"Pandora and the Flying Dutchman" is writer, producer and director Albert Lewin's lushly romantic visualisation of the often-told legend of the sea. A glamorous Ava Gardner is Pandora, who falls hard for the charismatic James Mason as Hendrik, a 17th-century seaman eternally condemned to sail the oceans.
After his release from the asylum, to celebrate his return to the real world, Neale (Ray Milland) visits a local carnival, only to accidentally receive the "prize" of a cake which was meant for a Nazi agent. When he discovers the error, he turns for help to a detective, whose investigations only serve to make the situation more complicated. Neale soon winds up on the run from both the Nazis and the police, who mistakenly believe him guilty of murder. He is led to Scotland Yard, where his fate entwines further with a Nazi front organization, and an unlikely love affair.
The Glass Key is based on the popular Dashiell Hammett novel. The Glass Key follows the story of Paul Madvig - a cone-corrupt politician who's decided to give up his past and join forces with Ralph Henry, a respectable candidate in an upcoming election. However, Madvig's crooked history is hard to forget when he finds himself at the centre of a murder plot. In this early collaboration between Donlevy, Alan Ladd and Veronica Lake, unforgettable performances and masterful directing by Stuart Heislen make this a truly classic film noir.
When the murder of a priest results in a botched police investigation, prosecutor Henry Harvey (Dana Andrews) leads an effort to bring the killer to justice. Once blackmail creeps into the investigation, all bets on an unclouded trial are off, resulting in an expolosive finale that remains one of the toughest in Kazan's work.
The job - a career breakthrough - is supposed to go to hoofer Johnny Brett, but a mix-up in names gives it to his partner. Another example of Broadway hopes dashed? Not when Johnny is played by Fred Astaire. Sparkling Cole Porter songs, clever comedy and dance legends Astaire and Eleanor Powell make the final Broadway Melody a song to remember. Powell's nautical I Am the Captain and Astaire's blissful I've Got My Eyes on You are more than enough to please any fan. But they're just a warm-up for the leads to tap one number into immortality: Begin the Beguine, introduced by Frank Sinatra in That's Entertainment with "You can wait around and hope, but you'll never see the likes of this again".
Dana Andrews stars as Mark Dixon, a corrupt cop, in this gritty noir thriller shot on the rain-slicked streets of New York. Already in trouble for his brutal methods, alienated from his colleagues, he pursues a gang leader with vindictive zeal and accidentally kills a possible murder suspect. His guilt deepens when he falls in love with the dead man's wife and her father, an innocent cab driver, finds himself accused of the murder. Dixon finds the ultimate redemption - at a price. Otto Preminger brings a welcome sympathy and complexity to every character on-screen, from the nervous police informer through to the cocky mobster, the exasperated police chief, and Dixon himself, burdened with self-hatred as the son of a thief. Joseph LaShelle's photography lends a seedy glamour to the run-down lodging houses, cheap cafe's and night-time exteriors.
Dum-Dum, Wacky, Creeps, Fingers: They're just a few of the hoodlums in the world of amateur sleuths and professional bon vivants Nick and Nora Charles. And now there's a new hood: parenthood. A birthday party - make that boithday - that some of da boys hold for infant Nick Jr. is part of the fun in this third film in the witty series. The case begins when the Charles family arrives for a weekend with a Long Island industrialist who fears someone wants to kill him. Sure enough, his fears come true. Nick (William Powell) is among the suspects. Asta scrams with what may be the murder weapon. And Nora (Myrna Loy) has her own ideas about the case and sneaks off to a nightclub to ferret out a clue. "Madam, how long have you been leading this double life?" Nick asks. "Just since we've been married," she replies.
Robert Wagner gambled with his clean-cut image to play the ruthless, conniving killer in this unrelenting thriller co-starring Jeffrey Hunter, Virginia Leith, Joanne Woodward and Mary Astor. Based on the novel by suspense master Ira Levin "Deathtrap", A Kiss Before Dying is riveting, sure-fire entertainment you can't miss! Wagner is Bud Corliss, a darkly handsome college boy so obsessed with wealth that he'll do anything to get it. When his rich girlfriend Dorothy (Woodward) gets pregnant and is threatened with disinheritance, Bud stages her suicide, sending her plummeting from the roof of a high-rise. It's the perfect crime...until Dorothy's sister Ellen (Leith) begins to unravel Bud's deadly scheme.
A hurricane swells outside, but it's nothing compared to the storm within the hotel at Key Largo. There, sadistic mobster Johnny Rocco (Edward G. Robinson) holes up and holds at gunpoint hotel owner Nora Temple (Lauren Bacall) and ex-GI Frank McCloud (Humphrey Bogart). McCloud's the one man capable of standing up against the belligerent Rocco. But the postwar world's realities may have taken all the fight out of him. John Huston co-wrote and compellingly directs this film of Maxwell Anderson's 1939 play with a searing Academy Award winning performance by Claire Trevor as Rocco's gold-hearted, boozy moll. In Huston's hands, it becomes a powerful, sweltering classic.
Nineteen-year-old Lauren Bacall makes her sizzling screen debut in the first of 4 films she made opposite Humphrey Bogart. he plays a cynical American expatriate swept up in the fighting of the French resistance - and swept off his feet by an alluring young drifter - Bacall. Set on the island of Martinique in 1940, the film features smouldering performances from the legendary couple.
An irreverent, uplifting comedy about friendship, trust and human possibility. Based on a true story of friendship between handicapped millionaire (Francois Cluzet) and his street smart ex-con caretaker (Omar Sy), "Untouchable" depicts an unlikely camaraderie rooted in honesty and humour between two individuals who, on the surface, would seem to have nothing in common.
James Stewart and Doris Day play Ben and Jo McKenna, innocent Americans vacationing in Morocco with their son, Hank. After a French spy dies in Ben's arms in the Marrakech market, the couple discovers their son has been kidnapped and taken to England. Not knowing who they can trust, the McKennas are caught up in a nightmare of international espionage, assassinations and terror. Soon, all of their lives hang in the balance as they draw closer to the truth and a chilling climatic moment in London's famous Royal Albert Hall.
L.A. private eye Philip Marlowe (Humphrey Bogart) takes on a blackmail case...and follows a trail peopled with murderers, pornographers, nightclub rogues, the spoiled rich and more. But Raymond Chandler's legendary gumshoe solves it in hard-boiled style - and style is what 'The Big Sleep' is all about.
This presentation of the powerful film classic features an additional five minutes of footage cut from the film's original release, plus the original overture and extended soundtrack. Director Stanley Kubrick tells the tale of Spartacus (Kirk Douglas), the bold gladiator slave and Varinia (Jean Simmons), the woman who believed in his cause. Challenged by the power-hungry General Crassus (Laurence Olivier), Spartacus is forced to face his convictions and the power of the Roman Empire at its glorious height.
When gun fancier Bart Tare sees Annie Laurie Starr's sideshow sharpshooting act, he's a dead-bang goner. He and she go together, as Bart ultimately says, 'like guns and ammunition'. The two become bank robbers on the run, eluding roadblocks and roaring into movie history as one of the benchmark film-noir works. Joseph H. Lewis directs this ferocious thriller, selected for the National Film Registry and often cited as a forerunner to 'Bonnie and Clyde'. Peggy Cummins and John Dall star, meeting in a sexually charged carny shooting contest and soon driven by impulses of violence and arousal they don't fully understand. They're young, foolish, doomed - and point blank in Gun Crazy's unforgiving sights.
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