Great fun
- Avanti! review by ND
The nudity is so out of place it's uncomfortable and the film could have been shorter, I suppose. End of criticisms.
There are Jack Lemmon wannabees out there, none have his class. No-one could have played this better, he's a joy to watch in action.
The rest of the cast tries to live up to him and the majority succeed. The locals are all brilliant and the hotel director is a scene stealer, he's so good.
It's a dated film but the sitcom element could be remade today without difficulty.
We loved this film and recommend it to you.
2 out of 2 members found this review helpful.
aDICTIVE
- Avanti! review by CP Customer
My Dad watched this film 11 times in the 4 days I rented it.
2 out of 2 members found this review helpful.
Late Wilder
- Avanti! review by MCG
Billy Wilder is my favourite director, and I have seen nearly all of his films and this is one of his last efforts. Avanti is charming and boasts fine performances from the ever-excellent Wilder regular Jack Lemmon and newcomer Juliet Mills. It is overlong as many critics have noted, and it is trying a bit too hard to be relevant to the liberated 70's with really rather gratuitious nudity and language. However it is a rather charming romantic comedy with a trademark Wilder "meet-cute" and lovely location photography in Italy. The dialogue is rather less snappy than peak-Wilder scripts and it does tend to drag a bit in places. I enjoyed it but would suggest it is a must only for Wilder completists like myself.
2 out of 2 members found this review helpful.
well cast rom com delights
- Avanti! review by AW
Jack Lemmon is just as you'd expect and Juliet Mills is wonderfully cast as the perfect foil. A bizarre link brings them together in Ischia, and Italian magic happens. A feel-good movie that hasn't dated.
1 out of 1 members found this review helpful.
Lesser Wilder.
- Avanti! review by Steve
Disappointing later Billy Wilder comedy which takes an already slender premise and stretches it over 144 minutes. Jack Lemmon plays a wealthy US business executive who travels to Italy to claim his father’s body for burial. And discovers that he was conducting a long affair with a lower class English woman, whose corpse is collected by Juliet Mills.
Essentially it’s the familiar story of an uptight wage slave liberated by the beauty and culture of Italy. And the more pastoral way of life. Which always works, except this time. While the location shoot around Naples is alluring, there are multiple problems. Jack Lemmon is usually so reliable at giving unlikable characters just enough charm to be sympathetic….
But his irascible corporate entitlement is too maddening. The American abroad comedy is incredibly patronising towards the foreign stereotypes. Apparently, they can’t make decent coffee in Italy! Also the 66 year old director feels prurient and old fashioned in his use of nudity and swearing.
It isn’t a disaster. There is some decent topical humour; which is even mildly subversive. Clive Revill is convivial as another of the director’s wily finaglers. Unfortunately, though the source Broadway play is opened out skilfully, Wilder develops some scenarios purely because the relaxed censorship of the 1970s now permits. And in doing so, exposes a lack of taste.
0 out of 0 members found this review helpful.