A stylish bore
- Tale of Tales review by CP Customer
I had really wanted to see this when it came out, because the reviews made it sound so great. It certainly looks brilliant - great use of scenic locations, great costumes, beautifully filmed, and boasts some fine performances, but....much as it tries, much as it perambulates, digresses and spins its tales, it doesn't actually go anywhere or do anything. All the interwoven stories seem flat and uninvolving and tend to peter out towards the end, leaving me to merely shrug with a "Meh" at their conclusion. There are no twists, no morals, no compelliing narrative pull, just a procession of events badly copied out from a child's book of fairy tales. Honest, Terry Jones' short stories had more punch, pizazz and power than anything on display here. It goes on for far too long and ends with a lovely image that just elicited a heavy, weary sigh from me. Very, very disappointing.
3 out of 5 members found this review helpful.
Uninvolving fairy-tale nonsense
- Tale of Tales review by Alphaville
This is one of those films that must have been more fun to write and make than it is to watch. It consists of three interleaved but independent fairy tales from a 17th century Italian book and is sheer nonsense. It’s directed by ex-painter Matteo Garrone, so any production still will look good, but as a whole the film has no more life than Peter Greenway’s painterly 1980s films. Yes, it’s just a silly fairy tale so we shouldn’t expect too much of it, but Branagh’s Cinderella showed you can still make an audience care. Here the characters are cyphers and the plot paper-thin ludicrous.
Garrone has an eye for an arresting image and the film has impressive production values, but characterisation, narrative thrust and subtext are so simplistic that the viewer has no reason to care. One story, for example, is about a princess forced into an arranged marriage. Yawn, yawn. In the DVD extras Garrone sees the film as ‘an emotional journey’. In which case he’s failed completely. One star for the pretty pictures. Best fairy-tale picture remains Ridley Scott’s magical Legend, but only in its American release version with Tangerine Dream score.
3 out of 4 members found this review helpful.
tale of tales movie review
- Tale of Tales review by JH
the odd good bit here and there, but a mish mash film that never really gets going. The reviews online are pretty good, which I don't understand at all. The reviewers must have watched terminator by mistake.
2 out of 3 members found this review helpful.
Rubbish
- Tale of Tales review by CP Customer
Was looking forward to this movie, but it was total rubbish, confusing over the top, could not understand what was happening most of the time, it was so bad I turned it off before I was evan half way through it.. yes rubbish :-(
2 out of 3 members found this review helpful.
Ok not great
- Tale of Tales review by mb
Amazing location and costumes. Stories Ok-ish at least originals not Disney style. I had the feeling that towards the end they ran out of time and interest and just decided: “Ok let’s end it here”.
1 out of 2 members found this review helpful.
Fair(y) and Foul (mild spoilers)
- Tale of Tales review by AM
'Tale of Tales' has a red, bloody heart that would keep beating even if ripped out. It bypasses the lace clad ‘fairy’ in ‘fairy tale’ and takes us for a wilderness trek through the dark forest that is the natural home of folk tales collected by the Grimm Brothers and the less well known Giambattista Basile.
Director Matteo Garrone combines several of Basile’s stories, to dance between the plight of three royal families: Vincent Cassel’s lecherous, dissolute king, Salma Hayek’s desperately broody queen and Toby Jones as a foolish, geeky monarch who neglects his daughter in favour of a pet flea. That's right, a flea. You won’t get far in this film if you don’t roll with some of the more fantastical plot devices. The characters in folk tales are refreshingly direct in taking action to get what they want. The object of Vincent Cassel’s affections for instance, a wizened old woman who beguiles the king with just her beautiful voice, forgoes spa treatments for an extreme version of exfoliation - asking the townsfolk to flay her alive.
The colour red stains this film regularly - blood is never far from the surface, but often counterbalanced with humour that acknowledges the extremes of love and death that drive these morality tales. It’s curious then, how ‘Tale of Tales’ never fully drags us into its fierce and beautiful world. Weaving together separate tales means it’s inevitably a bit episodic, but the direction doesn’t mine deep enough the moments of action and emotion, denying us satisfying landmarks in what becomes a rather meandering quest. A director like Guillermo Del Toro who similarly has one foot in ‘art’ and popular cinema managed this feat with spectacular results in ‘Pan’s Labyrinth’, but here the monsters project far less threat and because of it, give the actors less to react against.
However, let’s not cast aside ‘Tale of Tales’ like an unworthy suitor for a princess: come to its bracing mix of pastoral beauty, artful design, wit and gore like you’ve stepped into a painting. Soak up the rich passages of colour and light in between the characters that are perhaps a little too sparsely placed across the composition.
0 out of 0 members found this review helpful.