In Jafar Panahi's latest film, which won the Best Screenplay Award in Cannes, actress Behnaz Jafari is distraught when she comes across a young girl's video plea for help after her family prevents her from taking up her studies at the Tehran drama conservatory. Behnaz abandons her shoot and turns to the filmmaker Jafar Panahi to help her with the young girl's troubles. They travel by car to the rural, Azeri-speaking Northwest of Iran, where they encounter the charming and generous folk of the girl's mountain village. But Behnaz and Jafar also discover that old traditions die hard.
In 1986 Gyeonggi Province, South Korea, after two women are found raped and murdered, Seoul detective Seo Tae-yoon (Sang-kyung Kim) is brought in to help local detective Park Doo-man (Kang-ho Song) with the investigation. As more bodies are found, the pair realise they have a serial killer on their hands. Inspired by true events, Bong Joon Ho's sophomore feature blends true-crime with social satire and even comedy is his typically masterful fashion.
"Lucky" follows the spiritual journey of Harry Dean Stanton's character 'Lucky', a cantankerous, self-reliant 90 year old atheist, and the quirky characters that inhabit the Arizona town where he lives. Having out-lived and out-smoked all of his contemporaries, the fiercely independent Lucky finds himself at the precipice of life, thrust into a journey of self-exploration, leading towards that which is so often unattainable: enlightenment. Released in the US just days after Stanton's death at age 91, 'Lucky', is at once a love letter to the life and career of Harry Dean Stanton as well as a meditation on mortality, loneliness, spirituality, and human connection.
Sandrine Bonnaire won a Best Actress Cesar for her portrayal as Mona - a young and defiant drifter in this tragic story. Using a largely non-professional cast Varda recollects Mona's story through flashbacks of those who encountered her, producing a splintered portrait of an enigmatic woman. She's not a kind girl but courageous while wandering in the winter. She announces in 1984 the collective conciousness of homeless people dying from the cold.
To her friends, Halla (Halldóra Geirharðsdóttir) leads a quiet and routine life. But her happy and upbeat exterior hides a secret double life as a committed environmental activist. Known to others as "The Mountain Woman", she wages a one-woman-war on the local aluminium industry to protect the stunning highland landscape that is under threat. Just as she begins planning her biggest and boldest operation yet, she receives an unexpected letter that will change everything. She will be forced to choose between her environmental crusade and the chance of fulfilling her dream of becoming a mother. Funny, moving and utterly unique, 'Woman at War' follows Halla as she juggles the adoption of a beautiful little girl whilst planning her final act of industrial sabotage.
Omar is accustomed to dodging surveillance bullets as be crosses the separation wall every bay to visit his secret love Nadia. But occupied Palestine knows neither simple love nor clear-cut war. To prove himself to Nadia's family, the sensitive young baker becomes a freedom fighter and must soon face painful choices about life and manhood. When he is captured after a deadly act of resistance, he falls into a cat-and-mouse game with the military police. Suspicion and betrayal jeopardise his longtime trust with friends and accomplices and Omar's feelings become as torn apart as the Palestinian landscape.
In a deserted Macedonian village, Hatidze, a 50-something woman, trudges up a hillside to check her bee colonies nestled in the rocks. Serenading them with a secret chant, she gently manoeuvres the honeycomb without netting or gloves. Back at her homestead, Hatidze tends to her handmade hives and her bedridden mother, occasionally heading to the capital to market her wares. One day, an itinerant family installs itself next door, and Hatidze's peaceful kingdom gives way to roaring engines, seven shrieking children, and 150 cows. Yet Hatidze welcomes the camaraderie, and she holds nothing back - not her tried-and-true beekeeping advice, not her affection, not her special brandy. But soon Hussein, the itinerant family's patriarch, makes a series of decisions that could destroy Hatidze's way of life forever.
There is a philosophical theory that we should be born with a small amount of alcohol in our blood; that modest inebriation opens our minds to the world around us diminishing problems and increasing creativity. Intrigued Martin (Mads Mikkelsen) and three of his friends all weary high school teachers, embark on a risky experiment to maintain a constant level of intoxication throughout the workday. Initial results are positive, but as the units are knocked back and stakes are raised, it becomes increasingly clear that some bold acts carry severe consequences.
In this funny, uplifting tale based on an actual lie. Chinese-born, U.S.-raised Billi (Awkwafina) reluctantly returns to Changchun to find that, although the whole family knows their beloved matriarch, Nai-Nai. has been given mere weeks to live, everyone has decided not to tell Nai Nai herself. To assure her happiness, they gather under the joyful guise of an expedited wedding, uniting family members scattered among new homes abroad. As Billi navigates a minefield of family expectations and proprieties, she finds there's a lot to celebrate: a chance to rediscover the country she left as a child, her grandmother's wondrous spirit, and the ties that keep on binding even when so much goes unspoken. With 'The Farewell', writer/director Lulu Wang has created a heartfelt celebration of both the way we perform family and the way we live it, masterfully interweaving a gently humorous depiction of the good lie in action with a richly moving story of how family can unite and strengthen us. often in spite of ourselves.
In acclaimed director Edgar Wright's psychological thriller, Eloise (Thomasin McKenzie), an aspiring fashion designer, is mysteriously able to enter the 1960's, where she encounters a dazzling wannabe singer, Sandie (Anya Taylor-Joy). But the glamour is not all it appears to be, and the dreams of the past start to crack and splinter into something far darker.
Passionate about dance, young Merab (Levan Gelbakhiani) has trained at the National Georgian Dance Ensemble since childhood. His sole aim in life; to join the Main Dance Ensemble, break free from the confines of Georgian society and travel the world. When a dancer in the main ensemble is disgraced and his place becomes available, Merab's ambitions finally feel within reach. When Irakli (Bachi Valishvili), a virile, talented male dancer unexpectedly joins his group, Merab fears the newcomer is the only thing standing between him and his dreams. Charismatic and carefree, Irakli, has an effect on Merab that he can't quite explain. As they compete, Irakli becomes both Merab's fiercest rival and strongest desire, a desire that, in conservative Georgian society, threatens to throw his dance career, livelihood and family into turmoil. With a breath-taking central performance from breakout star Levan Gelbakhiani, Levan Akin's luminous 'And Then We Danced' explores forbidden desire, ambition and liberation set against the backdrop of traditionalist Tblisi.
Stillwater follows an American oil-rig roughneck from Oklahoma who travels to Marseille to visit his estranged daughter, in prison for a murder she claims she did not commit. Confronted with language barriers, cultural differences, and a complicated legal system, Bill builds a new life for himself in France as he makes it his personal mission to exonerate his daughter.
In 'The Ciambra', a small Romani community in Calabria, Pio Amato is desperate to grow up fast. At 14, he drinks, smokes and is one of the few to easily slide between the regions' factions - the local mafias, the African immigrants and his fellow Romani. Pio follows his older brother Cosimo everywhere, learning the necessary skills for life on the streets of their hometown. When Cosimo disappears and things start to go wrong. Pio sets out to prove he's ready to step into his big brother's shoes and in the process he must decide if he is truly ready to become a man. Filmed with participants from the local community, 'The Ciambra' offers an immersion in a world rarely seen on screen, with a level of emotion and energy captured by a unique cinematic language.
Theodore Decker is 13 years old when his mother is killed in a bombing at the Metropolitan Museum of Art in New York. The tragedy changes the course of his life, sending him on a stirring odyssey of grief and guilt, reinvention and redemption, and even love. Through it all, he holds on to one tangible piece of hope from that terrible day... a painting of a tiny bird chained to its perch.
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