The Master of Suspense, Alfred Hitchcock creates a spellbinding portrait of a disturbed woman, and the man who tries to save her, in this unrelenting psychological thriller. 'Tippi' Hedren is Marnie, a compulsive thief and liar who goes to work for Mark Rutland (Sean Connery), then attempts to rob him. Mark impulsively marries the troubled beauty and attempts to discover the reasons for her obsessive behaviour. When a terrible accident pushes his wife to the edge, Mark forces Marnie to confront her terrors and her past in a shattering, inescapable conclusion.
Is there a secret you would kill to know? In this electrifying, suspense-packed thriller from director Christopher Nolan, Hugh Jackman and Christian Bale play magicians whose cutthroat attempts to better each other plunge them into deadly deceptions. Scarlett Johansson also stars as the stage assistant who's both a pawn and player in their rivalry. A brilliant supporting cast (including Michael Caine and David Bowie). An ingenious story. An astonishing payoff. Once you see The Prestige, you'll want to see it again. Watch closely.
Passion overtakes reason in this dark and layered romance - based on Daphne du Maurier's classic novel - starring Oscar Winner Rachel Weisz. Believing his mysterious, beautiful cousin Rachel (Weisz) murdered the man who raised him, Philip (Sam Claflin), a young Englishman, plots revenge against her. But, despite evidence that Rachel might be a killer, Philip finds himself falling deeply in love with her in this visually stunning, tension-laced film.
In the year 2008, heavy rainfall has flooded large areas of London. Rookie police officer Dick Durkin (Alastair Duncan) is assigned to partner wisecracking maverick Harley Stone (Rutger Hauer), a burnt-out and highly cynical homicide detective who was unable to prevent the murder of his partner by a serial killer several years previously. Now however, the murders have begun again and Stone and Durkin are assigned the case. Their only clues being that the murders seem to be linked to the lunar cycle and that the killer has multiple DNA strands, having absorbed the DNA of the victims. After Stone s girlfriend Michelle (Kim Cattrall) is kidnapped, the detectives track the killer deep into the flooded and disused London Underground system and discover the truth: the killer is not human. It's a horrific and possibly demonic form of life that is fast, savage, bloodthirsty and fixated upon killing. Can Stone and Durkin rescue Michelle and save London and themselves from the monster?
Poland, in the politically turbulent late 1970's: Witek (Boguslaw Linda) is running to catch a train. From this banal event, Krzysztof Kieslowski imagines three different possible outcomes in the young man's life. In the first scenario, Witek catches the train on which he meets some hard line communists and joins the party. In the second, as Witek runs for the train, his path is blocked by a ticket inspector; the ensuing struggle leads to his arrest and subsequent involvement in the political underground. In the final scenario, Witek misses the train and he returns to the medical studies that he intended to abandon. He falls in love with a female student, gets married and lives a quiet life as a doctor, showing little interest in politics.
Also known as 'Journey in Autumn', this classic drama follows fashion director Susanne and young model Doris as they journey to Gothenburg for a fashion shoot and hope to fulfill their dreams of finding love. However, the unsatisfactory affairs in which the women become entangled offer little escape from their disillusionment. Acknowledged one of the finest male directors of women, Ingmar Bergman's intimate and absorbing film examines the agony of love and impenetrable barriers that consumerism and material things erect between people.
With the imminent arrival of the Queen, Britannia Hospital couldn't be any less prepared. With striking workers only allowing patients near to death into the hospital, the kitchen staff refusing to prepare food until union leaders are bought off with promises of O.B.E.'s, and the head surgeon conducting, with public funds, expensive, deranged experiments, like inventing a modern Dr. Frankenstein - there is nothing short of anarchy! With Mick Travis (Malcolm McDowell) hot on their heels as the undercover investigative TV reporter catching all this bedlam on film, this energetic black comedy is a very bleak insight into the wrongs of modern Westernised culture.
A young scholar, Ho Yunqing (Shih Jun), is tasked by an eminent monk to transcribe a Buddhist sutra said to have immense power over the spirits of the afterlife. To execute his work in peace, he travels to an isolated monastery deep in the mountains, where he encounters a number of strange people, including the mysterious and beautiful Melody (Hsu Feng). As malicious spirits attempt to steal the sutra, Ho becomes entangled in a conflict between duelling forces of good and evil. Will he leave the mountain alive?
A recovering alcoholic (Maurice Ronet) decides to commit suicide. He spends 24 hours wandering through Paris and visiting old friends, hoping to find some meaning to life and a reason to go on living.
Having Graham Greene's riveting and authentic novel about the leader of a Brighton based gang of hoods and ne'er do wells as source material was an obvious advantage, but the Boulting Brothers (John directed, brother Roy produced) still managed to conjure arguably the finest British thriller ever in what is a genuine and evocative film noir. Expressively shot by veteran cinematographer Harry Waxman (The Wicker Man), for many the film's most abiding quality is the outstanding, intense performance of a young Richard Attenborough as the emotionally and physically scarred gang leader Pinky Brown, who courts and marries a local waitress (Carol Marsh) he detests in order to stop her testifying against him. Beautifully scripted by Greene and Terence Rattigan (The Browning Version), whose eye for detail and atmosphere is astounding, Brighton Rock is utterly hard bitten in tone and abundant in cruel ironies, right up to its well-judged, refreshingly cynical ending.
One of the most influential, radical science-fiction films ever made and a mind-bending free-form travelogue, 'La Jetee' and 'Sans Soleil' couldn't seem more different - but they're the twin pillars of an unparalleled and uncompromising career in cinema. Filmmaker, poet, novelist, photographer, editor, videographer, and digital multimedia artist, Chris Marker challenged moviegoers, philosophers, and himself for years with his investigations of time, memory, and the rapid advancement of life on this planet. These two films - a tale of time travel told in still images and a journey to Africa and Japan - remain his best-loved and most widely seen.
La Jetee (1962)
This unique film was the inspiration for Terry Gilliam's Twelve Monkeys. It is a cinematic landmark using black and white stills almost entirely to narrate the story. Set in Paris destroyed by a third world war, the survivors have been forced to retreat underground where scientists conduct strange time travel experiments to escape from a terrible present to a better past or future...
Sans Soleil (1983)
Director Chris Marker takes the viewer into a different dimension, weaving footage from Japan, Africa, Iceland, France and the USA to produce a study of 'the dreams of the human race'. He is particularly attracted to the two extremes of Japan and Africa, and discusses the images that he creates with the woman, ever mindful of the astonishing store of memory he has created.
The Ambassador of the small South American country of Miranda is trafficking in drugs with some French bourgeois friends of his. But every time they want to have dinner together, their plans are put off due to unexpected events. In their quest of a lavish feast, the dividing-line between reality and dreams becomes unclear for each guest, leading to complete and utter ridicule.
Trapped in a violent, controlling relationship with a wealthy and brilliant scientist, Cecilia Kass (Elisabeth Moss) escapes in the dead of night and disappears into hiding. But when her abusive ex suddenly dies, Cecilia suspects his death was a hoax. As a series of eerie coincidences turn lethal, threatening the lives of those she loves, Cecilia's sanity begins to unravel while she desperately tries to prove she is being hunted by someone nobody can see.
Rufus Excalibur Ffolkes (Roger Moore) is an eccentric underwater saboteur who can't stand women but who loves cats. Lou Kramer (Anthony Perkins) is a psychotic madman who's determined to blow up the largest oil rig in the North Sea unless the British Government pays him a king's ransom. Heart stopping battle of nerves where every second ticks towards a shattering finale. When Kramer announces his deadly plans, it's up to Ffolkes and his crack aquatic team to outwit him at his own deadly game - in less than 24 hours. James Mason co-stars in this offbeat thriller that mixes high seas adventure with a touch of English humour and class.
Vincenzo (Tomas Milian) 'hunchback' plans a robbery on a armored police van with his gang. Once the job is done, his gang try to kill him and absconds with the loot. Vincenzo hides in the sewers before looking up his friend Monezza (also Tomas Milian) who the police later interrogate for his involvement with Vincenzo. Meanwhile, Vincenzo is getting revenge on his gang by killing them off one at the time in his various brutal ways.
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