Channing Tatum's comeback movie (which he has also co-directed and co-wrote) is a likeable, simple tale of companionship with man's best friend, the dog! A US Ranger is charged with taking the former canine US Ranger (Lulu - a Belgian Maloise) to the funeral of its former owner. The pair are predictably antagonistic towards one another before, through a series of encounters begin to bond. After the funeral, Channing Tatum's ranger is charged with taking the hound to be destroyed so he can recommence his overseas military career, but will it end up that way? You don't need to watch it to guess correctly, but the film's predictability doesn't work against it. The only downside is that it packs a lot into a slim running time and some adventures are given short shrift or are tonally amiss (and in one case badly-judged). With the dog's past as a killer, when she is triggered by the sight of a Muslim in Middle-Eastern style attire, the incident is played for fun and more or less brushed off. Dog's like this cannot be retrained or broken without a lot of time and care - so this whole section of the film almost topples the film's good will. However, the dog is (three dogs play Lulu) convincing and very winning (said scene ahead), and Channing Tatum is a very easy going lead that delivers the drama and pathos just as well as the comedy here.
5.5 out of 10 - Fun and moving. Predictable and it's a shame about 'trigger' scene as this could have been a 4* out of 5, easy.
Hmm I think some haters of the USA are triggered a bit by this movie all because it dares to be patriotic or as the Cinema Paradiso review claims, it "walks a fine line with the military drama it wishes to weave. Somewhere between chest-beating machismo and sentimental schmaltz..."
Well yes there is schmaltz BUT way less than in most Hollywood movies, esp some of the more icky animal/pet tales made for kids.
I saw no chest-besting machismo - I saw a character study of a damaged veteran tasked with taking a damaged dog to the funeral of another damaged veteran who ended his life. I find that moving, the physical journey of course and rather obviously being mirrored by the personal journey of man and dog.
I especially liked the scenes in Portland, Oregon, city with rather a reputation for being PEAK WOKE with Antifa marches etc. The satirical scenes in the coffee shops and bars are great fun.
And this film is not uncritical of the military - quite the reverse. The Military Police especially get a real roasting, all the puffed up authority figures and the usual institutional group-think. Made me laugh more than once.
As for demographic, well, I'd say it is not for small kids but any mature ones of 12+ can cope - though I know we live in a New Puritan Age of hysteria where some want to shield eyes of anyone under 18 from real life. I think they'd cope. The sex/drugs/drinking is not explicit, just real life.
I liked it, and I am not a dog person.
A solid 3 stars on the shoulder.
Patriotic American dog movie. An army veteran is tasked to deliver a service dog to a military funeral after which the dog is going to be handed back to the army. Being already traumatised by his previous combat experiences, the dog is heading for certain euthanasia. It's a fairly entertaining comedy with the dog being rather badly behaved. There is an alarming amount of times when the dog is left alone in the car while the man goes about his business. Other aspects of the dog handling are also dubious and shouldn't be taken seriously.
Dog is one of those films that walks a fine line with the military drama it wishes to weave. Somewhere between chest-beating machismo and sentimental schmaltz, it’s an off-beat adventure of a soldier and his dog, both of them misfits entrusted with making it to a funeral for a fallen serviceman. Yet it’s also in this weird anti-Goldilocks zone; too adult with its sex and booze to be a family film and too absurdly sentimental and childishly staged to be an adult film. Normally I don’t try to speak ill of films pitched outside my demographic but I’m having a tough time trying to figure out just who this demographic is for. Turner and Hooch fans, maybe?
Channing Tatum plays Army Ranger Briggs, a down-on-his-luck soldier trying to get back on a mission and avoid a life of minimum wage fast-food labor. With no other options, his only chance to be taken seriously again is to escort the service dog Lulu to the funeral for her master. The journey won’t be easy considering that Briggs finds it hard to connect with others and Lulu is a real troublemaker. Of course, they’ll better bond on this journey and Briggs will realize that caring for a dog was the real battlefield all along.
There are plenty of absurd and melodramatic asides in this adventure. Briggs will possibly get into a threesome but have that sex denied when his dog acts up in the car and attracts attention. In a questionable act, Briggs will pretend to be blind with Lulu being his assistant dog, all so he can land a fancy hotel on his trip. It seems slimy but considering how poorly some veterans are treated, it’s a wee bit understandable. Less understandable, however, is when Lulu attacks a hotel guest dressed in Middle Eastern clothing, committing to his racial profiling. Even worse is the uncomfortable conversation that Briggs later has with a feuding cop (Bill Burr) arguing over towel-heads and ranks.
The whole film is filled with these moments, trying to appeal to the conservative mindset of the world but in bits and pieces that never fully commit to anything substantial or contemplative. Consider the sequence where Briggs tries and fails to pick up women in the bar. Most of the women bring up aspects of how they hate the military-industrial complex and toxic masculinity. These conversations are treated less like topics and more like red flags. At least Briggs is smart enough to avoid these conversations before spiraling into some Mark Wahlberg-style rant about PC culture. Wisely, the film doesn’t offer much commentary on the scene where a homeless man poses as a military veteran, but one can’t help but feel that if it did expand on this aspect, it would not look good.
The best parts of the film are unsurprisingly the sentimental moments. The comradery between Briggs and Lulu does build decently enough throughout the film that you start to feel a bit for them. It’s hokey to feature a climax where Lulu lays down like a good boy at the foot of his dead master’s grave, but enough of the simpler moments build up to this moment decently. There are also some health issues with Briggs that make him more sympathetic, as well as how he relates to other military men.
Dog is a bit of a tough call as a bland dose of military dog drama. It has a fair amount of quietly reflective moments, but just as many uncomfortable riding-the-line moments of off-putting hijinks. Honestly, it was more intense watching this film to see how far before Tatum goes off the rails than whether or not he gets that dog to the funeral. We know that dog is getting to that funeral and we know he’s going to end up caring for that dog as his new friendship. Spoilers, I guess.