In 1986 Gyeonggi Province, South Korea, after two women are found raped and murdered, Seoul detective Seo Tae-yoon (Sang-kyung Kim) is brought in to help local detective Park Doo-man (Kang-ho Song) with the investigation. As more bodies are found, the pair realise they have a serial killer on their hands. Inspired by true events, Bong Joon Ho's sophomore feature blends true-crime with social satire and even comedy is his typically masterful fashion.
From a screenplay by Shia LaBeouf, based on his own experiences, award-winning filmmaker Alma Har'el brings to life a young actor's stormy childhood and early adult years as he struggles to reconcile with his father through cinema and dreams. Fictionalising his childhood's ascent to stardom, and subsequent adult crash-landing into rehab and recovery, Har'el casts Noah Jupe and Lucas Hedges as Otis Lort, navigating different stages in a frenetic career. LaBeouf takes on the daring and therapeutic challenge of playing a version of his own father, an ex-rodeo clown and a felon. Artist and musician FKA Twigs makes her feature-film debut, playing neighbour and kindred spirit to the younger Otis in their garden-court motel home. Har'el's feature narrative debut is a one-of-a-kind collaboration between filmmaker and subject, exploring art as therapy and imagination as hope.
Filmed by hardcore fan Michael Rapaport, feature is a revealing documentary about one of the most influential and groundbreaking hip-hop group in musical history. The multi-platinum group's sudden break-up in 1998 shocked the industry and saddened legions of fans, whose appetite for their music never seems to diminish. Travelling with the band members (Q-Tip, Phife Dawg, Ali Shaheed Muhammad and Jarobi White), Rapaport captures the story of how tenuous their relationship has become; how their personal differences and unresolved conflicts continue to be a threat to their creative cohesion. As mounting tensions erupt backstage, we get a behind-the-scenes look at their journey, contributions as a band and what is at stake for these longtime friends and collaborators.
Famous for creating some of the funniest movies the world has known, Sacha Baron Cohen return to TV for the first time in 15 years. Golden Globe and DGA Award nominated 'Who is America' features incendiary characters so believably performed that they can exist in the real world and even convince some of America's most notable political and pop culture figures. This biting satire created news headlines around the world, became the most talked about comedy of the year and even ended a political career. The collection features all seven episodes from the acclaimed comedy series alongside over 30 minutes of never-before-released extended interviews and deleted scenes.
'Do we get stupider as we grow up?' In his wildly popular Broadway show 'American Utopia', David Byrne reflects on human connections, life and how on earth we work through it. He joins the dots with his music and it all starts making sense. Spike Lee here transforms the production into immersive, dynamic cinema that radiates with astounding performances, inventive contemporary dance and political urgency. 'American Utopia' flows like an iridescent dream vision. Work by James Baldwin, Janelle Monáe and Kurt Schwitters is highlighted among exhilarating renditions of Byrne's solo work, as well as Talking Heads classics. According to the multi-hyphenate, we love looking at humans more than anything else. Anti-fascist and anti-racist, Byrne illuminates our responsibility to care for one another as he and his co-performers burn down the house.
Trickery. Deceit. Magic. In 'F for Fake', a free-form sort-of documentary by Orson Welles, the legendary filmmaker (and self-described charlatan) gleefully reengages with the central preoccupation of his career: the tenuous lines between illusion and truth, art and lies. Beginning with portraits of the world-renowned art forger Elmyr de Hory and his equally devious biographer, Clifford Irving, Welles embarks on a dizzying journey that simultaneously exposes and revels in fakery and fakers of all stripes - not the least of whom is Welles himself. Charming and inventive, 'F for Fake' is an inspired prank and a clever examination of the essential duplicity of cinema.
Following the loss of their son, retired sheriff George Blackledge (Kevin Costner) and his wife Margaret (Diane Lane) leave their Montana ranch to rescue their young grandson from a dangerous family living off the grid. They soon discover that the Weboy family has no intention of letting the child go, forcing George and Margaret to fight for their family.
It's 1981, the start of a new decade and Ritchie (Olly Alexander), Roscoe (Omari Douglas) and Colin (Callum Scott Howells) begin a new life in London. Strangers at first, these young gay lads, and their best friend Jill (Lydia West), find themselves thrown together, and soon share each other's adventures. But a new virus is on the rise, and soon their lives will be tested in ways they never imagined. As the decade passes, and they grow up in the shadow of AIDS, they're determined to live and love more fiercely than ever.
This is the definitive documentary telling the story of the unique puppetry and animation technique developed by Gerry and Sylvia and their team and deployed in all their programmes throughout the 1960's including 'Stingray', 'Captain Scarlet' and, most famously, 'Thunderbirds'. Directed and co-produced by Stephen La Riviere and hosted by Lady Penelope and Parker themselves, 'Filmed in Supermarionation' is a screen adaptation of his book of the same name and features a wealth of previously unseen archive footage, brand new interviews with the surviving casts and crews and clips from the shows themselves. A highlight of the film are ingenious and accurate recreations of the pioneering techniques used in the productions.
Comedy drama about the life and work of sit-down stand-up Dave Allen. Written by Stephen Russell (We're Doomed: The Dad's Army Story, Hattie, and Peaky Blinders) "Dave Allen at Peace" explores how Dave's comedy genius was shaped by the tragic loss of his father, his brother...and his finger. How he survived decades of the Roman Catholic Church's wrath, death threats from the IRA and a ban by Irish and Australian TV, only to have his television career end in controversy when he used the f-word in an innocuous joke.
Our Man Flint (1966)
Move over, 007. The U.S. has a secret agent even braver, even smarter and even more popular with the ladies. His name: Derek Flint (James Coburn). On his first cinematic secret mission, Secret Agent Flint faces off against the most dangerous weapon of all, the weather! An evil organization called Galaxy has learned how to send icebergs crashing into the Mediterranean, to flood whole valleys and even to cause volcanoes to erupt on cue. To save the world, Flint must first overcome the beautiful but deadly Gila (Gila Golan), Galaxy's top agent. It's a task that demands all of Flint's awesome powers of deduction, destruction and - most of all - seduction.
In Like Flint (1967)
Flint is back. Derek Flint (James Coburn), that is. This time, the all-round genius, super secret agent and supreme ladies' man really has his hands full. A group of wealthy and powerful female tycoons has developed a way of brainwashing women through beauty salon hair dryers! With all the women of the world enslaved, this power-hungry group is able to commandeer the United States' first "space platform" and then replace the President (Andrew Duggan) with their own surgically reproduced clone! From their secret headquarters in the Virgin Islands, a lavish spa called "Fabulous Face", they plan to use nuclear energy to force the entire world into submission.
When a celebrated international crime czar (Nigel Green) hijacks a billion dollars in gold, Intelligence and Counter Espionage sends in Matt Helm (Dean Martin) to recover the loot.
A pitch black British comedy from the mind of Alice Lowe , 'Prevenge' follows Ruth, a pregnant woman on a killing spree. The child speaks to Ruth from the womb, coaching her to lure and ultimately kill her unsuspecting victims. Struggling with her conscience, loneliness, and a strange strain of prepartum madness, Ruth must ultimately choose between redemption and destruction at the moment of motherhood.
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