Someone's killing our super heroes. The year is 1985 and super heroes have banded together to respond to the murder of one of their own. They soon uncover a sinister plot that puts all of humanity in grave danger. The super heroes fight to stop the impending doom only to find themselves a target for annihilation. But, if our super heroes are gone, who will save us?
To the enigmatic question "Who are Seconds?", the film's original poster responded: "The answer is almost too terrifying for words.... The story of a man who buys for himself a totally new life. A man who lives the age-old dream - If only I could live my life all over again." John Frankenheimer directs Rock Hudson as a "second": that is, the newly plastic-surgery altered "reboot" of, in this instance, a listless banker named Arthur Hamilton. Such procedures are carried out by a secret organization known only as "The Company," with the promise of giving an individual a chance at making a fresh start at life... but at what cost? Master lighting cameraman James Wong Howe provides the paranoiac atmosphere to the skewed reality of what came to be widely considered one of Frankenheimer's very best films.
In a quiet, rural village in South Korea, a lonely, single mother looks after her mentally handicapped son whilst scraping a living as an acupuncturist. But her simple, poverty stricken life is suddenly transformed into a dark web of death and deceit when her young son is arrested for the brutal murder of a local school girl. Convinced that her son has been framed, and faced with a corrupt, complacent police force, she decides to solve the case herself and prove his innocence. It's a quest for justice that leads her into a horrifying world of violence and despair. But how far is she willing to go to uncover the truth? One of the most original and unconventional detective murder mysteries you'll ever likely to witness. Directed by Joon-Ho Bong, Mother is a darkly comic, suspense-driven masterpiece with a shocking revelation around every twisted corner it turns.
Ordinary man-in-the-street Arthur Ferguson Jones (Edward G. Robinson) leads a very straightforward life. He's never late for work and nothing interesting ever happens to him. One day everything changes: he oversleeps and is fired as an example, he's then mistaken for evil criminal Killer Mannion (also Edward G. Robinson) and is arrested. The resemblance is so striking that the police give him a special pass to avoid a similar mistake. The real Mannion sees the opportunity to steal the pass and move around freely and chaos results.
Edward Yang's multi-award-winning film looks at several turbulent weeks in the life of the Jian family. Husband and father NJ (Nien-Jen Wu) is a partner in a failing software company, which might just save itself by teaming up with an innovative Japanese games designer. Meanwhile his wife Min-Min (Elaine Jin) has gone off to a mountain retreat with a dubious guru, his teenage daughter Ting Ting (Kelly Lee) is getting her first, rough lessons in love, his young son Yang-Yang (Jonathan Chang) is asking difficult questions and getting into trouble at school - and his mother-in-law has suffered a stroke and lies in a coma. In the middle of all the confusion NJ runs into his childhood sweetheart Sherry, the girl he jilted twenty years earlier, and starts to wonder about starting over.
Recounted in flashback to a group of railway travellers, the story wryly details the romantic perils of Mathieu, a wealthy, middle-aged French sophisticate who falls desperately in love with his 19-year-old former chambermaid Conchita. Thus begins a surreal game of sexual cat-and-mouse, with Mathieu obsessively attempting to win the girl's affections as she manipulates his carnal desires, each vying to gain absolute control of the other.
Scotland Yard Inspector George Gideon (Jack Hawkins) starts his day off on the wrong foot when he gets a traffic-violation ticket from a young police officer. From there, his 'typical day' consists in learning that one of his most-trusted detectives has accepted bribes; hunts an escaped maniac who has murdered a girl; tracks a young girl suspected of a payroll robbery and, then, helps break up a bank robbery. His long day ends when he arrives at home and finds that his daughter has a date with the policeman who gave him a ticket that morning.
Oscar winners Jennifer Lawrence and Javier Bardem deliver unforgettable performances in oscar nominated Darren Aronofsky's praised opus, the film shattered audiences and critics around the world, it's been called "gorgeous, distressing and utterly confounding" and "Darren Aronofsky eclipses even his own darkest work", experience the visually arresting psychological thriller that will leave your heart pounding and your mind blown!
After a failed global-warming experiment, a post-apocalyptic Ice Age has killed off nearly all life on the planet. All that remains of humanity are the lucky few survivors that boarded the Snowpiercer, a train that travels around the globe, powered by a sacred perpetual-motion engine. A class system has evolved aboard the train, fiercely dividing its population - but a revolution is brewing. The lower-class passengers in the tail section stage an uprising, moving car-by-car up toward the front of the train, where the train's creator and absolute authority resides in splendor. But unexpected circumstances lie in wait for humanity's tenacious survivors...
Al Roberts (Tom Neal) decides to hitchhike to California to follow his girlfriend Sue (Claudia Drake). After discovering one of the drivers who has given him a lift dead, Al assumes his identity for fear of being charged with his murder. This leads him into trouble and blackmail along the way.
The tale of an eccentric band of culinary ronin who guide the widow of a noodle-shop owner on her quest for the perfect recipe, this rapturous "ramen western" by Japanese director Juzo Itami is an entertaining, genre bending adventure underpinned by a deft satire of the way social conventions distort the most natural of human urges - our appetites. Interspersing the efforts of Tampopo (Nobuko Miyamoto) and friends to make her cafe a success with the erotic exploits of a gastronome gangster and glimpses of food culture both high and low, the sweet, sexy, and surreal 'Tampopo' is a lavishly inclusive paean to the sensual joys of nourishment, and one of the most mouthwatering examples of food on film ever made.
Charles Burnett, one of America's most highly regarded independent filmmakers, wrote and directed this domestic drama about a black middle-class family living in South Central Los Angeles. However, there are no gangs, no guns, no drugs but instead a lyrical story that draws on folklore and the supernatural. Family tensions are already simmering when Harry (Danny Glover) arrives to visit his old friends. He exudes an easy charm, knows secrets past and present and is soon installed in the heart of the family. However, as his stay lengthens, so does he begin to cast an ever more malevolent spell, provoking turmoil, setting son against son, reviving past hatreds, and inflicting a mysterious illness. Glover delivers a career-topping performance as the garrulous family fiend, full of hidden menace, effortlessly evoking nostalgia and horror in the same breath. As ever, Burnett provides a wonderful music track featuring gospel, blues and jazz and a cameo from the legendary Jimmy Weatherspoon.
London 1893 is home to a killer with a macabre nickname...and also to a visionary genius who would write 'The Time Machine'. But what if H.G. Wells' invention wasn't fiction? And what if Jack the Ripper escaped capture, fleeing his own time to take refuge in ours - with Wells himself in pursuit? From writer/director Nicholas Meyer, 'Time After Time' is a marvelous entertainment of shivery suspense and sly social comment. In modern-day San Francisco, the Ripper (David Warner) finds our violent age to his liking. Wells (Malcolm McDowell) dislikes the brave new world of fast food and television, far from the utopia he envisioned. But he is cheered by the emancipation of women, particularly one irresistible banker (Mary Steenburgen). For mystery, romance and excitement, 'Time After Time' is time well spent.
Sidney Poitier and Ruby Dee star as members of an African American family living in a cramped Chicago apartment in this deeply resonant tale of dreams deferred. The Youngers await a life-insurance check they hope will change their circumstances, but tensions arise over how to use the money. The film captures the high stakes, shifting currents, and varieties of experience within black life in midcentury America.
A 1950 screenplay from the firm comic hand of Tibby Clarke and director Charles Frend. The comedy is based on a series of misplaced assumptions in which a boyhood toy is coveted, won, lost, auctioned and fought over. The small boy around which the plot centres is played by a young William Fox, who later as James Fox became well known for his noted roles in 'The Servant' and 'Performance'. Jokes about psychiatry and the Labour government give it a middle-class attitude unusual for Ealing, but frequently associated with the British cinema of the time.
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