An ex-con, a corrupt cop, a reformed alcoholic, a wrestler, a sharpshooter and a pair of inside men: these seven men intent on executing the perfect robbery and taking a racetrack for two million dollars. But this is the world of film noir, a tough, sour place where nothing quite goes as planned... For his third feature Stanley Kubrick adapted Lionel White's 'Clean Break' with a little help from hard-boiled specialist Jim Thompson (The Killer Inside Me), and in doing so created a heist movie classic, one to rank alongside John Huston's 'The Asphalt Jungle' and Quentin Tarantino's 'Reservoir Dogs'. The robbery itself is one of cinema's great set-pieces, as taut a piece of filmmaking as you'll ever find, expertly controlled by Kubrick, who called 'The Killing' his first mature work . Starring Sterling Hayden, perennial fall guy Elisha Cook Jr. and Marie Windsor as his duplicitous wife, 'The Killing' is quintessential film noir, still as brutal, thrilling and audacious as it was almost six decades ago.
Marcello Mastroianni is (Fellini's alter ego) Guido, a successful filmmaker who, embarking on his next film, discovers he has a complete "director's block": he has no story to tell! Harassed by his producers, his mistress (Sandra Milo) and his wife (Anouk Aimee), while struggling to find the inspiration for his film, he increasingly retreats in dreamy recollections of his life and lovers, until fantasy, memories and reality merge in the director's mind - and on screen, in an astonishing, masterful spectacle, culminating in an electrifying triumph of optimism. As Guido-Federico says at the end of 8 1/2: "Life is a party, let's live it together!"
A proud woman in red draws leers and admiration. A bosomy tobacconist sparks the fantasies of adolescent boys. A mentally challenged uncle takes refuge in a tree and announces: "I want a woman!" They are among moments and events knit by memory...and a legendary filmmaker in peak form. 'Amarcord', which means "I Remember", is Federico Fellini's lusty, often funny look at growing-up perhaps not unlike his own. The setting is a village in 1930's Italy. Teen hormones are surging. Family, church and friendship are proving grounds of love and loyalty. Fascism's rise is just down the street. Sex is around any corner. And life viewed in the local cinema is a touchstone for life lived. The memories, big and small, endure.
Tennis star Guy Haines (Farley Granger) half-jokingly muses about killing his wife with a stranger he meets on a train, unhinged playboy Bruno Anthony (Robert Walker), who'd prefer his father be deceased. In theory, each could murder the other's victim. Crisscross. No motive. No clues. No problem... except: Bruno takes the idea seriously, with deadly consequences.
When callous thugs beat Mike Hammer (Ralph Meeker) senseless and viciously murder the gorgeous blonde he's been trying to help, the hard-boiled detective retaliates the only way he can: by hitting first and asking questions later. Cutting a brutal swathe through the city's sleazy underside, Hammer uncovers a mysterious black container whose deadly contents not only solve the murder...but trigger an apocalyptic climax as well!
Erica Burgoyne (Nova Pilbeam) is the daughter of police constable Col. Burgoyne (Percy Marmont) who's investigating the strangulation of an actress, washed ashore with the murder weapon - the belt of a raincoat. Robert Tisdall (Derrick De Marney) is the prime suspect on account of being mentioned in the will, he was seen running away from the scene of the crime and is missing his raincoat! Erica tries to help Robert prove his innocence, falls in love with him and ends up avoiding the authorities while trying to find the real murderer.
When Carol (Cate Blanchett) walks into a New York City department store and meets Therese (Rooney Mara) an unlikely friendship sparks. Carol is an elegant socialite going through a bitter divorce while Therese is just starting out in life; unsure of who she wants to be. Mesmerized by each other, they face a choice: deny their hearts desires or defy society's conventions but in doing so, risk life as they know it.
'Nicholas Nickleby' is a vibrant tale of intrigue, passion and revenge, which seems as 'fresh as ever thanks to this stylish, start studded new version'. Brisk, sparkling, marvellously acted and featuring a wonderful score and a great supporting cast, this Golden Globe-nominated adaption of Dickens's masterpiece is a timeless romantic adventure you'll treasure for years! When the Nickleby family is betrayed in their hour of need, young Nicholas (Charlie Hunnam) must save the day.
In this outstanding psychological and political thriller, we get a fascinating insight into the lengths and depths that the East European government went to in order to keep tabs on the lives of its population in 80's. When cold and brutal official Wiesler (Ulrich Mühe) is given the task of spying on acclaimed playwright Dreyman (Sebastian Koch) and his actress girlfriend, he relishes the task, knowing that if he uncovers subversive behaviour he will gain favor with his boss. But the longer he listens in on the couple, their friendships, passions and ideas, the more he realises that his own life and the harsh political regime are lacking in color and joy in many respects. Slowly he begins to doubt morality of is job and politics. As the lines between orders and compassion become blurred, Wiesler becomes more involved with his subject, walking a dangerous path between his duty and his new found reality.
When Ivan (Fernando Guillen) jilts long-time lover, actress Pepa (Carmen Maura), she plans her suicide; lacing her gazpacho soup with barbiturates. She is, however saved by her best friend Candela (Maria Barranco), a fugitive from the law. Further adding to the chaos, Ivan's son (Antonio Banderas) and his fiance Marisa (Rossy de Palma) turn up at the apartment. Bored with the situation, Marisa inadvertently ingests the gazpacho and as she blissfully snoozes, her fiance inaugurates an affair with Carmen's fugitive friend.
"Black Peter" is the debut feature from Oscar-winning director Milos Forman (One Flew Over the Cuckoo's Nest, Amadeus). A wry comedy set in 1960's Czechoslovakia, the film explores the passions and confusions of teenage life. Peter is tentatively taking his first steps into the adult world; he has a new job and a new focus for his burgeoning erotic fantasies -provoking conflict with the older generation. With a cast of mainly non-professional actors, Forman conjures up a naturalistic and witty portrait of everyday life under totalitarianism. Full of charming performances, youthful spontaneity and a rock n roll soundtrack, 'Black Peter' helped launch the internationally acclaimed Czech New Wave.
A murdered girl's defiant mother (Frances McDormand) boldly paints three local billboards, each with a controversial message, igniting a furious battle with a volatile cop (Sam Rockwell) and the town's revered chief of police (Woody Harrelson).
When schoolteacher Humbert Humbert (Jeremy Irons) marries his landlady, Charlotte Haze (Melanie Griffith), it's purely to get close to her daughter Lolita (Dominique Swain) who reminds him of the childhood sweetheart he lost in tragic circumstances. But Humbert's forbidden love becomes an obsession that threatens to engulf them both and change their lives irrevocably.
Based on John Steinbeck's novel and directed by Elia Kazan, 'East of Eden' is the first of three major films that make up James Dean's movie legacy. The 24-year-old idol-to-be plays Cal, a wayward Salinas Valley youth who vies for the affection of his hardened father (Raymond Massey) with his favoured brother Aron (Richard Davalos).
Feature is a compelling, stylish thriller that sees two callous law students murder a young boy in cold blood to prove their intellectual superiority. Having been raised by wealthy, snobbish families Artie Straus is a sadistic bully and Judd Steiner a timid introvert. The two college friends concoct the "perfect crime" the murder of a young boy, but their arrogance and conceit leads to their arrest. The inimitable Orson Welles plays the criminal defense lawyer, based on the famous Clarence Darrow, who takes on their almost impossible case. This courtroom drama directed by Richard Fleischer is based on the notorious and horrific 1924 murder trial of thrill-killers Leopold and Loeb.
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