'Vitalina Varela' is the latest film by one of World Cinema's contemporary greats, Pedro Costa. As such it is definitely his most fully realised work to date. It is quite simply a thing of deep, dark beauty.
Nearly every sequence is framed by impenetrable shadow, with the centre of the screen bathed in a pool of subtle light. Costa is a true master of lighting, down to the finest detail. You can freeze the picture at any point and see a superbly composed artwork. No wonder it takes Costa a long time to shoot his films.
The film is the true story of Vitalina Varela's attempts to understand her late husband's life and death in Lisbon. She arrives there from her home in the Cape Verde Islands. The twilight, becalmed world of the Cape Verdeans in Portugal will be familiar to anyone who has seen Costa's previous films.
Vitalina herself is rarely off screen, and she is a powerful presence, with a strong, intelligent face that commands the long, lingering takes.
Love and death are the key themes and it is well worth watching the Q&A with Costa that is included in the special features.
My one regret is that it is hard to see Costa's films on the big screen. I'd love to see this film on a quality system, with good sound and a visual capacity that does justice to the use of light.
A beautifully shot film following revelations of the titular character in Lisbon following the death of her estranged husband. A short story dragged out to 2 hours is too much.
This film is excruciatingly slow with the characters only able to crawl along slowly in semi darkness, occasionally partially illuminated by unsubtle shafts of light. So far it is the only world cinema film that I had to switch off after 25 minutes since I was becoming catatonic.