Carole Lombard and William Powell dazzle in this definitive screwball comedy by Gregory La Cava - a potent cocktail of romantic repartee and social critique. Irene (Lombard), an eccentric, wealthy Manhattanite, wins a society-ball scavenger hunt after finding a "forgotten man" (Powell) - an apparent down-and-out drifter - at a dump. She gives him work as the family butler and soon falls head over heels for him. Her attempts to both woo Godfrey and indoctrinate him in the household's dysfunction make for a string of madcap high jinks that has never been bested.
Washed-up producer Barry 'Dutch' Detweiler (William Holden) attempts to lure the iconic but reclusive actress Fedora (Marthe Keller) out of retirement in a bid to revive both their careers. But her privacy is hard won, and with good reason, and opening up the secrets surrounding her could spell disaster.
Barbara Stanwyck sizzles, Henry Fonda bumbles, and Preston Sturges runs riot in one of the all-time great screwballs, a pitch-perfect blend of comic zing and swoonworthy romance. Aboard a cruise liner sailing up the coast of South America, Stanwyck's conniving card sharp sets her sights on Fonda's nerdy snake researcher, who happens to be the heir to a brewery fortune. But when the con artist falls for her mark, her grift becomes a game of hearts - and she is determined to win it all. One in a string of matchless comedic marvels that Sturges wrote and directed as part of a dazzling 1940s run, this gender-flipped battle-of-wits farce is perhaps his most emotionally satisfying work, tempering its sparkling humor with a streak of tender poignancy supplied by the sensational Stanwyck at her peak.
Marriage, the class system, the church, the state and the frivolous hypocrisy of modern life all come within the firing line of Jimmy Porter, cinema's original angry young man and celebrated playwright John Osborne's most iconic creation. An absolute landmine of a movie on its original release, 'Look Back in Anger' inspired and shocked audiences with its unrepentant realism, explosive dialogue and frank portrayal of everyday, contemporary British life. Featuring an incredibly intense, breakthrough performance from screen legend Richard Burton, "Look Back in Anger" is often cited as igniting the radical 'Angry Young Men' movement in film and theatre, which ran parallel with America's 'Beat Generation' and formed a gritty, groundbreaking pre-cursor to the sixties 'Kitchen Sink' dramas. By night he drunkenly prowls the local Jazz clubs, by day he runs his own market stall. Disaffected and abusive, Jimmy Porter (Richard Burton) is constantly at odds with his mundane existence, his middle-class wife and their squalid living conditions. But what really lies at the core of his resentful rebellion?
Working girl Susan Applegate (Ginger Rogers) has had enough of' life in New York and decides to head home to Iowa. The trouble is she hasn't saved enough money for the trip home, so she disguises herself as a 12 year old to ride half fare in this romantic comedy.
James Stewart, Jean Arthur and Claude Rains star in this award-winning 1939 classic about an idealistic, small-town politician who heads to Washington and suddenly finds himself single-handedly battling ruthless politicians out to destroy him.
Melsa Manton (Barbara Stanwyck) is a wealthy Manhattan debutante who is notorious for headline grabbing pranks. One night, Melsa notices a man running out of a supposedly deserted house and goes to investigate. She discovers a body, but when the police eventually arrive the body has disappeared and Lieutenant Brent (Sam Levene) accuses Melsa of playing one of her jokes. High-flying newspaper reporter, Peter Ames (Henry Fonda), picks up the story and prints an article ridiculing the 'Park Avenue Pranksters'. But Melissa knows there is a killer on the loose and drags Ames all over Manhattan to find him...
Screen legends Barbara Stanwyck and Fred MacMurray star in this timeless, heart-warming Christmas classic that can be enjoyed any time of year! Lee Leander (Stanwyck) is a pretty shoplifter on trial for swiping an expensive bracelet from a local jewellery store. When her trial is postponed until after New Year, the sympathetic Assistant District Attorney John Sargent (MacMurray) bails her out of jail. When he invites her to his family's home for the holidays, she discovers the warmth and love she's never had but always wanted. Featuring a wonderful supporting cast of Beulah Bondi, Sterling Holloway and Elizabeth Patterson, plus a charming script by Preston Sturges and superb direction by Mitchell Leisen, 'Remember the Night' is a not to be missed classic.
What Stanley Timberlake wants, she takes. So, on the eve of her marriage to another, she runs off with her sister's husband, the first of many betrayals that lead to disaster...and to a compulsively watchable brew of deceit, racial bigotry, latent incest and violent death.
Barbara Stanwyck and Joel McCrea are Pearl and Ernie, a dewy-eyed young couple in Mississippi. Ernie has lived on the Mississippi River all his life, a member of the proud "shanty-boat people". Pearl is a "land girl", and unaccustomed to the simple ways of the river folk. But Pearl is determined to be a good wife to Ernie, and her new father-in-law, Newt (Walter Brennan) has high hopes for a grandchild. These sweet, straightforward plans go awry on their wedding day when a local troublemaker tries to force a sloppy kiss on the new bride. Ernie intervenes, and knocks him overboard. The man fails to resurface, and Ernie jumps into the river and flees.
When a charming fugitive, a beautiful teacher and a stuffy law professor are forced to become roommates, their unconventional relationship is suddenly 'Talk of the Town' in this madcap romantic comedy. When accused arsonist Leopold Dilg (Cary Grant) escapes jail, he hides out in the home of his friend Nora (Jean Arthur). Posing as a gardener, Dilg teams up with Nora to convince her summer tenant, Supreme Court candidate Michael Lightcap (Ronald Colman), that Dilg was framed. The zaniness never stops as the three of them dodge the cops, try to snag the real crooks and discover along the way that both men have fallen for Nora. But who has captured Nora's heart?
When the Earl of Burnstead (Roland Young) transfers the services of Ruggles (Charles Laughton), his immaculate English valet, to Egbert Floud (Charlie Ruggles), a wealthy, brash American, the repercussions prove more dramatic than anyone could have anticipated. Relocating to Red Gap, Washington, Ruggles slowly overcomes his disconcertment as he encounters new alliances, enemies, the route to independence, and, possibly, love.
Carole Lombard co-stars with Frederic March, in one of her most delightful movie outings and her only feature in colour. The hilarious screenplay by Ben Hecht and James H. Street has her cast as Hazel Flagg, a small town girl who mistakenly believes that she is dying of radium poisoning. March plays a newspaper reporter who, in the best tradition of yellow journalism, talks his editor into bringing her to New York for one last fling.
Josephine Norris (Olivia de Havilland) volunteers for a fire watch with Lord Desham (Ronald Culver) on the rooftops of London during the Blitz. When Lord Desham is nearly killed during the air raid, the ageing pair reminisce over the lost loves of their youth. Josephine recalls her first and only love affair with World War I fighter pilot Captain Bart Cosgrove (John Lund). Their whirlwind romance during a fundraising tour for the American war effort lasts only a few days, but when Captain Cosgrove returns to the front, Josephine finds herself pregnant with an illegitimate child in an American backwater town. When she learns of Captain Cosgrove's death in action Josephine realises that she can never marry the father of her child, so she decides to contrive an adoption of the child to herself. But fate plays its own hand...
When career thief Gaston Monescu (Herbert Marshall) meets glamorous pickpocket Lily (Miriam Hopkins), their love soon takes on a professional dimension as they initiate a plot to rob beautiful perfume magnate Mariette Colet (Kay Francis). But as Gaston gets ever closer to his intended prey, his romantic confusion, as well as the threat that his past will catch up with him, throws their plan into jeopardy.
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