It's a wartime romance with added Germans. Err, that's it.
What makes this different from so many similar films are a number of factors:
- it's set in France, in a small town occupied by the Germans
- the central character falls for a German officer
- no-one speaks French!
- the story of how the book came to be written is quite moving. Look it up on Wikipedia.
The central character is played by Michelle Williams who I found too wimpish for the role. Better is Matthias Schoenaerts who plays the German officer - and composer! - she falls for, but best is the always excellent Kristin Scott Thomas as the dominating mother-in-law.
The film is beautifully photographed, the Germans are not just portrayed as black-and-white caricatures and Matthias Schoenaerts' character is cultured but knows his duty - and (of course) ignores it at the so predictable end.
However, I disliked intensely the decision to have the dialogue in English. Yes, the Germans spoke German - but the French spoke perfect English. The film would have worked far better made as a French film, in French. Not only that, but Kristin Scott Thomas speaks the language fluently, having lived there since she was 19.
No bad, just average - but could have been so much better. 3/5 stars.
This is basically a writing-by-numbers soppy Mills-and-Boon style girlie fantasy romance, similar to the millions written that millions of women read to escape their dull lives.
It has all the bits: handsome male hero, tick; unhappy pretty young woman who falls in love with her knight in shining armour, tick; disapproval (as in all soapy melodramas) from the family - or, more specifically, a seemingly wicked mother-in-law - tick.
If you want to watch a real quality WWII film series from a German soldier's point of view, then watch 'Generation War - Our Mothers, Our Fathers.'
This is just soapy silly girl romance.
BUT the story of how the book was written - or actually part-written (because the woman who wrote it was dragged off to a concentration camp and killed before she completed it) is fascinating. Dare I say it but without that story - and the discovery and then publication of this 60 years after the war - then this film would never have been made.
Anyway, it's all watchable if you like that sort of thing.
And I had no objections whatsoever to the director's decision to have the Germans speaking German and accented English, but the French speaking fluent English. This is standard practice in drama and theatre. If the French had been speaking French with accents and the Germans too, it could have been more Allo Allo than Mills and Boon, after all...
OK, I'll admit that I rented this just to see Michelle Williams, but my goodness, it is tense and doesn't take any prisoners! Margot Robbie is unrecognisable one of the village underdogs, and the village itself looks very real (helped by the fact that it wasn't a set but a real place!) I'm grateful for the English dialogue (can't stand subtitles) and that it wasn't greyscale (but it was shot on film - I usually prefer sharper digital capture but the film grain does seem to suit the look of this movie). In summary, a great slice of village life during WW2 in France.