Beside a Wid River
- In the Heat of the Night review by CH
“Got into some interesting conversations with Sidney [Poitier] about life. He's one of the few people in this town [Los Angeles] who talks about something meaningful and deep.” So noted Joan Collins in her diary one evening in 1997. His recent death showed the esteem in which he was held – and the regret that he had been in fewer films of late.
In the Heat of the Night (1967) is perhaps paramount. Nobody could wear a suit - and cuff-links - quite like him, even when up against it on a visit to the South where he finds himself arrested for a murder which he promptly sets to work on solving. After all, as the local, portly police chief (Rod Steiger) is surprised to discover, Poitier – playing Virgil Tibbs - is in fact a homicide expert.
This was the Sixties, the Delta had seen many lynchings, the rabid were still on the loose and set to do so again. There are many turns to the film, all of which lift it above the didactic. Here is suspense, forensic detail, a terrific car chase, any number of potential murderers – high and low – and an array of squalid premises from a diner to the police chief's own home.
Directed by Norman Jewison, with Hal Ashby prominent among the crew, it catches the indelible light of the South so well. Landscape as character when the cotton is high. Nobody, however grotesque, is a caricature. All of which makes one eager to seek out the 1965 novel by Alan Ball on which it is based. He wrote many of them,
including more which feature Tibbs. Less well known is that Poitier played the character in two more films. These would be hard pressed to match this one but surely worth a whirl.
And let us not forget the score by Quincy Jones, which opens with the eponymous song by Ray Charles and, throughout, has many an echo of the Delta which gave rise to Robert Johnson and so many others.
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In the Heat of the Night
- In the Heat of the Night review by MJ
This 1967 film starring Sidney Poitier and Rod Steiger is more than a depiction of racial bigots in the deep south. A murder has been committed and a black detective from the North who is passing through is automatically suspected. .To the annoyance of the local police chief (Rod Steiger) The boss of the black detective whose name is Tibbs, suggests that he stays and helps solve the murder. The Chief is clueless as this is the first murder on his patch, but although he doesn't like the fact that Tibbs is black, he has to admit that he has expertise that the chief doesn't. In this racially charged atmosphere a relationship of respect and even friendship develops between the two men. An excellent film.
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A fascinating film. Racial bigotry gives way to professional expertise.
- In the Heat of the Night review by Maureen
A smartly dressed black man, Sidney Poitier, arrives at a railway station in the deep South to visit his mother. He is arrested by a local not very bright cop and taken to the local police station where the chief is Rod Steiger, very bigoted. A murder has been committed, a man has been arrested and it turns out that the visitor, Tibbs, is a police officer from Philadelphia, specialising in homicides. The chief has no experience of murder cases and has to reluctantly give way to Tibbs to solve the case and find the guilty person. Respect deepens and almost friendship until Tibbs has to return to his base. An excellent film, very well acted.
George Roby.
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Classic Murder Film
- In the Heat of the Night review by GI
One of the landmarks of American cinema. A mystery thriller with a central theme of racial prejudice set in the Deep South USA in the early 60s. If you are a film fan and have never seen this then it needs to be on your list. The narrative is a fairly basic murder story with the finding of a body in the street in a small Mississippi town. When the police find a smartly dressed black man with money in his pocket waiting at the local train station they are convinced they have their man. But when this turns out to be a Philadelphia homicide detective they find they need his help to solve the crime. Indeed his help is crucial to the future of the town itself. The film caused quite a controversy on its initial release with a scene of a black man striking a white man. But Sidney Poitier insisted the scene was included and as Virgil Tibbs Poitier gave the film world one of the iconic black characters in cinema history. Aided by Rod Steiger as the bigoted town sheriff this is a superb film which holds up very well today. A true classic and based on a great novel, which is well worth checking out too. A film to have in your collection. It's simply marvellous.
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Race Crime.
- In the Heat of the Night review by Steve
This is remembered more as a civil rights film than a police drama, but it excels either way. Virgil Tibbs (Sidney Poitier), is a black man in the wrong place at the wrong time; he gets hauled in front of the local police chief (Rod Steiger) as a convenient suspect when a body turns up on Main St., Sparta, Mississippi. After Detective Tibbs produces his badge, he stays to supervise the investigation himself.
Sparta might as well have a Welcome to Hell sign posted on the edge of town. Law and order are enforced on a whim. The duo establish a volatile hatred at the start of the film, but the redneck sheriff turns out be be the least reactionary man in a territory where poor black people still pick cotton under the hostile, unbending feudalism of the southern aristocracy.
Maybe there is too much balance in the film, as so often in the civil rights films of the sixties. Is Tibbs' hatred of this apartheid really similar to the oppression he suffers himself? He becomes pre-determined to prove that the bigoted white landowner (Larry Gates) is guilty. The white citizens are presented as victims themselves, of poverty and ignorance. I guess a white audience wouldn't sit still for a polemic.
If it pulled its punches, then it worked because the film sold tickets in the south and won the Oscar. Norman Jewison thankfully pulls up short of the two cops becoming odd couple buddies, but there is still a rapport between Poitier and Steiger. The politics dominate, but this is also a thrilling police drama. Great jazz score (Quincy Jones) and neo-noir photography too.
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In the Heat of the Alright
- In the Heat of the Night review by AM
This is a very good film - and an important one, made as it was during the height of race riots in US, and dealing with racial discrimination. How pertinent for today, indeed? Poitier is superb as the cool-headed black cop subjected to abuse, discrimination and physical violence as he tries to help a prejudiced small-town Mississippi police chief solve a murder. Rod Steiger won the Oscar for Best Actor for this as the aforementioned chief - and he was great too. But a travesty (and ridiculously ironic, considering the subject matter of the film!) that Poitier wasn't similarly rewarded - he's the real star of this film.
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Well deserving of its excellent critical reviews
- In the Heat of the Night review by CD
This is a highly accomplished film - great photography and acting all round with a storyline that hangs together. Sidney Poitier shows a hard edge as well as being the voice of reason and Rod Steiger gradually grows as a character to be more than a caricature police chief. The heat and humidity of the South come through nicely, although Sidney Poitier seems to be quite comfortable throughout in a smart suit and tie.
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1960s America race tensions in murder mystery
- In the Heat of the Night review by CP Customer
An interesting depiction of the tensions between blacks and whites in 1960s America wrapped up in a murder mystery.
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