I love Jane Fonda, Candice Bergen, Mary Steenburgen and Diane Keaton and this is a brilliant follow up to the original film. As it began during Covid-19, it was good to see how the girls coped during that time and put the film into perspective. It was shot mostly in Italy which was another added bonus. Also Andy Garcia - love him too! Plus someone I didn't recognise until I checked, Don Johnson, of Miami Vice - he has aged well and had a good role. Another surprise was Hugh Quarshie of Casualty - he popped up and even sang. After reading the critic review, perhaps this only appeals to women and also those of a certain age!! Also women tend to have tighter friendship bonds than men and therefore I totally understood the bond the women had. I'd like to think this is what I might be doing with my friends soon, being in that age group and having some friends I have known for 50 years. It gives you the idea of 'don't give up', just go for it. I hope the girls do another 'chapter'!
But as I say, the film is perhaps not everyone's cup of tea, but certainly I loved the film - so much I watched it twice!
If you like ultra light sickly sweet movie plots with very silly and ultra predictable story lines and very weak acting then go ahead. It will be a good film for some but my guess is that it is a very small audience. I felt sorry for the lead actors being asked to act in such a poor screen play plot and with so weak acting requirements. I just hope they were paid enough to compensate for all four are very good actors no doubt about it. It's just this film did not challenge their acting talents at all. Nice scenery and all that being shot in Italy mostly, but as another reviewer suggests this is one for when you don't want to be taxed mentally to follow the plot - at all - and you'll likely need a good bottle (or two) of wine to numb the experience of watching all the way through. Not one for me but someone may like it.
Boring and slow to sum up. Like all the well established actors who should know better with overacting by all. Diane Keaton swanning around
in gear from her Manhattan era with Woody Allen, Jane Fonda strutting her stuff supposedly taking the lead but getting nowhere. Did'nt find it entertaining at
all and would rather have spent 90 productive minutes cleaning the oven !
Compared to the first Book Club movie, The Next Chapter is more on track, and that track is one for a passive old-lady comedy. It’s styled as more of a vacation romance for the foursome ensemble and plays about as sappy and safely silly as one might expect for this type of film. So, if you’ve got the gals together with lots of wine and want to delight in some aged actresses just having fun, you’ll probably get what you expect from this premise. Here’s hoping the wine is strong enough not to pay too much attention to the by-the-numbers plot.
Diane Keaton, Jane Fonda, Candice Bergen, and Mary Steenburgen return for more good-natured and weakly-witty fun. While enduring the COVID-19 pandemic, the ladies' club vows to do something big when they can all get together again. Having previously put a trip to Italy on hold, they do so by throwing a bachelorette party for Vivian (Fonda), who intends to marry her fiance Arthur (Don Johnson). They have fun in Italy, experiencing all the food, drinks, and sights with simple bits of comedy strewn throughout. But problems arise: they lose their luggage, and a surprise wedding plan is turned on its head as the three ladies have to find a way to get to Vivian’s wedding on time.
The film is less chaotic than the last movie since this is a very lightweight road trip movie. The four all-star actresses are all likable in this plot and it seems like their joy comes about reasonably quickly. Of course, nothing is demanding from them in this script. There’s no wild side to them having to dance at a bar for bus fare or push a car out of a dirty ditch for some slapstick humor. They also encounter the nicest of people who are more than willing to offer some help when the chips are down. It’s a world so grotesquely upbeat that it makes me angry this isn’t the way the world can be for everybody. Who wouldn’t want a fun trip to Italy where a road trip mishap only leads to fun scenarios of romantically making dough?
But much like the previous Book Club movie and similar films like 80 For Brady, this film feels more like watching a handful of celebrities go on vacation and kinda-sorta string a plot together through it all. All the characters have stuff to do, but it’s primarily busy work to get them from joke-setting-A to joke-setting-B. The film walks a fine line between being a low-stakes, meandering all-girl vacation and a routine dose of Boomer-humor romance, played off with the most timid of cuteness. It’s not that Keaton, Fonda, Bergen, and Steenburgen are bad actors; they’re great actors who served up a nothing script. Their line deliveries are so great that I’m incredibly frustrated nobody wrote something better for them. Why even write anything for this trip to Italy? Why not make this film like The Trip, where the actors more or less get to riff on their travels of wining and dining? That’d be a lot more compelling than a ho-hum wedding scenario.
Book Club: The Next Chapter is as predictable as expected for this type of film. It’s great actresses cavorting in a simple yet tired road trip plot that is so passive the ensemble could sleepwalk through this film, and they mostly do. The best thing to be said about this type of comedy is that it is inoffensive to pay it no mind when Grandma or the gals flip it on for some lightweight comedy. The only annoying thing about this type of film is that these four women are underutilized and probably drinking more wine than I am while watching this. Oh, well. At least Bergen still has some dry wit, even if she turns it to a low setting for this adventure.