Walter Neff (Fred MacMurray), naive insurance man. Falls for the seductive charms of his beautiful client Phyllis Dietrichson (Barbara Stanwyck) Together they plot to get rid of her dull husband and collect on the "double indemnity" life policy.
They say crime doesn't pay. Private detective Philip Marlowe (Dick Powell) knows better. The fat wad of folding money warming his breast pocket is the kind of thing that keeps him going through thick and thicker as he wades chin deep into a mystery involving a missing necklace and a missing hoodlum's moll named Velma.
San Pietro lies in the valley between two hills, Monte Lungo and Monte Sammucro. It's just off Route 6, the road to Rome, and was vital to the Allied cause during their push into Italy. The battle for San Pietro saw newly re-formed Italian Forces working with the Allies for the first time. They suffered appalling losses in what quickly became a battle of epic proportions. The 'Italian Cemetry' is a monument to their exceptional courage and heroism. The town was ultimately destroyed. Defeated German forces withdrew to Cassino leaving the victorious Allies one step nearer their goal: the collapse of Mussolini's Italy. Today, the new town of San Pietro is about a kilometre and a half from the ruins of the old one. The story of the spectacular battle that led to its creation is vividly portrayed in this awesome film.
Having retired from his position as head of the Green Manors Mental Asylum, Dr. Murchison (Leo G. Carroll) assigns famous psychiatrist Dr. Edwards (Gregory Peck) as his replacement. Dr. Edwards becomes attracted to the beautiful but cold Dr. Constance Petersen (Ingrid Bergman) who soon realises that he is in fact a paranoid amnesiac impostor. She sets out to cure him whilst solving the mystery of what happened to the real Dr. Edwards...
Melodrama casts noirish shadows in this portrait of maternal sacrifice from Hollywood master Michael Curtiz. Its iconic performance by Joan Crawford as Mildred, a single mother hell-bent on freeing her children from the stigma of economic hardship, solidified Crawford's career comeback and gave the actor her only Oscar. But as Mildred pulls herself up by the bootstraps, first as an unflappable waitress and eventually as the well-heeled owner of a successful restaurant chain, the ingratitude of her materialistic firstborn (a diabolical Ann Blyth) becomes a venomous serpent's tooth, setting in motion an endless cycle of desperate overtures and heartless recriminations. Recasting James M. Cain's rich psychological novel as a murder mystery, this bitter cocktail of blind parental love and all-American ambition is both unremittingly hard-boiled and sumptuously emotional.
Set amidst the glittering theatre world of 19th century Paris, the story revoles around the beautiful and free-spirted courtesan, Garanace, and the four men who compete for her affections; a mime-artist, an actor, an aristocrat and a criminal. As the melodrama unfolds, we are treated to one of cinema's greatest love stories, a captivating tale of passion, deception and murder.
One of the greatest foreign language films ever made, Roberto Rossellini "Rome, Open City" was filmed in the direct aftermath of World War II on the war-ravaged streets of Italy. Based on real events that took place in the Nazi-occupied Italy in 1944, it examines the choices that people are forced to make in wartime. Centring on the Resistance and its members, this is a tragic and emotional exploration of human spirit and the effects of war.
The Best Picture of 1945 has lost none of its bite or power in this uncompromising look at the devastating effects of alcoholism. Ironically, this brilliant Billy Wilder film was almost never released because of poor reaction by preview audiences unaccustomed to such stark realism from Hollywood, but the film has since gone on to be regarded as one of the all-time great dramas in movie history. Ray Milland's haunting portrayal of would-be writer's dissatisfaction with his life leads him on a self-destructive three-day binge.
Al Roberts (Tom Neal) decides to hitchhike to California to follow his girlfriend Sue (Claudia Drake). After discovering one of the drivers who has given him a lift dead, Al assumes his identity for fear of being charged with his murder. This leads him into trouble and blackmail along the way.
Wendy Hiller stars in Powell and Pressburger's classic romantic comedy about a young woman who discovers the true meaning of wealth.
Joan Webster has her life mapped out, beginning with marriage to a rich industrialist. Her plans go wrong when she finds herself stranded on the way to a remote Scottish island and falls in love with a penniless young sailor.
It's the hope that sustains the spirit of every GI: the dream of the day when he will finally return home. For three WWII veterans, the day has arrived. But for each man, the dream is about to become a nightmare. Captain Fred Derry (Dana Andrews) is returning to a loveless marriage; Sergeant Al Stephenson (Fredric March) is a stranger to a family that's grown up without him; and young sailor Homer Parrish (Harold Russell) is tormented by the loss of his hands. Can these three men find the courage to rebuild their world? Or are the best years of their lives a thing of the past?
Noel Coward's sensitive portrayal of what happens when two happily married strangers, played by Trevor Howard and Celia Johnson, meet and their acquaintance deepens into affection and eventually into love. It is the story of two people, thrown together by the chance meeting of the title, helpless in the face of their emotions but redeemed by their moral courage. Over the years few films have equalled the compassion and the realism of Brief Encounter.
Made in the aftermath of the Second World War, 'Paisa' is constructed as a series of six encounters which take place during the liberation of Italy as Allied troops advance through the country from Sicily to the northern Po Valley, via Rome and Florence. Shot on location using a non-professional cast alongside actors, the semi-documentary aesthetic and epic sweep of Paisa is both charming and devastating in its portrayal of the final days of war and the confusion that follows in its wake.
The sign outside the roadside diner says "Man Wanted." Drifter Frank Chambers knows the sign has more than one meaning when he eyes pouty, luminous Cora, the much-younger bride of the diner's proprietor. Based on the same-titled novel by James M. Cain (Double Indemnity, Mildred Pierce), this quintessential film-noir classic combines studio-system gloss with Cain's hard-bitten tale of murderous attractions. John Garfield and Lana Turner give career-benchmark performances as Frank and Cora, illicit lovers who botch a first attempt to bump off Cora's hubby, pull it off, betray each other at trial and yet wriggle free. But their volatile tale does not end there. As the film's metaphorical title indicates, fate is sure to ring again.
After Wyatt Earp's (Henry Fonda) brother James is murdered by cattle rustlers, the frontier legend becomes Tombstone's marshal and sets out to avenge the younger man's death. Torn between his badge and his fury, Earp confronts the likely killers, the notoriously lawless family of Old Man Clanton (Walter Brennan), setting the stage for the famed shoot-out at the O.K. Corral. Along the way, Earp falls in love with a schoolteacher named Clementine (Cathy Downs), which pits him against the cantankerous Doc Holliday. While 'My Darling Clementine' never loses its dynamism as a hard-hitting western, it is also a tender love story.
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