Francis (Michel Serrault) is stressed. He is struggling with a rebellious workforce at his factory and being hounded by the taxman. His snobby wife and daughter are extravagantly planning a society wedding with what little money he has left. Francis wants a way out. Whilst watching a TV programme, he is shocked to see a woman with two daughters give a passionate speech about her long-lost husband who looks surprisingly just like him. Francis puts himself forward as her husband and enters a more relaxed lifestyle on a farm with his sexy new wife and daughters. He thinks his problems are over, but soon realises the life he has stepped into isn't as perfect as he thought!
Set in the glamour of 1950's post-war London, renowned dressmaker Reynolds Woodcock (Daniel Day-Lewis) and his sister Cyril (Lesley Manville) are at the centre of British fashion, dressing royalty, movie stars, heiresses, socialites, debutants and dames with the distinct style of The House of Woodcock. Women come and go through Woodcock's life until he comes across a young, strong-willed woman, Alma (Vicky Krieps), who soon becomes a fixture in his life as his muse and lover. Once controlled and planned, he finds his carefully tailored life disrupted by the scariest curse of all...love. And so begins a Gothic Romance of twists, turns and power struggles of "pure, delicious pleasure" that is "devilishly funny and luxuriantly sensuous".
Delphine's travelling companion cancels two weeks before her holiday, so Delphine (Marie Rivière), a Parisian secretary, is at a loose end. She doesn't want to travel by herself, but has no means boyfriend and seems unable to meet new people. A friend takes her to Cerbourg; after a few days there, the weepy and self pitying Delphine goes back to Paris. She tries the Alps, but returns the same day. Next, it's the beach; once there, she chats with an outgoing Swede, a party girl, and a friendship seems to bud; then suddenly, Delphine bolts, heading back to Paris. On her way, a young man catches her eye; perhaps a sunset and the sun's green ray await.
Once the ugly duckling of the rural Dorset village of Ewedown, Tamara Drewe (Gemma Arterton) returns as a glamorous high flying journalist, ruffling feathers, rekindling old passions and shaking up the sleepy village with hilarious and heart-warming consequences.
The year is 1938 and in the midst of the Civil War in Spain, the film industry has split into two opposing sides. As one of the many collaborations between Hitler and Franco, Germany invites a group of young filmmakers, who sympathise with the Nazi regime, to Berlin. They are there to shoot two versions of the Andalucian musical drama 'A Girl Of Your Dreams' one in German, one in Spanish. However, the hospitality extended to them by the German Minister for Propaganda, Joseph Goebbles, has more to do with the young charms of the actress Marcrena Granada (Penelope Cruz). What's more, the only Andalucian-looking extras they can find in Germany are Gypsies in a concentration camp. The seed of doubt starts to germinate in all of them, that maybe life itself is more important than a film.
Sinan (Dogu Demirkol) returns from his studies in the city of Canakkale to his parents' home in the small rural town of Can. He hopes to publish a book of essays and short stories (or what he describes as a "quirky auto-fiction meta-novel"). But his teacher father Idris (Murat Cemcir) is an addictive gambler, so much so that his mother and sister have become reluctantly accustomed to making do without food or electricity. And so Sinan, with his writing dreams, worrying that we will be reduced after army service to teaching in the remote East, wanders around town, visiting his grandparents, encountering old friends, all the while looking for funding for his book.
It is summer 1962, and England is still a year away from huge social changes: Beatlemania, the sexual revolution and the Swinging Sixties. Florence (Saoirse Ronan) and Edward (Billy Howie) are just married and honeymooning on the dramatic coastline of Chesil Beach in Dorset. However, the hotel is old fashioned and stifling, and underlying tensions between the young couple surface and cast unexpected shadows over their long anticipated wedding night. 'On Chesil Beach' is a tender story which shows how the entire course of a life can be changed simply by a gesture not made or a word not spoken.
When her mother falls ill under mysterious circumstances, young Eve (Fantine Harduin) is sent to live with her estranged father's wealthy relatives in Calais. But trouble is brewing, as a series of intergenerational back-stabbings threaten to tear the family apart. Meanwhile, distracted by infidelities and betrayals, they fail to notice that their new arrival has a sinister secret of her own.
Tony Webster (Jim Broadbent) is divorced, retired and leads a reclusive and relatively quiet life. One day, he learns that the mother of his university girlfriend, Veronica (Charlotte Rampling), left in her will a diary kept by his best friend.Tony's quest to recover the diary forces him to revisit his flawed recollections of his youth and, digging deeper, uncovers deceit, regrets and guilt buried long ago. Can Tony bear to face the truth and take responsibility for the devastating consequences of actions he took so long ago? 'The Sense of an Ending' is a deeply moving and uplifting story about the paths chosen in life, and the power of memory, love and forgiveness.
Isabelle (Juliette Binoche) is a stylish and accomplished artist living in Paris. Divorced and looking to find true love at last, she meets a handsome, kind and intelligent younger man who she thinks might finally be the one. But when he calls their affair a mistake and returns to his wife, Isabelle must again face the issue of mid-life loneliness. Sifting through former lovers, new admirers, jealous friends and chance encounters, will she find a fulfilling match? Or will she discover a new path to happiness along the way?
Spain's deep-south, 1980. In a small village frozen in time - close to the labyrinth of the marshlands and rice paddies - a serial killer has taken residence and caused the disappearance of several adolescents that no one seems to have missed. But, when two young sisters disappear during the annual festivities, their mother forces an investigation that brings two homicide detectives from Madrid to try and solve the mystery. Juan and Pedro both have extensive experience in homicides yet are very different in methods and style. They will soon face obstacles for which they were not prepared and become ensnared in a web of intrigue fed by the apathy and introverted nature of the locals. Nothing is what it seems in this isolated and opaque region and the investigation encounters unexpected difficulties. Both men realise they must put aside their professional differences if they are to stop the person responsible for the disappearance of the sisters before more young
Paris, July 1942: Sarah, a ten-year old girl, is captured with her parents by the French police as they go door-to-door arresting Jewish families in the middle of the night. Desperate to protect her younger brother, Sarah locks him in a bedroom cupboard - their secret hiding place - and promises to come back for him as soon as they are released. Sixty seven years later: Sarah's story intertwines with that of Julia Jarmond (Kristin Scott Thomas), an American journalist investigating the Vel'd'Hiv Roundup. In her research, Julia stumbles onto a trail of secrets that link her to Sarah, and to questions about her family's future.
When Babette (Stéphane Audran), a beautiful and mysterious French refugee, arrives in a remote Danish town the tight-knit, puritanical community begrudgingly let her in, providing her with shelter and work. But after the town patriarch passes away and Babette insists on preparing a feast in his honor, a magical world of sensory revelations is thrown open to the villagers, changing their lives forever...
"The Holly and the Ivy" is a heart-warming tale set in post-war Britain. Ralph Richardson plays Reverend Martin Gregory, a recently widowed minister who is reunited with his family one Christmas. Martin is torn between his roles of clergyman and father. His zeal for attending to his parishioners leads him to neglect the needs of his own family, until emotions boil over one Christmas.
The future looks promising for amateur actors Emad (Shahab Hosseini) and Rana (Taraneh Alidoosti) as they prepare for opening night on their production of Arthur Miller's 'Death of a Salesman'. However, when dangerous work on a neighbouring building forces the couple to leave their home and move into a new apartment, a case of mistaken identity sees a shocking and violent incident throw their lives into turmoil. What follows is a series of wrong turns that threaten to destroy their relationship irreparably. Academy-Award winning filmmaker Asghar Farhadi (A Separation) returns with 'The Salesman', a characteristically taut drama exploring how unexpected cracks can form in the foundations of a seemingly happy marriage.
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