Rex Black (Laurence Harvey) has successfully faked his death in a plane crash and escaped to sunny Málaga under a new identity, waiting for his wife Stella (Lee Remick) to arrive with £50,000 of life insurance money. It's the start of a blissful, trouble-free new life for the couple - until Stephen (Alan Bates), the insurance agent in charge of investigating Rex's death, suddenly arrives in town. Is he just holidaying in Spain, as he claims, or is he on assignment to foil Rex's scheme?
Set amidst the glittering theatre world of 19th century Paris, the story revoles around the beautiful and free-spirted courtesan, Garanace, and the four men who compete for her affections; a mime-artist, an actor, an aristocrat and a criminal. As the melodrama unfolds, we are treated to one of cinema's greatest love stories, a captivating tale of passion, deception and murder.
On a cold, bright autumn day in Suffolk, England, a little girl in a red mackintosh drowns in a pond-the daughter of John (Donald Sutherland) and Laura Baxter (Julie Christie). Trying to recover from the tragedy, the couple arrive in Venice, Italy, where John has been commissioned to restore a church. In the eerie atmosphere of the lagoon city in winter, they encounter two strange sisters. Laura is suddenly released from her grief when one of them, a blind psychic, tells her that she is in contact with her dead daughter. Angered and sceptical, John carries on with his work, but witnesses an unsettling vision of his own: a little girl in a red mackintosh disappearing into the Venetian alleys. As Venice and his fate close in on John, illusion, reality and sudden terror spiral the story to its grotesque climax.
The relentless struggle of war time wreaks havoc on the sexual mores of two war-weary lovers in this provocative drama starring William Holden and Sophia Loren. Living in a small London flat during World War II, Stella (Loren) has fallen into a series of unhappy relationships with men. Over the years she has allowed the key to her apartment to pass from sea captain to sea captain. The cold reality of her of her intimate "services" has caused Stella to develop a callous attitude towards her lovers. But when Canadian captain David Ross (Holden) is taken to her apartment by an old friend, Stella finds herself embraced by an unknown feeling: love. She promises Ross that he is her last, permanent lover. But in wartime... keeping promises can be the most heart wrenching struggle of all.
Julie Christie plays the part of Darling in this story of a stylish amoral model. There are three men in her life, each of whom willingly or involuntarily helps her on her way to the top. Dirk Bogarde plays a TV interviewer, an honest man striving to tell illusion from reality; Laurence Harvey, an advertising executive, totally cynical about manipulating society's values; and Roland Curram, a gay magazine photographer battening parasitically on glossy society. There is also a 'fourth man' - the one whom Darling marries, only to find herself a prisoner of the smart world she has conquered. Although Darling thinks she can exploit society to her own advantage, she ends up exploited - manipulated by men who are, aptly enough, professional image-makers at a time in British life when the image said it all (or so it was thought). And at the centre of it all, incarnating the decade which saw the ascension of the model girl to the status of international idol, Julie Christie gives the sort of indelible performance that made many of her subsequent roles look like Darling's distant cousins or historical ancestors.
An ex-con, a corrupt cop, a reformed alcoholic, a wrestler, a sharpshooter and a pair of inside men: these seven men intent on executing the perfect robbery and taking a racetrack for two million dollars. But this is the world of film noir, a tough, sour place where nothing quite goes as planned... For his third feature Stanley Kubrick adapted Lionel White's 'Clean Break' with a little help from hard-boiled specialist Jim Thompson (The Killer Inside Me), and in doing so created a heist movie classic, one to rank alongside John Huston's 'The Asphalt Jungle' and Quentin Tarantino's 'Reservoir Dogs'. The robbery itself is one of cinema's great set-pieces, as taut a piece of filmmaking as you'll ever find, expertly controlled by Kubrick, who called 'The Killing' his first mature work . Starring Sterling Hayden, perennial fall guy Elisha Cook Jr. and Marie Windsor as his duplicitous wife, 'The Killing' is quintessential film noir, still as brutal, thrilling and audacious as it was almost six decades ago.
Marcello Mastroianni is (Fellini's alter ego) Guido, a successful filmmaker who, embarking on his next film, discovers he has a complete "director's block": he has no story to tell! Harassed by his producers, his mistress (Sandra Milo) and his wife (Anouk Aimee), while struggling to find the inspiration for his film, he increasingly retreats in dreamy recollections of his life and lovers, until fantasy, memories and reality merge in the director's mind - and on screen, in an astonishing, masterful spectacle, culminating in an electrifying triumph of optimism. As Guido-Federico says at the end of 8 1/2: "Life is a party, let's live it together!"
A proud woman in red draws leers and admiration. A bosomy tobacconist sparks the fantasies of adolescent boys. A mentally challenged uncle takes refuge in a tree and announces: "I want a woman!" They are among moments and events knit by memory...and a legendary filmmaker in peak form. 'Amarcord', which means "I Remember", is Federico Fellini's lusty, often funny look at growing-up perhaps not unlike his own. The setting is a village in 1930's Italy. Teen hormones are surging. Family, church and friendship are proving grounds of love and loyalty. Fascism's rise is just down the street. Sex is around any corner. And life viewed in the local cinema is a touchstone for life lived. The memories, big and small, endure.
Tennis star Guy Haines (Farley Granger) half-jokingly muses about killing his wife with a stranger he meets on a train, unhinged playboy Bruno Anthony (Robert Walker), who'd prefer his father be deceased. In theory, each could murder the other's victim. Crisscross. No motive. No clues. No problem... except: Bruno takes the idea seriously, with deadly consequences.
When callous thugs beat Mike Hammer (Ralph Meeker) senseless and viciously murder the gorgeous blonde he's been trying to help, the hard-boiled detective retaliates the only way he can: by hitting first and asking questions later. Cutting a brutal swathe through the city's sleazy underside, Hammer uncovers a mysterious black container whose deadly contents not only solve the murder...but trigger an apocalyptic climax as well!
Erica Burgoyne (Nova Pilbeam) is the daughter of police constable Col. Burgoyne (Percy Marmont) who's investigating the strangulation of an actress, washed ashore with the murder weapon - the belt of a raincoat. Robert Tisdall (Derrick De Marney) is the prime suspect on account of being mentioned in the will, he was seen running away from the scene of the crime and is missing his raincoat! Erica tries to help Robert prove his innocence, falls in love with him and ends up avoiding the authorities while trying to find the real murderer.
When Carol (Cate Blanchett) walks into a New York City department store and meets Therese (Rooney Mara) an unlikely friendship sparks. Carol is an elegant socialite going through a bitter divorce while Therese is just starting out in life; unsure of who she wants to be. Mesmerized by each other, they face a choice: deny their hearts desires or defy society's conventions but in doing so, risk life as they know it.
'Nicholas Nickleby' is a vibrant tale of intrigue, passion and revenge, which seems as 'fresh as ever thanks to this stylish, start studded new version'. Brisk, sparkling, marvellously acted and featuring a wonderful score and a great supporting cast, this Golden Globe-nominated adaption of Dickens's masterpiece is a timeless romantic adventure you'll treasure for years! When the Nickleby family is betrayed in their hour of need, young Nicholas (Charlie Hunnam) must save the day.
In this outstanding psychological and political thriller, we get a fascinating insight into the lengths and depths that the East European government went to in order to keep tabs on the lives of its population in 80's. When cold and brutal official Wiesler (Ulrich Mühe) is given the task of spying on acclaimed playwright Dreyman (Sebastian Koch) and his actress girlfriend, he relishes the task, knowing that if he uncovers subversive behaviour he will gain favor with his boss. But the longer he listens in on the couple, their friendships, passions and ideas, the more he realises that his own life and the harsh political regime are lacking in color and joy in many respects. Slowly he begins to doubt morality of is job and politics. As the lines between orders and compassion become blurred, Wiesler becomes more involved with his subject, walking a dangerous path between his duty and his new found reality.
When Ivan (Fernando Guillen) jilts long-time lover, actress Pepa (Carmen Maura), she plans her suicide; lacing her gazpacho soup with barbiturates. She is, however saved by her best friend Candela (Maria Barranco), a fugitive from the law. Further adding to the chaos, Ivan's son (Antonio Banderas) and his fiance Marisa (Rossy de Palma) turn up at the apartment. Bored with the situation, Marisa inadvertently ingests the gazpacho and as she blissfully snoozes, her fiance inaugurates an affair with Carmen's fugitive friend.
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