A film based around Moliere’s ‘Le Misanthrope’ may appeal only to a niche audience outside France, but anyone who regards that work as one of the greatest plays ever written (including this reviewer) will find it a treat. Others will still be seduced by its gentle humour and Gallic charm, with director Philippe de Guey channelling the spirit of Eric Rohmer.
A famous actor visits a retired actor on the beautifully photographed Ile de Ré to persuade him to play Moliere’s title character Alceste. (The French title of the film translates as ‘Alceste on a Bicycle’). The two rehearse, lock horns, get involved with a woman and cycle. And the run-time flies by. At a deeper level, Alceste’s tirades against virtue signalling remain as relevant today as ever.