man in voluntary confinement, a waitress in love, and a mysterious man nicknamed "the strangler". Antoine begins working for an American company and shortly afterwards finds that Christine is to have a baby. But here Antoine and Christine's happiness ceases as Antoine become obsessed with Kyoko a beautiful, exciting Japanese girl he meets at work and becomes more and more distant from Christine.
As one of a disparate group of fortune-seekers bound for Africa, hard-up Billy Dannreuther (Humphrey Bogart) faces the swindling machinations of his fellow travellers as they await passage from a picturesque port on Italy's Amalfi coast. But with scheming aplenty, will this motley crew miss the boat completely?
Yumiko (Makiko Esumi), her infant son and her husband Ikuo (Tadanobu Asano) live in Osaka, and are an apparently contented family. But Yumiko's life is shattered by Ikuo's sudden death and the lingering question over whether it was an accident or suicide. When she remarries years later it seems she might find happiness again with Tamio (Taskashi Naito) until, after a trip back to Osaka, troubling memories begin to haunt her.
Kurt Russel and William Baldwin star as two feuding siblings carrying on an heroic family tradition as Chicago firefighters but when a puzzling series of arson attacks is reported, they are forced to set aside their differences to solve the mystery surrounding these explosive crimes.
In 1959, Kit (Martin Sheen) who has killed several people, and his new girlfriend Holly (Sissy Spacek), who watched him do it, are adrift in a double fantasy of crime and punishment across South Dakota and Montana. They're playing make-believe but the bullets and bloodshed are very real...
In this epic adventure of hope and empowerment, a cyborg, Alita (Rosa Salazar), searches for clues from her past when she awakens in a future world she does not recognise.
Maverick academic and soviet historian Fluke Kelso (Daniel Craig), is visited by a formed NKVD officer who reveals some information that could lead him to uncover one of Russia's most closely guarded and unimaginable national secrets. When the old man is later found murdered, Kelso is convinced there must be some truth to his story. Lured by the possibility of such a historical find, he seeks out the old officer's estranged daughter, Zinaida (Yekaterina Rednikova) to help him unravel her father's mysterious legacy. Pursued by hungry reporter, TV newsman RJ O'Brian (Gabriel Macht) their quest takes them to the remote northern port of Archangel where there are others, more desperate to protect the truth than even Kelso and Zinaida are to find. Inestricably immersed in a world of violence and political intrigue, Kelso and Zinaida begin to unearth the frightening truth...
In a dark, claustrophobic apartment a sick elderly woman is accompanied by her son, her nurse and her lover and a former teacher who is now unemployed. She relies on them, as they do on her, for a place to live. None are able to leave whilst finding no solace in remaining in the apartment and scheme to find ways of manipulating the others to get some kind of personal gain. In the process everyone's darkest secrets are revealed. A landmark in the career of legendary filmmaker Bela Tarr, 'Autumn Almanac' is his first abandonment of social realism for a new kind of formalism that employs artificial light sources and an overt use of mise en scene.
The film that launched Brigitte Bardot on an unsuspecting world and changed the face of movies forever. Roger Vadim's directorial debut broke box office records the world over and showed St.Tropez to be the coolest place on the planet. It featured a voluptuous and kitten-like Bardot with her pout, her curves and her stunning beauty to a very receptive audience. Bardot is Juliette, a young, gorgeous woman who is prone to nude sunbathing and flirting. She fancies fisherman Antoine (Christian Marquand) is being pursued by rich widower Eric (Curd Jurgens) but intstead she marries Antoine's younger brother Michel (Jean-Louis Trintignant). She tries to be good and faithful but gives in to her (now) brother-in-law's advances setting off fraternal conflict and tragic consequences. Full of zest and sex, mambo dancing and teasing glimpses of one of the worlds great beauties, this film is so cool it sizzles!
Sergei Paradjanov's celebrated, dreamlike masterpiece paints an astonishing portrait of the 18th century Armenian poet Sayat Nova, the 'King of Song'. Paradjanov's aim was not a conventional biography but a cinematic expression of his work, resulting in an extraordinary visual poem. Key moments in his subject's life are illustrated through a series of exquisitely orchestrated tableaux filled with rich colour and stunning iconography, each scene a celluloid painting alive with stylised movement. One of cinema's most revered and beautiful films, The Colour of Pomegranates is a unique and rewarding experience that haunts the memory long after viewing.
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