The Greatest Haunted House
- The Haunting review by CP Customer
The Haunting is a masterclass in suspense and terror from Robert Wise. It ranks as one of my favourite films of all time despite the 90's remake which was a travesty. Many years ago I stumbled across a late night showing on BBC 2 and it made for an uncomfortable night. Wise assembled a cast of unknowns for this tale, where the star of proceedings is the house itself. The forces at work within its walls are never fully explained or shown. Clearly it is what you don't seen onscreen that leaves you with a sense of terror. There are several standout moments, especially when the cast decide to bail out. The cinematography is memorable along with the dynamic editing and use of sound. The Haunting only features one special effect of note and even then its very low key. This is the textbook example of how to terrify your audience, no matter how often they see the film.
4 out of 6 members found this review helpful.
Atmospheric Haunted House Classic
- The Haunting review by GI
Robert Wise' fantastic haunted house film based on the novel The Haunting of Hill House by Shirley Jackson (a real treat if you haven't read it). What sets this apart is that it's a film about atmosphere and character with no reliance on special effects or 'cattle-prod' style jump scares. The result is a very spooky and interesting film that centres on Eleanor, played wonderfully by Julie Harris, as a woman arguably suffering from delusion. The end result is the film opens up the opportunity for a variety of readings, all of which make it a classic of the ghost/haunted house sub-genre. If you are only familiar with the inferior 1999 remake or the recent TV series then I highly recommend you seek this little gem of a film out, it's worth the effort. Oh and watch it late at night it'll unsettle you too!
1 out of 1 members found this review helpful.
Whatever walks there walks alone…
- The Haunting review by HW
Possibly the best-shot and edited ghost story I’ve seen on film, proving you don’t need CGI or gore to make a scary horror: just alarming sounds, jarring camera work, unbearable suspense and convincing terror from the performers. As well as being a good thrill and a masterpiece of horror-film technical wizardry, the film follows the plot and complexities of Shirley Jackson’s novel closely (while refining and streamlining some of the befuddling ambiguities). We don’t know exactly what’s haunting Hill House but we know it wants our heroine Eleanor and for how long can she resist its eerily appealing call?
1 out of 1 members found this review helpful.
A clever and scary film
- The Haunting review by CP Customer
Reminded in many ways of Psycho with this film, which I think preceded it, but would say I got much more satisfaction with The Haunting.
Genuinely quite scary with long moments (in a similar way to Susan Hill's The Woman In Black) that build the tension.
The clever thing though is the story running in parallel about the main character battling with their own inner demons and trying to stay strong, which is unwittingly playing into the hands of the demons living inside the house
1 out of 1 members found this review helpful.
Psychological Horror.
- The Haunting review by Steve
Psychological ghost story set in New England, though shot in UK. Robert Wise is obviously influenced by head of RKO horror in the '40s, Val Lewton, who gave Wise his debut as director. The idea is that terror conjured up in the mind of the audience is more daunting than any screen monster. So the horror is offscreen, mostly suggested by sound.
The set design of the haunted stately home and the expressionist shot compositions are brilliantly unsettling. But we don't see any ghosts. In fact, the ambiguous script implies that the haunting may be happening inside the fractured psyche of the pale, neurotic medium (Julie Harris), who is an unreliable narrator.
Richard Johnson plays an academic who wants to prove the existence (or otherwise) of the paranormal, so enlists two women who have experience of the supernatural, Claire Bloom plays the other, a chic socialite who has the gift of ESP, so knows what everyone is thinking. Russ Tamblyn is a sceptic, who brings the wisecracks and the martinis.
This isn't unlike the kind of B horror William Castle was famous for in the 50s-60s. But there's a bigger budget, and it's more sophisticated... And scarier. The ensemble cast is excellent, but Harris excels as the lonely, unstable conduit for the spirits who possess the old house. Who want her to remain. It's her vulnerability and suffering that stays in the memory.
0 out of 0 members found this review helpful.