Hitchcockian but not by the master
- Charade review by AB
Nice storyline with several twists to the plot and good acting with Audrey Hepburn looking gorgeous and Cary Grant effortlessly gliding his way through his character. A young James Coburn adds to the faces that you know. Don't know if this is defined as one of the 'classics' but if not, it almost is IMHO. Recommended
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Light Hearted Double Cross Thriller
- Charade review by GI
The film that has been described as the best Hitchcock film that Hitchcock never made and it's still often thought of or mistaken for an Alfred Hitchcock movie. Director Stanley Donen created a neat, humorous and light hearted, twist and turn plot thriller with the ever suave Cary Grant and the delicious Audrey Hepburn. She plays Reggie, a naïve socialite who is left penniless and stranded in Paris when her husband is found dead. The police suspect her of being involved in his death and soon three mysterious men begin hassling her claiming she knows the whereabouts of $250,000 her husband has stolen from them. She is helped by the handsome Peter (Grant) whom she meets by chance and Bartholomew, a CIA agent (Walter Matthau). But no-one seems to be who they say they are. The story rattles along, it's charming, funny but with some very dark edges not least the opening scene of Reggie's husband's death. Grant switches between malevolence and playboy giving his role some real depth and he and Hepburn have great screen chemistry. With James Coburn and the great George Kennedy as bad guys this remains a film that is highly entertaining.
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Ersatz Hitchcock.
- Charade review by Steve
Stanley Donen makes a Hitchcock film and while it doesn't have Hitch's distinctive touch of the outré this is still an entertaining comedy caper. It's debatable whether Donan was referencing the Master, or ripping him off. Hitchcock had created his own genre rules which were widely copied in the sixties, and never better than Charade.
Audrey Hepburn is an innocent abroad in Paris who gets tangled up in the pursuit of some US Government MacGuffin, with the phenomenally untrustworthy Cary Grant and a ruthless gang of impressive Hollywood character actors, including Walter Matthau, Lee Marvin and George Kennedy. Who can she trust? There is suspense, though it's hard to take any of his too seriously.
The disparity in the ages of Cary Grant and Audrey Hepburn doesn't help the romance, but there is a faint thready pulse of chemistry. And it's great to see such legendary stars together, for the only time. The comedy is amusing and engaging rather than actually funny. There's an atmospheric spy film score from Henry Mancini, but Donan doesn't get the most out of his photogenic locations.
The film is enjoyable as an approximation of a Hitchcock comedy-thriller. This is where Cary Grant pays off. When Kennedy is stamping on Cary's fingers on top of the American Express building, the audience is transported to Mount Rushmore in North by Northwest. It's a stylish, fast moving escapade but Hitch had already moved on. In 1963 he made The Birds.
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