Rent The Last House (2019)
2.1 of 5 from 60 ratings
1h 11min
- General info
- Available formats
- Synopsis:
- A small-town widow grieving the death of her husband receives a deadly ultimatum from the privileged sons of a local land developer to sell her beloved property. With 24 hours to decide and her pleas to the town's corrupt sheriff falling on deaf ears, she realises she must take matters into her own hands, embarking on a grisly quest for justice that soon turns into an all-out battle for survival. A devilishly fun, dark and gritty heroine revenge thriller inspired by real events, starring a powerful performance from 'I Spit on Your Grave's' Camille Keaton.
- Actors:
- Camille Keaton, Scott Peeler, Karen Konzen, Eric Dooley, Christopher James Forrest, Victor Jones, Mark Poppleton, Kurt McCall, Mark Wright
- Directors:
- Sam Farmer
- Producers:
- Corina Seaburn, Jonathan Shepard
- Writers:
- Sam Farmer
- Aka:
- Cry for the Bad Man
- Studio:
- Kaleidoscope Home Ent.
- Genres:
- Drama, Horror, Thrillers
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Reviews (2) of The Last House
Amateur hour - The Last House review by AM
Apart from one or two inspired moments this film has the hallmarks of a poor student project (even students can be creative).
There's little back story and a narrative which is full of holes, unexplained causes and consequences. Washed out colour looks like an attempt to add grit and a range of camera styles and lighting confuses the atmosphere. No real story. Hitching a ride on the bandwagon of revenge movies - not coming close to tension or threat. Waste of time, waste of money. I will add that the actors have potential but not with this director.
Again no subtitles for those of us with hearing issues.
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No surprises here. - The Last House review by NP
Written and directed by Sam Farmer, this film involves a recent widow (Camille Keaton) – and occasionally her equally resolute daughter – and her fight against the sons of a local extortioner. That’s about it as far as the story goes.
My favourite aspect of this is the level of most of the performances, in which the actors go to town to let us know how thoroughly despicable they are, particularly Scott Peeler as Wayne McMahon.
As Marsha, Keaton begins the story as a gun-wielding no-nonsense taker, and that’s how she stays. Little progresses in this story, and with an equally thin pay-off, it doesn’t make for a hugely rewarding experience. My score is 5 out of 10.
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