The first few minutes of Rich Ragsdale’s 2022 film had me feeling cautious. I couldn’t see how this cosily directed story about an attractive, slightly annoying young couple could shift in style throughout its 91 minutes enough to be a convincing horror. I think it was about the time that Grace (top screamer Scout Taylor-Compton, probably best known for her enthusiastic turn as Laurie Strode in Rob Zombie’s two enjoyable ‘Halloween’ films) was having a shard of glass removed from the underside of her foot by her plank of a husband Jack (Nolan Gerard Funk). It’s a jarringly gruesome scene, and the camera is in no hurry to move away from it.
I can’t help but notice other reviewers have pointed out that this story is little more than horror set-pieces and clichés taken from other genre films. I can’t really disagree with this – there are certainly some familiar ideas here – but also should point out that you wouldn’t necessarily notice this sense of déjà vu if you weren’t an avid horror film watcher. As such, it’s unfair to expect every genre film to present something entirely unlike the plethora of other horrors seen. There’s bound to be a certain similarity with other like-minded productions, especially those of ‘folk horror’, a niche into which ‘The Long Night’ (also known as ‘The Coven’) happily falls.
There’s also a continuing thread featuring snakes, which doesn’t add hugely to the story, other than to allow a scene during the climax to look extremely unpleasant.
I liked this film a lot. To begin so meekly, and then to develop into something increasingly twisted ensures the gruesomeness during the latter half is satisfyingly unexpected, and its leaning into delirium is powerful indeed. My score is 8 out of 10.
High Fliers...the other cheapskate outfit who can't be bothered to add subtitles. Can't watch this...