trh's - Rented List

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A WW2 veteran suffers from amnesia with only two clues to help him discover who he is: a letter from an angry woman who has something against him, and another letter signed by a mysterious "Larry Cravat".

Heading out west to meet the signatory on his second letter, the veteran discovers that the mysterious "Larry Cravat" is wanted for murder and theft of two million dollars! While in Los Angeles, the veteran becomes involved with a singer who may not be who she says she is. While he is chased by mobsters who are on the hunt for the two million dollars, he discovers the true identity of "Larry Cravat" and the identity of the woman who wrote the angry letter.

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Jane Palmer (Lizabeth Scott) and her husband Alan (Arthur Kennedy) mysteriously have $60,000 literally dropped in their laps. The circumstances seem mighty suspicious to Alan, who wants to turn the money over to the police. But in a materialistic rapture, Jane won't let it go.

She doesn't care where it came from, or what danger might ensue - not if it will bring her the luxury she craves. Enter shady Danny Fuller (Duryea, as cocky and menacing as ever), who claims the money belongs to him. Let the games begin! Roy Huggins' snappy script (adapted from his novel) is a complex, breezy and black-hearted homage to James M. Cain and Raymond Chandler. Rapacious housewife Jane Palmer is one of the juiciest female villains in Hollywood history, and Liz Scott's best role ever.

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Mary Smith (Jean Arthur) is a poor working girl who literally has a fortune dropped in her lap when a wealthy financier (Edward Arnold) tosses a sable coat out of a window and it lands in her lap! Everyone automatically assumes shes his mistress, and soon her fairy-tale-like rags-to-riches

lifestyle threatens a very real romance with an inept waiter (Ray Milland).

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Under the direction of new editor Marty Baron the team of tenacious investigative journalists at 'The Boston Globe' known as 'Spotlight' begin to delve into allegations of abuse within the Catholic Church and the wilful ignorance of those in power who have done nothing to stop it.

Facing political opposition and resistance from the far-reaching influences of the Church and government, the reporters put together an explosive expose revealing that the truth is much darker than they could have ever imagined.

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Walter White (Bryan Cranston), a down-on-his-luck chemistry teacher struggling to make ends meet for his wife (Anna Gunn) and physically challenged son (RJ Mitte). Everything changes when Walter receives a startling diagnosis: terminal lung cancer.

With only a few years to live and nothing to lose, Walter uses his training as a chemist to cook and sell crystal meth with one of his former students (Aaron Paul). As his status grows, so do his lies, but Walt will stop at nothing to make sure his family is taken care of after he's gone, even if it means putting all their lives on the line.

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American judge, Daniel Haywood (Spencer Tracy), presides over the trial of four German jurists accused of "legalising" Nazi atrocities.

But as graphic accounts of sterilisation and murder unfold in the courtroom, mounting political pressure for leniency forces Haywood into making the most harrowing and difficult decision of his career. His actions - and those of the other trial participants - make for fascinating, poignant and continuously exciting entertainment!

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A suspenseful, true-life spy thriller based on the memoirs of L. C. Moyzisch, 5 Fingers features an enigmatic performance from James Mason as a charming, amoral enemy spy posing as the valet to a British ambassador during World War II.

Working for the highest bidder with no personal political bent, Cicero secures British war files detailing the planned D-Day attacks and passes on the documents to the Nazi's who regard the information as too far-fetched to be treated seriously. Intelligently scripted by Michael Wilson just before he fell victim to the McCarthy-era blacklists and directed by Joseph L. Mankiewicz, and witty 5 Fingers audaciously popularised the notion of the anti-hero protagonist and intelligently emphasised a cynical view of government hypocrisy. A film that's some way ahead of its time, it also features a stirring score by music maestro Bernard Herrmann.

When a wealthy widow is found murdered, her married suitor, Leonard Vole (Tyrone Power), is accused of the crime. Vole's only hope for acquittal is the testimony of his wife (Marlene Dietrich)...but his airtight alibi shatters when she reveals some shocking secrets of her own!

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A later collaboration between James Mason and Carol Reed, 'The Man Between' is often considered a companion piece to The Third Man thanks to its atmospheric portrayal of a city struggling to survive in a grim post-war reality of poverty and mistrust The action is transposed to a divided Berlin, and

to the beginning of the Cold War. Unlike the devilish Harry Lime, Mason's world-weary dealer Ivo Kern is ultimately still a decent man, compelled by his love for a naive schoolteacher (Claire Bloom) to make one last misguided trip through the Brandenburg Gate, with potentially tragic consequences.

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"Pandora and the Flying Dutchman" is writer, producer and director Albert Lewin's lushly romantic visualisation of the often-told legend of the sea.

A glamorous Ava Gardner is Pandora, who falls hard for the charismatic James Mason as Hendrik, a 17th-century seaman eternally condemned to sail the oceans.

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After his release from the asylum, to celebrate his return to the real world, Neale (Ray Milland) visits a local carnival, only to accidentally receive the "prize" of a cake which was meant for a Nazi agent.

When he discovers the error, he turns for help to a detective, whose investigations only serve to make the situation more complicated. Neale soon winds up on the run from both the Nazis and the police, who mistakenly believe him guilty of murder. He is led to Scotland Yard, where his fate entwines further with a Nazi front organization, and an unlikely love affair.

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The Glass Key is based on the popular Dashiell Hammett novel. The Glass Key follows the story of Paul Madvig - a cone-corrupt politician who's decided to give up his past and join forces with Ralph Henry, a respectable candidate in an upcoming election.

However, Madvig's crooked history is hard to forget when he finds himself at the centre of a murder plot. In this early collaboration between Donlevy, Alan Ladd and Veronica Lake, unforgettable performances and masterful directing by Stuart Heislen make this a truly classic film noir.

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When the murder of a priest results in a botched police investigation, prosecutor Henry Harvey (Dana Andrews) leads an effort to bring the killer to justice.

Once blackmail creeps into the investigation, all bets on an unclouded trial are off, resulting in an expolosive finale that remains one of the toughest in Kazan's work.

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The job - a career breakthrough - is supposed to go to hoofer Johnny Brett, but a mix-up in names gives it to his partner. Another example of Broadway hopes dashed? Not when Johnny is played by Fred Astaire.

Sparkling Cole Porter songs, clever comedy and dance legends Astaire and Eleanor Powell make the final Broadway Melody a song to remember. Powell's nautical I Am the Captain and Astaire's blissful I've Got My Eyes on You are more than enough to please any fan. But they're just a warm-up for the leads to tap one number into immortality: Begin the Beguine, introduced by Frank Sinatra in That's Entertainment with "You can wait around and hope, but you'll never see the likes of this again".

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Dana Andrews stars as Mark Dixon, a corrupt cop, in this gritty noir thriller shot on the rain-slicked streets of New York. Already in trouble for his brutal methods, alienated from his colleagues, he pursues a gang leader with vindictive zeal and accidentally kills a possible murder suspect.

His guilt deepens when he falls in love with the dead man's wife and her father, an innocent cab driver, finds himself accused of the murder. Dixon finds the ultimate redemption - at a price. Otto Preminger brings a welcome sympathy and complexity to every character on-screen, from the nervous police informer through to the cocky mobster, the exasperated police chief, and Dixon himself, burdened with self-hatred as the son of a thief. Joseph LaShelle's photography lends a seedy glamour to the run-down lodging houses, cheap cafe's and night-time exteriors.