In early 18th-century England, a frail Queen Anne (Olivia Colman) occupies the throne, and her closest friend, Lady Sarah (Rachel Weisz), governs the country while tending to Anne's ill health and volatile temper. When new servant Abigail (Emma Stone) arrives, Sarah takes Abigail under her wing as she cunningly schemes to return to her aristocratic roots, setting off an outrageous rivalry to become the Queen's favourite.
The year is 1959. A young boy, Ingemar (Anton Glanzelius), is obsessed by two things - his namesake fighting for the World Heavyweight boxing title and the fate of Laika, the dog sent in to space by Russia. As his mother's health deteriorates and she no longer has the strength to cope with him, Ingemar is sent to stay with relatives in the country, much like Laika's journey into the unknown.
After a successful shoplifting spree, Osamu (Lily Franky) and his son rescue a little girl in the freezing cold and invite her home with them. Osamu's wife Nobuyo (Sakura Ando) reluctantly agrees to shelter her. Although the family is poor, they live happily together until an unforeseen incident upsets the delicate balance they have created, revealing long-buried secrets...
When Babette (Stéphane Audran), a beautiful and mysterious French refugee, arrives in a remote Danish town the tight-knit, puritanical community begrudgingly let her in, providing her with shelter and work. But after the town patriarch passes away and Babette insists on preparing a feast in his honor, a magical world of sensory revelations is thrown open to the villagers, changing their lives forever...
Rex Black (Laurence Harvey) has successfully faked his death in a plane crash and escaped to sunny Málaga under a new identity, waiting for his wife Stella (Lee Remick) to arrive with £50,000 of life insurance money. It's the start of a blissful, trouble-free new life for the couple - until Stephen (Alan Bates), the insurance agent in charge of investigating Rex's death, suddenly arrives in town. Is he just holidaying in Spain, as he claims, or is he on assignment to foil Rex's scheme?
Set amidst the glittering theatre world of 19th century Paris, the story revoles around the beautiful and free-spirted courtesan, Garanace, and the four men who compete for her affections; a mime-artist, an actor, an aristocrat and a criminal. As the melodrama unfolds, we are treated to one of cinema's greatest love stories, a captivating tale of passion, deception and murder.
On a cold, bright autumn day in Suffolk, England, a little girl in a red mackintosh drowns in a pond-the daughter of John (Donald Sutherland) and Laura Baxter (Julie Christie). Trying to recover from the tragedy, the couple arrive in Venice, Italy, where John has been commissioned to restore a church. In the eerie atmosphere of the lagoon city in winter, they encounter two strange sisters. Laura is suddenly released from her grief when one of them, a blind psychic, tells her that she is in contact with her dead daughter. Angered and sceptical, John carries on with his work, but witnesses an unsettling vision of his own: a little girl in a red mackintosh disappearing into the Venetian alleys. As Venice and his fate close in on John, illusion, reality and sudden terror spiral the story to its grotesque climax.
The relentless struggle of war time wreaks havoc on the sexual mores of two war-weary lovers in this provocative drama starring William Holden and Sophia Loren. Living in a small London flat during World War II, Stella (Loren) has fallen into a series of unhappy relationships with men. Over the years she has allowed the key to her apartment to pass from sea captain to sea captain. The cold reality of her of her intimate "services" has caused Stella to develop a callous attitude towards her lovers. But when Canadian captain David Ross (Holden) is taken to her apartment by an old friend, Stella finds herself embraced by an unknown feeling: love. She promises Ross that he is her last, permanent lover. But in wartime... keeping promises can be the most heart wrenching struggle of all.
Julie Christie plays the part of Darling in this story of a stylish amoral model. There are three men in her life, each of whom willingly or involuntarily helps her on her way to the top. Dirk Bogarde plays a TV interviewer, an honest man striving to tell illusion from reality; Laurence Harvey, an advertising executive, totally cynical about manipulating society's values; and Roland Curram, a gay magazine photographer battening parasitically on glossy society. There is also a 'fourth man' - the one whom Darling marries, only to find herself a prisoner of the smart world she has conquered. Although Darling thinks she can exploit society to her own advantage, she ends up exploited - manipulated by men who are, aptly enough, professional image-makers at a time in British life when the image said it all (or so it was thought). And at the centre of it all, incarnating the decade which saw the ascension of the model girl to the status of international idol, Julie Christie gives the sort of indelible performance that made many of her subsequent roles look like Darling's distant cousins or historical ancestors.
An ex-con, a corrupt cop, a reformed alcoholic, a wrestler, a sharpshooter and a pair of inside men: these seven men intent on executing the perfect robbery and taking a racetrack for two million dollars. But this is the world of film noir, a tough, sour place where nothing quite goes as planned... For his third feature Stanley Kubrick adapted Lionel White's 'Clean Break' with a little help from hard-boiled specialist Jim Thompson (The Killer Inside Me), and in doing so created a heist movie classic, one to rank alongside John Huston's 'The Asphalt Jungle' and Quentin Tarantino's 'Reservoir Dogs'. The robbery itself is one of cinema's great set-pieces, as taut a piece of filmmaking as you'll ever find, expertly controlled by Kubrick, who called 'The Killing' his first mature work . Starring Sterling Hayden, perennial fall guy Elisha Cook Jr. and Marie Windsor as his duplicitous wife, 'The Killing' is quintessential film noir, still as brutal, thrilling and audacious as it was almost six decades ago.
Marcello Mastroianni is (Fellini's alter ego) Guido, a successful filmmaker who, embarking on his next film, discovers he has a complete "director's block": he has no story to tell! Harassed by his producers, his mistress (Sandra Milo) and his wife (Anouk Aimee), while struggling to find the inspiration for his film, he increasingly retreats in dreamy recollections of his life and lovers, until fantasy, memories and reality merge in the director's mind - and on screen, in an astonishing, masterful spectacle, culminating in an electrifying triumph of optimism. As Guido-Federico says at the end of 8 1/2: "Life is a party, let's live it together!"
A proud woman in red draws leers and admiration. A bosomy tobacconist sparks the fantasies of adolescent boys. A mentally challenged uncle takes refuge in a tree and announces: "I want a woman!" They are among moments and events knit by memory...and a legendary filmmaker in peak form. 'Amarcord', which means "I Remember", is Federico Fellini's lusty, often funny look at growing-up perhaps not unlike his own. The setting is a village in 1930's Italy. Teen hormones are surging. Family, church and friendship are proving grounds of love and loyalty. Fascism's rise is just down the street. Sex is around any corner. And life viewed in the local cinema is a touchstone for life lived. The memories, big and small, endure.
Tennis star Guy Haines (Farley Granger) half-jokingly muses about killing his wife with a stranger he meets on a train, unhinged playboy Bruno Anthony (Robert Walker), who'd prefer his father be deceased. In theory, each could murder the other's victim. Crisscross. No motive. No clues. No problem... except: Bruno takes the idea seriously, with deadly consequences.
When callous thugs beat Mike Hammer (Ralph Meeker) senseless and viciously murder the gorgeous blonde he's been trying to help, the hard-boiled detective retaliates the only way he can: by hitting first and asking questions later. Cutting a brutal swathe through the city's sleazy underside, Hammer uncovers a mysterious black container whose deadly contents not only solve the murder...but trigger an apocalyptic climax as well!
Erica Burgoyne (Nova Pilbeam) is the daughter of police constable Col. Burgoyne (Percy Marmont) who's investigating the strangulation of an actress, washed ashore with the murder weapon - the belt of a raincoat. Robert Tisdall (Derrick De Marney) is the prime suspect on account of being mentioned in the will, he was seen running away from the scene of the crime and is missing his raincoat! Erica tries to help Robert prove his innocence, falls in love with him and ends up avoiding the authorities while trying to find the real murderer.
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