You've got to give it to Tom Cruise, seven films in and he's not letting up on the forever entertaining Mission Impossible franchise. He's effectively injecting the action genre with added vitamins on every outing. Although I liked the previous film better than this one that is being a bit picky because this is a rollicking rollercoaster ride and very enjoyable. The stunts outweigh anything else in this including plot and character and aficionados will spot quite a few 007 homages (or copycat depending on you viewpoint) set pieces but it can be forgiven for the sheer audacity of the action because this just spectacular cinema at it's best. Ethan Hunt (Cruise) is still an IMF agent although has a reputation for going rogue a little too much (an issue that has him being pursued by his own side for much of the film) and is bought in by his old boss (and nemesis) (Henry Czerny) to recover a mysterious key that is vital to control a new super weapon that has artificial intelligence - neatly topical idea there - and he brings in his old team to help (Ving Rhames & Simon Pegg). It's all a hi octane affair from the very start and Rebecca Ferguson and Vanessa Kirby return to the series in key roles and Hayley Atwell co-stars as a skilled thief who gets embroiled in the hunt for the key. As this is Part 1 we're due another instalment soonish and the set up is for a conclusion to the entire series but who knows ol' Tom may fight on beyond Part 2. It's all daft and exciting at the sametime but if you're a fan you won't be disappointed. It's definitely one to see on the big screen if you can.
I completely agree with GI. The numerous stunts are incredibly well done. Some of the ideas have been done before eg a fight on a train roof, but I don't think they have been done better. Strongly recommended.
For 2 hours this MI instalment trundles along disappointingly. The half-hour pre-credits sequence (yes half an hour) is simply boring, with a drawn-out old-hat submarine sequence, a ho-hum random shoot-out in a random desert and a committee meeting talkathon. The risible plot involves the world being taken over by AI (The Entity) and the search for a magical key that will somehow save us all (Part 1 ends before we know).
It’s beyond nonsense, but we wouldn’t care as long as the stunts are exciting. They’re not. The main set-piece is a by-the-numbers car chase in Rome – a sort-of poor man’s Italian Job. As for all the exposition about what’s going on… just get on with it. Meanwhile the staccato score that tries to make every beat exciting simply underlines how unexciting it is.
But then we have a half-hour action climax that just about saves the whole film. It’s unfortunate that the best bits are shown in the trailer and even during the opening titles sequence, but Tom’s motorbike jump off an Austrian mountain onto a train that’s about to crash is just about worth the wait.
The Mission Impossible movies have been the most consistent of movies for an action-spy saga going on this long. Now in its seventh entry and the first of a two-parter, Dead Reckoning still packs a punch. Even for having to follow up on the pitch-perfect Fallout, it's astounding how this series manages to excite with white-knuckle action, stunts, and a fast-paced plot.
This entry becomes more enticing because rogue agent Ethan Hunt (Tom Cruise) is not just stopping a syndicate from gaining nukes. This time, he's trying to prevent a sentiment and vicious AI from falling into the wrong hands. Specified as The Entity, this program, harbored in a missing submarine, has been able to infiltrate every intelligence network on the planet. Every agency and syndicate both fears and wants it for themselves. And with power that goes well beyond nukes, nobody is trustworthy. That's pretty much been the motto of the IMF, but now it's doubly true more than ever.
Even though this seems like a more dire situation, it’s more or less business as usual for Ethan. He returns with his loyal techs Luther (Ving Rhames) and Benji (Simon Pegg). He tries and fails to push Ilsa (Rebecca Fergusson) away from harm’s way but to no avail. He runs afoul of old enemies, from the most recent MI movie with the White Widow (Vanessa Kirby) to the first MI movie with Eugene Kittridge (Henry Czerny). They all play a familiar game of cat and mouse where missions and deals don’t go according to plan, complete with all the thrilling chases, fights, and masks.
Mounting the stakes is the presence of Gabriel (Esai Morales), an old rival of Ethan who knows how to twist the knife. He’s aware that Ethan grows attached to his comrades and can’t stand to see them in harm’s way. In addition to this knowledge, Gabriel also acts as a disciple of the Entity, gaining a bigger probability perspective. And in a spy universe loaded with twists upon twists, you’re pretty much a god if you can speculate what’s coming. It’s up to Ethan and a lot of luck to outsmart the most intelligent tech on the planet and all the parties after it, spanning from crime syndicates to the CIA. Oh, and the newcomer of the thief Grace (Hayley Atwell), who acts as both a questionable ally and audience surrogate for the capers that go down.
The many showcases of hacking, disguises, and double-crosses have plenty of thrills, but the big draw for most viewers is undoubtedly the action. This aspect has not been skimped on for the first section of Dead Reckoning. The centerpiece stunt of Cruise taking a daring dive off a cliff while on a motorcycle is just as thrilling as it’s been teased in the many teasers and trailers. The fight aboard and atop the train he lands on after that is just as intense, packed with plenty of players all vying for the MacGuffin and Ethan’s head. I especially dug the mute assassin Paris looking like the most stylish and ready of rivals.
This film also embraces a bit more of the absurdity of this spy game. There’s a sequence in Rome where Ethan and Grace make a ridiculous escape from the assassins and authorities while handcuffed to each other. They try to flee in a yellow Fiat but struggle with their reduced driving abilities while attached at the wrist. This sequence made me think so much of Lupin The Third and was a refreshing dose of comic relief amid the pressures of the complicated mission. Sometimes you have to laugh when you’re handcuffed to a car that’s about to be hit by a train.
Dead Reckoning might seem like half a movie for being labeled as Part One but it’s a strong start. It remains as fantastically grand as the past three Mission Impossible movies and never bores, even for a film that nears the three-hour mark. It doesn’t even matter how silly the MacGuffin is for being activated by keys or how the bad guys play into such expected tropes of the genre. It’s a well-oiled machine of a spy thriller that dollops on extra heaps of action that remains oh-so-satisfying and solidifies MI as one of the most consistent and enticing action franchises by far.