Betty Hutton (Annie Oakley) and Howard Keel (Frank Butler) star in this sharpshootin' funfest based on the 1,147-performance Broadway smash boasting Irving Berlin's beloved score, including Doin' What Comes Natur'lly, I Got the Sun in the Morning and the anthemic There's No Business like Show Business. As produced by Arthur Freed, directed by George Sidney and seen and heard in a new digital transfer from restored elements. This lavish, spirited production showcases songs and performances with bull's-eye precision, earning an Oscar for adaptation scoring. The story is brawling boy-meets-girl-meets-buckshot rivalry. But love finally triumphs when Annie proves that, yes, you can get a man with a gun!
Betty Grable and June Haver pour on the singing, dancing and show-biz razzmatazz in this jaunty tale of sisters who become vaudeville sensations in Europe and America. Grable, then in the fourth year of her decade-long reign as a Top 10 box office star, grabs the spotlight as Jenny, a gifted performer torn by career demands and by her on-again, off-again romance with a Tin Pan Alley tunesmith (John Payne). Laced throughout are songs (including Oscar Nominated "I Can't Begin to Tell You") and splashy production numbers that let the GI's favourite pinup girl show off her talents and the gams that Fox, in a noted publicity stunt, had insured for a million dollars.
Legends Gene Kelly and Fred Astaire host this all-singing, all-dancing follow-up to That's Entertainment!, serving up more of what made the Golden Era of MGM moviemaking great. More - as in musical moments ranging fro Jimmy Durante's comic Inka Dinka Doo to Judy Garland zinging the song that was her audition to Kelly romancing the City of Light. More - as in the antics of the Marx Brothers. More - as in classic moments with Garbo, Gable or Garson. And more - as in once more for the ages: hosts Astaire and Kelly gracing the screen with song-and-dance magic that's touching, timeless and above all, entertaining.
In this Vincente Minnelli-directed backstager, Fred Astaire dazzles in numbers set in a train station (By Myself), a penny arcade, a backlot Central Park and a smoky cafe, the latter two with the incomparable Cyd Charisse. And when he, Nanette Fabray and Jack Buchanan play infants who "hate each other very much!" in the merry Triplets, it's one more reason to love this movie very, very much. As the hallmark song which originated here goes, That's Entertainment!
Garbo Talks!, proclaimed ads when silent star Greta Garbo debuted in talkies. Nine years and 12 classic screen dramas later, the gifted movie legend was ready for another change. Garbo Laughs!, cheered the publicity for her first comedy, a frothy tale of a dour Russian envoy sublimating her womanhood for Soviet brotherhood until she falls for a suave Parisian man-about-town (Melvyn Douglas). Working from a cleverly barbed script written in party by Billy Wilder, director Ernst Lubitsch knew better than anyone how to marry refinement with sublime wit. "At least twice a day the most dignified human being is ridiculous", he explained about his acclaimed Lubitsch Touch. That’s how we see Garbo’s lovestruct Ninotchka: serenely dignified yet endearingly ridiculous. Garbo laughs. So will you.
When her father threatens to annul her marriage to a fortune-hunting playboy, spoiled heiress Ellie Andrews (Claudette Colbert) hops on a cross-country bus to New York, where she plans to live happily ever after with her handsome new hubby. Romantic complications however, when she's befriended by fellow passenger Peter Warne (Clark Gable), a brash and breezy reporter who offers his help in exchange for her exclusive story.
Screwball sparks fly when Cary Grant and Katharine Hepburn let loose in one of the fastest and funniest films ever made - a high-wire act of invention that took American screen comedy to new heights of absurdity. Hoping to procure a million-dollar endowment from a wealthy society j matron for his museum, a hapless paleontologist (Grant) finds himself entangled with a dizzy heiress (Hepburn) as the manic misadventures pile up - a missing dinosaur bone, a leopard on the loose, and plenty of gender-bending mayhem among them. Bringing Up Baby's sophisticated dialogue, spontaneous performances, and giddy innuendo come together in a whirlwind of comic chaos captured with lightning-in-a-bottle brio by director Howard Hawks.
Borrowing a double decker bus for a mobile home, four young mechanics search for fun in the sun from London to Athens. Bachelor Boy Cliff Richard dons his dancing shoes and brings a beat to the beach in the breeziest Summer Holiday on record! Featuring the legendary title song, alongside '7 Days to a Holiday' and 'Take You for a Ride', this video gives you the opportunity to sing along with Cliff.
Meet a dewy-eyed ingenue, a gee-whiz tenor, stuck-up stars, hard-up producers, brassy blondes and "shady ladies from the 80s". They're all denizens of 42nd Street, belting out ageless Harry Warren/Al Dubin songs and tapping out Busby Berkeley's sensational Depression - lifting production numbers. The put-on-a-show plot spins merrily, full of snappy banter and new faces Ruby Keeler, Dick Powell and Ginger Rogers. The show-stopping numbers (Shuffle off to Buffalo, You're Getting to Be a Habit with Me and the title tune) still dazzle. Looking and sounding its best in years via this new digital transfer from the restored original camera negative and optical audio tracks, 42nd Street shows good times never go out of style.
Beautiful widow Lady Susan Vernon (Kate Beckinsale) arrives at the estate of her in-laws to wait out the colourful rumours of her dalliances which are circulating through polite society. While ensconced there, she attracts the simultaneous attentions of the young, handsome Reginald DeCourcy, the rich and naive Sir James Martin and the divinely attractive, but married, Lord Manwaring. However, cunningly engineering such matters for her own benefit is something Lady Susan is quite used to. Based on the Jane Austen novella 'Lady Susan' and set in the high society of the 1790s, acclaimed writer-director Whit Stillman's 'Love and Friendship' is an exquisitely witty and devious comedy of Machiavellian matchmaking and heartbreaking, with a note-perfect ensemble cast including Chloe Sevigny and Stephen Fry.
Victor Moore and Beulah Bondi, two of the great Hollywood character actors, portray the couple whose house the bank has foreclosed upon, and who are forced subsequently to move into their children's homes in the city. A near-musical restructuring of gratitude and debt ensues once the offspring deem the couple's lodging an imposition: the two are separated, then reunited weeks later... as they glide inexorably into an uncertain future.
Kim Ki Taek's (Song Kang Ho) family are all unemployed and living in a squalid basement. When his son, Ki Woo, gets a tutoring job at the lavish home of the Park family, the Kim family's luck changes. One by one they gradually infiltrate the wealthy Park's home, attempting to take over their affluent lifestyle, but as their deception unravels events begin to get increasingly out of hand in ways you simply cannot imagine.
Clifton Webb stars as Frank Bunker Gilbreth, a turn-of-the-century efficiency expert who tries to apply his exacting work standards to raising his children - all 12 of them! Based on the bestseller by children of the real Mr. Gilbreth, this charming film that's "alive with big laughs", co-stars Myrna Loy as Gilbreth's patient wife Lillian. Narrated by the Gilbreths oldest daughter Ann (Jeanne Crain), 'Cheaper By The Dozen' is an entertaining, charming film that follows this unique family throughout their life together.
In a deserted Macedonian village, Hatidze, a 50-something woman, trudges up a hillside to check her bee colonies nestled in the rocks. Serenading them with a secret chant, she gently manoeuvres the honeycomb without netting or gloves. Back at her homestead, Hatidze tends to her handmade hives and her bedridden mother, occasionally heading to the capital to market her wares. One day, an itinerant family installs itself next door, and Hatidze's peaceful kingdom gives way to roaring engines, seven shrieking children, and 150 cows. Yet Hatidze welcomes the camaraderie, and she holds nothing back - not her tried-and-true beekeeping advice, not her affection, not her special brandy. But soon Hussein, the itinerant family's patriarch, makes a series of decisions that could destroy Hatidze's way of life forever.
Nick and Nora Charles cordially invite you to bring your own alibi to The Thin Man, the jaunty whodunit that made William Powell and Myrna Loy the champagne elite of sleuthing, Bantering in the boudoir, enjoying walks with beloved dog Asta or matching each other highball for highball and clue for clue, they combined screwball romance with mystery. The resulting triumph nabbed four Academy Award nominations (including Best Picture) and spawned five sequels. Credit W.S. " Woody" Van Dyke for recognizing that Powell and Loy were ideal together and for getting the studio's okay by promising to shoot this splendid adaptation of Dashiell Hammett's novel in three weeks. He took 12 days. They didn't call him "One-Take Woody" for nothing.
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