Sensitive, delicate and immersive acting - this film should never be classed as a lesbian/gay genre film. (No film should be classed lesbian/gay... any more than any film should be classed as straight/hetero!) It is a superb study of a life and the possibilities for re-emergence after a downfall leading to a triumph of the will. Swan Song slowly grows and tends its flower until it is in full bloom and we experience the re-creation of the glory of a life well lived. The characters are a delight and honest, with such understatement as to echo a documentary style production. Uno Keir produces an Oscar level performance and should be given one for this masterpiece.
Somehow Udo Kier’s Buster Keaton face and deadpan Germanic delivery make this film even better than it is. Every time he strikes a pose or throws some shade it’s a delight to see.
An understated, triumphant performance in an elegiac tribute to the real troopers of gay rights. We didn’t need Pride, we had small-town heroes like Pat.
I can honestly say I've never seen a film quite like this one - and I loved every minute of it! It has a nice pace to it (although on occasion it did try to teeter on the edge of being a little slow), but this is more than made up for by the wonderful performances from the whole cast. I feel what they feel; I cry when they cry; I laugh when they do marvellous things - and what more could you want from a film? Brilliant from start to finish - and especially the pearl encrusted finish. The real Pat must have been quite the diamond.