Kenneth More stars as Crichton, the impeccable butler to Lord Henry Loam (Cecil Parker). Crichton is a man who knows his place in the grand scheme of things. He's supremely happy being a gentleman's gentleman - until fate takes a strange twist! While holidaying in the South Seas aboard his steam yacht, Lord Loam and his three beautiful daughters are shipwrecked on a tropical island along with Crichton and maid Eliza (Diane Cilcnto). With Edwardian England - and civilisation - left far behind, Crichton quickly becomes the 'guv' and the aristocratic Loam family become his servants! However, is Crichton reaching too far when he falls in love with the gorgeous Lady Mary (Sally Ann Howes)?
Robert Lindsay's character Sneath from Stephen Poliakoff's Friends and Crocodiles reappears to narrate a powerful story of success, loss and redemption. "Here is a man who cant listen, and yet the more he doesn't listen, the more people want him, the more people believe in him. He's the toast of Whitehall, the flavour of flavours." As the century draws to a close, a new Labour Government comes to power, and the death of Princess Diana heralds a summer of flowers. PR guru Gideon Warner finds himself in perfect step with the times and success seems easy as politicians, businessmen and starlets beat a path to his door. But just as he reaches the pinnacle of his career, Gideon finds his life spinning out of control. When he should be organising the nation's Millennium celebrations, he is focusing on diffusing the implacable anger of his daughter. And, rather than shaping the business ambitions of an Italian media tycoon, his time is spent falling in love with the eccentric Stella - a mother grieving for her dead son.
Cary Grant and a stellar cast romp through this classic farce based on Joseph Kesselrings 1941 Broadway hit and breezily directed by Frank Capra. Frazzled drama critic Mortimer Brewster (Grant) has two aunts (Josephine Hull and Jean Adair) who ply lonely geezers with poisoned libations, one sociopathic brother (Raymond Massey) who looks like Boris Karloff, one bonkers brother (John Alexander) who thinks he's Teddy Roosevelt, one impatient new bride (Priscilla Lane)and only one night to make it turn out all right. In this circus center ring is Grant, twisting his face into a clown's gallery of flabbergasted reactions and transforming his natural athletic grace into a rubber-legged comic ballet. Youll die laughing.
The film follows the journey of a boy Joska (Petr Kotlár), entrusted by his Jewish parents to an elderly foster mother in an effort to escape persecution. Following a tragedy, the boy is on his own. Wandering through the desecrated countryside, the boy encounters villagers and soldiers whose own lives have been brutally altered, and who are intent on revisiting this brutality on the boy. When the war ends, the boy has been changed, forever.
Written by a discharged journalist as a publicity stunt, and as a parting shot at the paper's new editor, the premise of the letter unexpectedly fires the imagination of the Bulletin's readers and the wider American public. Its real author, Ann Mitchell (Barbara Stanwyck) who has fabricated the letter in her final column, is rehired, and now needs to find someone to play the part of the fictional "John Doe." Gary Cooper is perfectly cast as Long John Willoughby, an injured and penniless former baseball pitcher lured into impersonating "John Doe" with the promise of medical treatment. In what would have undoubtedly been an Oscar winning performance, were it not for his own success that same year in Howard Hawks' "Sergeant York," Cooper excels himself here as Willoughby's initial indifference to his undertaking turns to genuine concern at his role. But, as he becomes an increasingly culpable pawn in an ever more treacherous game, just how can "John Doe" redeem himself?
'Hue and Cry' has since become known as the first of the Ealing comedies proper, and was also the first to make brilliant use of post-war London's exterior locations. The story follows a boy who becomes convinced that a major heist is being planned and executed through the pages of boys' weekly serial The Trump. Having been laughed out of the police station, be and the rest of bis friends set about entrapping the culprits and exposing the plot.
Jean Arthur stars as Alice Sycamore, the stable family member of an offbeat clan of free spirits who fall for Tony Kirby (James Stewart), the down-to-earth son of a snooty, wealthy family. Amidst a backdrop of confusion, the two very different families rediscover the simple joys of life.
Eve (Natasha Parry), Carole (Diana Dors), Georgie (Petula Clarke) and Mary (Jane Hylton) all work in the same local factory. Their only means of escape from the daily grind are the Saturday nights they spend at the Chiswick Palais, dancing to big band jazz. Eve is just looking for a good time, enjoying the attention from her many male admirers, Carole is searching for a future husband, Georgie dreams of one day dancing professionally, and Mary has seen it all before. Together they share their hopes and aspirations leading up to the biggest event on their calendar, the Chiswick Palais dance contest.
Barbara Stanwyck plays a phony evangelist, Florence Fallon. After Fallon's father is fired from the church where he preached for many years, she becomes embittered and loses faith. Fallon teams up with con man, Horsby and begins faking miracles for profit The love and trust of a blind man restores her faith in God and her fellow man. Now considered one of the best movies of the 1930's, Stanwyck is just superb - feel her pain over lying to people and follow her precious motives to be with love of her life!
Grace (Annette Bening) and Edward (Bill Nighy) have been married for 29 years and live in a small seaside town called Hope Gap. During a visit from their son Jamie (Josh O'Connor) Edward informs them both that he plans to leave Grace and walks out the door that very same day. With the whole family knocked into disarray, Grace has to find a way through this new life which she least expected and, with the help of her son, achieve hope once again. 'Hope Gap' tracks the emotional unravelling of a tight knit family going through divorce and walking the thin line between love and hate.
When grumpy grandpa Roger Hobbs (James Stewart) suggests a quiet vacation to his lovely wife Peggy (Maureen O'Hara), he's thinking of a romantic break for just the two of them. What he gets, however, is something quite different! Before he knows what's happening, Peggy has organised a full family reunion - in the oldest, ugliest and most dangerous beach house ever! Now Roger's life has become a living nightmare as he struggles to cope with delinquent toddlers, TV-obsessed teenagers, a pair of very odd sons-in-law and a young daughter falling for a local heartthrob (Fabian). Returning to work will seem like a dream after this vacation!
Top-notch reporter Steven O'Malley (Spencer Tracy) has come to a small town to investigate the death of Robert Forrest, a national hero. He's determined to get a story, but when he meets and falls in love with Forrest's widow Christine (Katharine Hepburn), the story he gets is not the one expected. As O'Malley digs into Forrest's personal life, he soon finds that the man who dined with presidents may have been involved in a plot to overthrow the government. Falling in love with Christine makes it hard for O'Malley to be objective, but soon he suspects the beautiful widow was a part of the plot. Caught tight in a web of suspense and treachery, O'Malley is faced with the decision whether or not to expose Christine. When he confronts her with the evidence, she refuses to speak out in her own defense. Now O'Malley doesn't know if his lover is guilty or innocent. But one thing is for certain: someone is going to try and stop him from ever finding out.
He's earthy, she's erudite. He's lumpy, she's angular. He's Tracy, she's Hepburn. Together, they're spectacular. Spencer Tracy and Katharine Hepburn show what chemistry is all about in this Academy Award' winner* about the grand, bumpy romance between a meat-and-potatoes sportswriter and a world-renowned political pundit. This is the first of the duo's nine film collaborations, and legend says the pairing had a portentous start. "I'm afraid I'm a little too tall for you;' the willowy actress observed. "Don't worry, I'll cut you down to my size;' Tracy replied. George Stevens directs, ending this alternately dramatic and comic delight with a standout of a slap-stick breakfast scene that helps make Woman of the Year a movie for every year
Eva Green gives a career-best performance in this epic and emotionally charged new drama from acclaimed director Alice Winocour. Green plays Sarah, a French astronaut training at the European Space Agency in Cologne. The only woman in the arduous programme she has been chosen to be part of the crew of a year-long space mission called 'Proxima'. Putting enormous strain on her relationship with her daughter (played by outstanding newcomer Zelie Boulant-Lemesle), the training begins to take its toll on both as Sarah's training progresses and the launch looms ever closer. Featuring stunning performances from the entire cast which includes Matt Dillon, Lars Eidinger and Sandra Huller, 'Proxima' is an unmissable cinematic experience which will take you on a gripping, emotional and life-affirming journey.
The fishing schooner We're Here has just pulled up a different kind of fish: rich, 10-year-old Harvey Cheyne, who tumbled off the side of a sleek ocean liner. Harvey will have to wait months before the We're Here returns to harbour, months that will transform him from a spoiled whiner into an honorable young man - all because of the life lessons he learns from Manuel, the humble fisherman who befriends him. From Rudyard Kipling's classic, Captains Courageous thrills with its seagoing action, grand scale and all-star cast. But what gives it full-masted magnificence is the chemistry between Freddie Bartholomew (Harvey) and Spencer Tracy (Manuel). Tracy won his first Best Actor Academy Award for his towering portrait of the father we all wish for: virile, patient, wise and protective. Set sail for cinema glory.
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