It is hard to approach such a cinematic staple without being disappointed, but this really really doesn't. It is a comedy yes, but it is really touching, deeply moving in parts, and emotionally raw. The characters have depth as well as being extremely funny. The unsung hero of the film is the card game, which is one of the most masterful constructs/foils of any comedy you will see. The only downside (and it is minor) is that the female roles are way too light.
Perfect casting, a comedy that has stood the test of time. Lemmon and Matthau's best ever performances make this movie almost as enjoyable as watching a stage play. The laughs, although sometimes predictable, are delivered with consummate timing. Totally enjoyable.
Genuinely funny, laugh-out-loud comedy which fruitfully recast Jack Lemmon and Walter Matthau (after The Fortune Cookie). Felix (Lemmon) is a fastidious, passive-aggressive neurotic who moves into the New York apartment of his poker-buddy Oscar (Matthau), a legendary womanising slob. It's principally a comedy about divorce.
Both have broken up with their wives and this gives the film some emotional weight, without ever threatening to be sentimental. They are going through a re-evaluation, in their different ways. And of course they drive each other crazy, which is most of the comedy. One is needy and traumatised. The other is belligerent and confrontational.
All this is given a huge boost by extraordinary cameos from Carole Shelley and Monica Evans as dizzy, divorced English sisters. They are hilarious, and surely the most flirtatious women in all fiction. Oscar is so certain that he is onto a sure thing that when he returns with the drinks and the girls are crying over photos of Felix's kids, he throws his lodger into the street.
The film is hardly opened out from the play, so it mostly takes place in one room. There's a lot of dialogue, which is a matter of preference. Gene Saks directs his actors expertly. Neil Simon's script captures the nuances of male relationships pretty well. Great score too. But we remember the film for Lemmon and Matthau who turned their archetypes into the eternal blokes.