trh's - Rented List

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Rory (Jude Law) an ambitious entrepreneur, persuades his wife (Carrie Coon), and their children to leave America and return to his native England during the 1980's. Sensing opportunity, Rory rejoins his former firm and leases a centuries-old country manor.

However, all is not as it seems and soon the promise of a lucrative new beginning starts to unravel and the couple have to face the secrets and unwelcome truths that lie beneath the surface of their marriage.

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Max Bialystock (Zero Mostel) is a washed up Broadway producer forced to romance old ladies to finance his plays.

When timid accountant Leo Bloom (Gene Wilder) is brought in to do his books, he inadvertently reveals to Bialystock that under the right circumstances, a producer could make more money with a flop than a hit. Bialystock cajoles Bloom into helping him achieve this end and together they come up with what they consider to be a sure-fire disaster waiting to happen - a musical version of Adolf and Eva's love story entitled 'Springtime for Hitler'. But is it possible that they might actually have the most unlikely hit of all time on their hands?

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Produced as part of the centenary celebrations of the greatest British composer since Henry Purcell, this revelatory film tells the story of the pacifism which was at the core of Britten's life and work.

The drama depicting the teenage pupil at Gresham's School, Holt, already set on a career as a composer, whilst struggling to equate communism with pacifism is framed with commentary by friends and observers and superlative contemporary musical performances.

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Bogie's on the run and Bacall's at his side in Delmer Daves' stylish film-noir thriller that's the third of four films Humphrey Bogart and Lauren Bacall made together. Bogart is Vincent Parry, a prison escapee framed for murder who emerges from plastic surgery with a new face.

Bacall is Irene Jansen, his lone ally. In sharp support, Agnes Moorehead plays a venomous harpy finding pleasure in the unhappiness of others. The leads' chemistry is undeniable, augmented here with exceptional tenderness. Exceptional too are San Francisco locations and creative camerawork that shows Vincent's point of view - but not his face - until bandages are removed. Lest Irene get ideas, post-surgery Vincent tells her: "Don't change yours. I like it just as it is". So do we.

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Whose face - ravaged, grotesque - is in the mirror? Surely it's not that of Fanny Skeffington, the prettiest woman in New York. Fanny always used her beauty to manipulate her way through life. She's encouraged dozens of suitors, even after her marriage.

But now diphtheria has robbed her of her only attribute. And without her looks, she's lost.

A couple caught in alcoholism's web. A San Francisco public-relations hotshot is a "social" drinker... who never stops socialising. His vivacious wife starts drinking to keep him company. They live for good times. But eventually good times turn bad.

The story of a maniacal Broadway director Oscar Jaffe (John Barrymore) who transforms shop girl (Carole Lombard) from a talented amateur to a smashing Great White Way success adored by public and press.

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A Jewish barber returns home after twenty-years within hospital walls to find his old shop not only dilapidated but marked with hateful graffiti. The source of this hatred is the regime of a tyrannical dictator which is persecuting the barber along with the rest of the Jewish community.

In one of his most ingenious strokes of artistry ever, Chaplin subverted the fears of the time with a visionary and undeniably moving satire of fascism and discrimination.

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Finally released in 1946, ten years after it was shot, Jean Renoir's Partie de campagne was hailed as an 'unfinished masterpiece'. Since then, his masterly adaptation on a Maupassant story has grown in reputation to the point where it has become Renoir's best-loved film.

On an idyllic country picnic, a young girl leaves her family and fiancé for a while, and succumbs to an all-too-brief romance. Shot on location on the banks of two small tributaries of the Seine, Renoir's sensuous tribute to the countryside - and to the river - has seldom been surpassed. In its bitter-sweet lyricism, its tenderness and poetic feel for nature, its tolerant satire of bourgeois conventions and its poignant sense of the transience of innocence and love, 'Partie De Campagne' seems to distil the essence of all that is most personal of Renoir's art.

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Charting the turbulent relationship between a train-driver and a married woman as they plot to kill her husband, Renoir's adaptation of Emile Zola's classic novel is often cited by critics as one of the director's greatest films.

Made at the height of Renoir's 1930s poetic realism period, the film also has shades of film-noir with its sexually charged story and self-destructive, hard-boiled anti-hero. Featuring a truly unforgettable performance by Jean Gabin as Lantier, the tormented train-driver, 'La Bete Humaine' was one of Renoir's biggest successes and is just as compelling today as when it was first released.

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As a psychotic thug devoted to his hard-boiled ma, James Cagney - older, scarier and just as electrifying - gives a performance to match his work in 'The Public Enemy' as 'White Heat's's' cold-blooded Cody Jarrett.

Bracingly directed by Raoul Walsh, this fast-paced thriller tracing Jarrett's violent life in and out of jail is also a harrowing character study. Jarrett is a psychological time bomb ruled by impulse. He murders a wounded accomplice and revels in the act. He neglects his sultry wife (Virginia Mayo) and adores his doting mother. It is among the most vivid screen performances of Cagney's career, and the excitement it generates will put you on top of the world!

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A couple floats over a war-town Cologne; on the way to a birthday party, a father stops to tie his daughter's shoelaces in the pouring rain; teenage girls dance outside a cafe, 'About Endlessness' is a beautiful work which Andersson presents as his final film, a kaleidoscope of all that is

eternally human, an infinite story of the vulnerability of existence.

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A captivating look at the remarkable life of a young Swedish girl who became one of the most beloved and celebrated icons of cinema.

From her first Hollywood screen tests, to her immortal starring role in Casablanca, through to an incredible three Academy Awards, and the love affair that shocked Hollywood. This documentary provides a complex and intimate insight into Ingrid Bergman's personal life through never-before-seen private footage, letters, diaries, and interviews with her children.

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At the heart of the story is one man's heroic quest - both to fight for a deep moral cause and to reclaim his manhood after a shattering divorce from the society beauty Virginia Troy (Megan Dodds).

But Guy Crouchback's (Daniel Craig) encounters with the absurd reality in the British Army from 1939-45. strewn with bureaucratic blunders, military debacles and indelibly funny characters, prove to be more of a challenge than facing the enemy itself. In strong contrast to Guys military experience, his renewed and passionate acquaintance with his dangerously beautiful ex-wife, provokes a personal and moral crisis that tests - to the limit - both his undying love for Virginia and his profound sense of duty. Sword of Honour is both a war story and a love story - as well as a biting satire on the emergence of the world we live in today.

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Based on the novel by Katherine Anne Porter 'Ship of Fools' is set in 1933 aboard a luxury liner bound from Mexico to Germany. Among the many passengers are Vivien Leigh as a divorce desperate for love and lost youth.

Also starring are Simone Signoret as a Spanish noblewoman being deported as a political prisoner, Lee Marvin as an aging, alcoholic ballplayers, and Jose Ferrer as a budding Nazi whose brutishness foreshadows the holocaust to come. Their separate but interlocking stories, beautifully observed by director Stanley Kramer, serve as a brilliant microcosm of a world on the verge of war.