Having read some reviews of this film, it seems either to bring out extreme reactions (lots of 10s out of 10, lots of 1s also) or there is some political work at play. I quite enjoyed it: it’s a very slow burner, and what scares there are, are subtle and involve a minimum amount of special effects.
Caity Lotz is Annie, a formerly wayward single mother who is also a bikie (when she can prize her motorbike helmet over her constant pout). Casper Van Dien is Bill Creek, an officer even prettier than she is. He takes her seriously when she reports a series of hauntings at her mother’s house, and also that her sister Nicole, appears to have gone missing (along with her cousin Liz).
‘The Pact’ is a modestly budgeted ghost story written and directed by Nicholas McCarthy. It was successful enough to spawn a sequel. The scares won’t be ‘jumpy’ enough for some, and fiercely independent Annie is initially difficult to like. The story is thinly stretched, but it is worth sticking with: there are moments that are genuinely frightening, and the lack of spectacular effects doesn’t detract from an overall feeling of unease.
Pretty Low Budget but Effective Horror , combining Serial Killer and Haunting in the one storyline.
Unusual but not unexpected outcome .
Family Secrets are revealed once Mother Dies. and some of these secrets didn't Die with Mother !
When I started to play this film, I realised I had seen it before, but I left it on as I didn't remember much about it. I'm glad I did, as it's really entertaining and the acting is good. I did remember the ending half way through, but it was such a good film that I still enjoyed it knowing what would happen. Recommended.
A woman returns to her troubled childhood home after her mother’s death to assist in the arrangements for the funeral, despite being largely estranged from her entire family. She joins her niece and cousin in the house after the sudden and strange disappearance of her sister. Yet this mysterious disappearance signals only the very start of the strange and supernatural things that are about to happen in this unhappy family home.
Originally a short that stormed the Sundance Film Festival in 2011 director Nicholas McCarthy has managed to turn this seemingly simply ghost story into a full length feature with a surprisingly amount of success. Slight changes in cast only serve to make the film more engaging and thrilling – though thrill is perhaps an inadequate description here, flaming terrifying might be more accurate as the traditions of the haunted house movie are used to their fullest and scariest extent.
Central character Annie, a loner and travelling motorcyclist, finds herself subject to surreal dreams, whispered bodiless voices and even physical attacks from an unseen person, before she realizes that the supernatural behaviour is an attempt by her deceased mother to let her into a deadly family secret. Throw in a handful of other ghost story stereotypes and you think you’ve got the Pact figured out; until deftly and suddenly a serial killer story emerges from the wood work, along with a basement full of bodies.
Where many films handle a sudden shift in genre very badly, the Pact manages to keep the tension as tight as razor wire throughout its narrative. This overwhelming creepiness and suspense compliments the tone of the story perfectly, sending it into the realms of real old-fashioned horror, where half of the excitement comes from the anticipation rather than the blood shed alone.
Ironically, the calibre of acting in the Pact is far better than that of any blockbuster horror movie I have seen for a long time – the characters have a realism and believability that makes their impending peril even more tangible. Although this would not make it onto my best horrors of all time list it is certainly creepy enough to make you think twice about going to sleep in the dark.