I feel bad about criticising a film that tries to tell an important story in a simple way without resorting to stereotypes. There are many aspects of the film that are truly impressive, the cinematography and the acting is first rate. I just wasn't gripped by the film, it truly meanders at time and fails to give depth to the characters despite the actors efforts. It really fails where something like Schindler's List succeeded, I expected to be uplifted by the end but just felt there was more to tell of his interesting life.
It is the American way to overdo things, labour points and 'Disney-fy' every story they tell. This should have been a great film about a the depths that man is able to sink to and intolerable cruelty. Instead, it drags on and on and on and labours the most painful points so badly that you feel the film-makers are assuming you be too slow-witted to keep up.
Of course it won awards. It's a 'popular' subject these days and there's nothing like piling people on board the bizarre guilt-trip that we are all supposed to be on for things that we couldn't possibly have altered!!! Honestly, I think Tarantino's 'Django Unchained' packs more of a punch in reminding us of how brutally evil mankind can be.
As mentioned by another reviewer, this film fails in the way that 'Schindler's List' succeeds. With such bleak subject matter, why make it all so 'Hollywood'? Again, previously mentioned, the depiction of "pantomime white villains and angelic blacks" does the reality no credit.
On the upside this film looks amazing and is chock full of fine acting.
On the downside it has no shades of grey or true historical context - looking up the origins of the book on which the film was based makes for interesting reading and shows an awful lot of artistic license from the movie makers. Also the characters are devised simply to portray that all white men are bad, and that all black men are good which really lets the film down and patronises the viewer.
If you understand that slavery was then, and is now, appalling in all its forms then you don't need to see this film, and be warned that there are scenes of cruelty and violence that are endless and upsetting. If you have thick skin however and don't know what slavery looks or feels like check it out.
An utterly unflinching and unashamed look at one of the biggest failures of men against their own kind, 12 Years a Slave is one of those films that leave a mark on your long after you leave the theatre; a masterpiece with more than just a movie-message, but rather a memory that reaches deep into social and personal consciousness.
Telling the true story of a black man born free in New York in the early 19th Century Steve McQueen’s newest film follows the shocking and tragic events of Solomon Northup (Chiwetel Ejiofor), a proud and hard working family man who, following an offer of a week’s worth of well paid work in Washington leaves his home to chase success few African Americans could hope for at the time.
The night after a drunken celebration however Northup awakens to find himself in an unfamiliar and dark place, what follows is one of the most nightmarish scenes I have yet witnessed, as he attempts to rise only to find heavy chains trailing from his limbs and catching the small amount of light in the room, causing them to glint like knives.
Using a fairly non-linear narrative pattern McQueen steps back and forth between the present – and the still rumbling repercussions of Northup’s enslavement – and the darker past; yet his controlled directorial hand and the exceptional performances keep audiences engaged from start to finish. With each minor kindness offered by Solomon’s slavers the audience is offered a consequence, a painful stab in the back often incurred years later, whilst McQueen and his editor Joe Walker deftly manipulate time and space to ensure each of these blows finds the most painful point at which to strike.
Moving further and further South through America Solomon, now facing the ultimate humiliation renamed Platt by his new masters, experiences the spectrum of plantation owners – from a God fearing man (perfectly played by Britain’s current “it actor” Benedict Cumberbatch) who attempts to aid his newest acquisition by providing him with a fiddle to entertain himself to a violent and hypocritical master who both beats and sleeps with his slaves at regular intervals.
Although I have given 12 Years a Slave the highest rating available to me in my capacity as a reviewer I would certainly not say that I enjoyed watching the film, the film is challenge to watch (not just because of the deplorable violence openly displayed on screen) and at more than two hours it isn’t easy to sit all the way through. Yet it’s raw emotional depiction of humanity, both the good and the utterly evil, and incredible performances from the well selected cast I was certainly glad, almost grateful in fact, that I was able to watch the whole thing.