Rent Chariots of Fire (1981)

Stiff-Upper-Lips All Round - Chariots of Fire review by griggs

Chariots of Fire is a film that is just good enough to keep you awake, offering a moderately paced exploration of early 20th-century British runners. While the iconic Vangelis score might have you feeling like you’ve stumbled upon a vintage synthesizer convention, the story itself plods along like a leisurely jog rather than a sprint. Harold Abrahams’ plotline of overcoming antisemitic prejudice simply because he can run fast is a subtle reminder of how bigotry can be defeated by wealth. The characters are charming in a stiff-upper-lip sort of way, and the period costumes, so authentically drab, will transport you back to the early 20th century. It’s a solid choice if you’re in the mood for some light historical drama that won’t leave you breathless.

An interesting watch - Chariots of Fire review by SC

This film was an interesting view of athletes competing in the Olympics 100 years ago. It shows the rigorous training & dedication that is required.

It was well-acted but in black & white, and the sound was muffled which spoiled our enjoyment slightly.

Great British Drama - Chariots of Fire review by GI

Based on real events and people although it plays fast and loose with history this remains an inspiring story of dedication and the power of the human spirit. Starting in 1919 during the national trauma following the First World War it tells the story of Harold Abrahams (Ben Cross), a young Cambridge undergraduate of Jewish heritage and a talented speed runner, and Eric Liddell (Ian Charleson), a Scottish rugby player, devout christian and very fast runner who both have ambition to win gold medals at the 1924 Paris Olympic Games. Abraham's driven by the need to overcome racial prejudice and Liddell believing his talents come from God become gentle rivals as they prepare for the final contest. This is a period drama that won four Academy Awards including best picture and famously had writer Colin Welland heralding this as the start of a new British New Wave of cinema. Sadly that didn't happen but this is an example of contemporary British film at its very best. Wonderfully recreating the 1920s and with scenes filmed in Cambridge (my home town) this also has a great support cast including Nigel Havers as a fellow athlete and Ian Holm as athletics trainer Sam Mussabini, whom Abrahams employed much to the chagrin of his college masters. As well as the fantastic story of athletic brilliance its also a story of the times with class and religion being key issues. If you've never seen this then it is one of those films everyone should see at least once.