Emma Stone stars as one of cinema's most notorious and stylish villains, Cruella de Vil. Determined to become a successful fashion designer, a creative young grifter named Estella (Stone) teams with a pair of mischievous thieves to survive on the London streets. But when her flair for fashion catches the eye of the legendary designer Baroness von Hellman (Emma Thompson), Estella rises to become the raucous, revenge-bent "Cruella".
Following the closure of a gypsum mine in the Nevada town she calls home, Fern (Frances McDormand) packs her van and sets off on the road in this "exquisite film" (Joe Morgenstern, The Wall Street Journal). Exploring an unconventional life as a modern-day nomad, Fern discovers a resilience and resourcefulness unlike any she's known before long the way, she meets other nomads who become mentors in the vast landscape of the American West.
William O'Neal (LaKeith Stanfield), a thief turned FBI informant, infiltrates the Illinois Black Panthers to track their charismatic leader, Fred Hampton (Daniel Kaluuya), whose rising political prowess has captured the attention of J. Edgar Hoover's bureau. As O'Neal manipulates both his comrades and handler, a battle wages in his soul. Will he align with the side of good - or follow commands to subdue Hampton by any means?
Murphy (Karl Glusman), an American living in Paris, wakes up on New Year's Day to a frantic phone call. His ex-girlfriend, Electra (Aomi Muyock), has been missing for months and her mother fears the worst. This brings back the memories he has of his relationship with her and their exploration of sex together as well as with others.
Young Anthony Soprano is growing up in one of the most tumultuous eras in Newark's history, becoming a man just as rival gangsters start to rise up and challenge the all-powerful DiMeo crime family. Caught up in the changing times is the uncle he idolises, Dickie Moltisanti (Alessandro Nivola), whose influence over his nephew will help shape the impressionable teenager into the all-powerful mob boss Tony Soprano.
Guido - a charming but bumbling waiter who's gifted with a colourful imagination and an irresistible sense of humour - has won the heart of the woman he loves and created a beautiful life for his young family. But then that life is threatened by World War II... and Guido must rely on those very same strengths to save his beloved wife and son from an unthinkable fate!
"My Dinner with Andre" is a passionate, volatile and humorous encounter between two friends who have not seen each other for a long time, and decide to catch up on each others' lives over dinner. Andre Gregory is an intense, highly experimental theatre director and playwright in search of life's meanings and spiritual revelations. His friend, Wally Shawn, is an actor and playwright living in New York who is more preoccupied with the search for his next meal. As Andre recounts his global journeys involving esoteric theatrical experiments and mystical adventures, Wally listens with more skepticism, as his attitudes shift through wonder, puzzlement, admiration, and anger. What finally emerges is a sensitive portrait of a friendship that survives and transcends beliefs of love, death, art, and man's continuing quest for self-fulfillment.
Blue Valentine is a true love story flooded with romantic memories of the courtship between Dean and Cindy. The tale is told in past and present as they recall the episodes that brought them together.
Best friends Anthony (Luke Wilson), Dignan (Owen Wilson), and Bob (Robert Musgrave) stage a wildly complex, mildly successful robbery of a small bookstore, then go "on the lam". During their adventures, Anthony falls in love with a South American housekeeper, Inez (Lumi Cavazos), and they befriend local thief extraordinaire Mr. Henry (James Caan). 'Bottle Rocket' is a charming, hilarious, affectionate look at the folly of dreamers, shot against radiant southwestern backdrops, and the film that put Anderson and the Wilson brothers on the map.
America, 1976. The last day of school. Bongs blaze, bell-bottoms ring, and rock and roll rocks. Among the best teen films ever made, 'Dazed and Confused' eavesdrops on a group of seniors-to-be and incoming freshmen. A launching pad for a number of future stars, the first studio effort by Richard Linklater also features endlessly quotable dialogue and a blasting, stadium-ready soundtrack. Sidestepping nostalgia, 'Dazed and Confused' is less about "the best years of our lives" than the boredom, angst, and excitement of teenagers waiting...for something to happen.
Bing Liu's Academy Award-nominated documentary 'Minding the Gap' is a coming-of-age saga drawing on over 12 years of footage in his Rust Belt hometown hit hard by decades of recession. In his quest to understand why so many of his peers in the skateboarding community ran away from home when they were younger, Bing follows 23-year-old Zack as he becomes a father and 17-year-old Keire as he gets his first job. As the story unfolds, Bing is thrust into the middle of Zack's tumultuous relationship with his girlfriend and Keire's inner struggles with racial identity and his deceased father. As we watch the boys grow up before our eyes, we experience the joy, sacrifice, and hope in the gap between childhood and adulthood.
When Frank Cotton (Sean Chapman) solves the mystery of a Chinese puzzle box he enters the world of the Cenobites. A world where these cruel sadists thrive on pain. Later, restored to life by the blood of his brother Larry (Andrew Robinson), Frank rises to feed on the life force of others. When Larry's wife agrees to provide the sacrifices he needs, the spills, chills and thrills are just beginning.
"The Hunt" unfolds in a small provincial town in the days leading up to Christmas. Lucas (Mads Mikkelsen), a forty year old divorcee, is finally getting his life under control. He's got himself a new girlfriend, a new job and is in the process of re-building his relationship with his teenage son, Marcus. But things soon start to unravel. Nothing significant, just a slight comment here, a random lie there. And as the snow falls and the Christmas lights are lit, the lie spreads like an invisible virus. The shock and mistrust gets out of hand, and the small community suddenly finds itself in a collective state of hysteria, while Lucas fights a lonely fight for his life and dignity. "The Hunt" is a disturbing depiction of how a lie can quickly become truth - a modern tale of a witch-hunt, injustice, guilt and, ultimately, forgiveness. A fable on how fragile a community can become when gossip, doubt and malice are allowed to flourish. It is a stirring portrait of a man struggling to exonerate himself, and a father and a son reaching out for one another as their world crumbles.
Tabacco lobbyist Nick Naylor (Aaron Eckhart) is the man charged with defending the public image of the much maligned cigarette industry. Blessed with the gift of the gab and an unstoppable ego the master of 'spin' won't let anything get in the way of a well-argued case. Confronted by bloodthirsty health fanatics and an opportunistic senator (William H. Macy), Naylor goes on a PR offensive until his new found notoriety earns him the attention of Big Tobacco's head honcho (Robert Duvall) and a smouldering young Washington reporter (Katie Holmes) who'll do anything to get her story! Suddenly put under pressure by his young son, Nick faces the biggest question of his career: is lying the most powerful addiction of all?
When the government of Indonesia was overthrown by the military in 1965, more than one million people were killed in less than a year. Anwar and his friends were promoted from ticket scalpers to death squad leaders, and Anwar killed hundreds of people with his own hands. In 'The Act of Killing', Anwar and his friends agree to tell us the story of the killings. But their idea of being in a movie is not to provide testimony for a documentary: they want to be stars in their favourite film genres - gangster, western, musical. They write the scripts. They play themselves. And they play their victims. 'The Act of Killing' is a nightmarish vision - a journey into the memories and imaginations of the unrepentant perpetrators and the shockingly banal regime of corruption and impunity they inhabit.
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