Featuring Marilyn Monroe's legendary rendition of "Diamonds Are a Girl's Best Friend", this fun musical comedy is a knockout. Marilyn and Jane Russell star as two showgirls who set sail on a luxury liner bound for France. Hijinks on the high seas ensue as Lorelei (Monroe) and Dorothy (Russell) discover they're being tailed by a private detective hired by the father of Lorelei's landlocked boyfriend. By the time the ship reaches Paris, a missing diamond tiara lands the girls in hot water, but by following their hearts, they'll get out of trouble and on to the altar.
Ruthless criminals, a dedicated honest cop, sultry women and a gripping plot - all the elements of a classic police action-drama are here in force. Police Sergeant Bannion (Glenn Ford) is investigating the apparent suicide of a corrupt cop, then is suddenly ordered to stop - and The Big Heat is on. Driven to unravel the mystery, Bannion continues probing until an explosion meant for him, kills his wife. He resigns from he force and soon learns that behind it all is the powerful underworld led by Mike Lagana (Alexander Scourby) and his cold-blooded henchman, Vince Stone (Lee Marvin). When Stone's girl Debby (Gloria Grahame) makes a play for Bannion, Stone disfigures her face and in revenge, she tells all she knows. A life-or-death confrontation between Bannion and Stone brings this classic film noir thriller to a climatic unmissable finale!
The film that brought Jacques Tati international acclaim also launched his on-screen alter ego: the courteous, well-meaning, eternally accident-prone Monsieur Hulot with whom Tati would from now on be inseparably associated. As with Jour de fete, Vacances is set in a sleepy French coastal resort which is seasonally disrupted by holidaymakers in energetic pursuit of fun. At the centre of the chaos is the eccentric Hulot, struggling at all times to maintain appearances, but somehow entirely divorced from his immediate surroundings. There is little plot in Tati's beautifully orchestrated 'ballet' of comic action: it's a series of incidents, a seamless succession of gently studies of human absurdity.
Widely misunderstood and shamefully denigrated at the time of its original release, but now recognised as not simply one of Rossellini's greatest films but as one of the key works of modern cinema, 'Journey to Italy' is a deceptively simple piece. There is little plot to speak of: a marriage is breaking up under the strains of a trip to Italy, and we watch. But in its deliberate rejection of many aspects of 'classic' Hollywood narrative and its stubborn pursuit of a quite different aesthetic, its meandering story line creates space for ideas and time for reflection.
In 16th century Japan, amidst the pandemonium of civil war, potter Genjuro (Mori Masayuki) and samurai-aspirant Tobei (Ozawa Sakae) set out with their wives in search of wealth and military glory, respectively. Two parallel tales ensue when the men are lured from their wives: Genjuro by the ghostly charm of Lady Wakasa (Kyo Machiko); Tobei by the dream of military glory.
Alan Ladd plays the titular gunslinger, the archetypal "man alone" who wanders into town and shortly afterward becomes embroiled in a conflict between a group of Wyoming homesteaders and the nefarious cattle baron who has designs to wrest away their land. As the conflict escalates, and a romance develops between Shane and homesteader Marian Starrett (Jean Arthur, in her last screen role), a who's-who of studio system character talent revolves through the production - Van Heflin, Jack Palance, Elisha Cook, Jr. - before one of cinema's most famous, unforgettable endings.
As one of a disparate group of fortune-seekers bound for Africa, hard-up Billy Dannreuther (Humphrey Bogart) faces the swindling machinations of his fellow travellers as they await passage from a picturesque port on Italy's Amalfi coast. But with scheming aplenty, will this motley crew miss the boat completely?
Joan Crawford plays Vienna, a saloon owner with a sordid past. Persecuted by the townspeople, Vienna must protect her life and her property when a lynch mob led by her sexually repressed rival, Emma Small (Mercedes McCambridge), attempts to frame her for a string of robberies she did not commit. Enter Johnny Guitar (Sterling Hayden), a guitar-strumming ex-gunfighter who has a history with Vienna.
Marlon Brando gives one of the screen's most electrifying performances and was named Best Actor at the 1954 Academy Awards for this film. Ex-fighter Terry Malloy (Brando) could have been a contender, but now toils for boss Johnny Friendly (Lee J. Cobb) on the gang-ridden waterfront. Terry is guilt-stricken, however, when he lures a rebellious worker to his death, but it takes the love of Edie Doyle (Eva Marie Saint), the dead man's sister, to show Terry how low he has fallen. When his crooked brother Charley the Gent (Rod Steiger) is brutally murdered for refusing to kill him, Terry battles to crush friendly's underworld empire.
Things are different for the Pontipee men now that big brother Adam's fetched a bride and brought her to their cabin. Indeed, the unwed brothers are so inspired they raid the town and carry off brides of their own! Like a favourite flannel shirt, everything fits right in this rugged whoop-for-joy directed by Stanley Donen, choreographed by Michael Kidd and featuring an exhilerating Gene dePaul/Johnny Mercer score that won an Academy Award. Jane Powell and Howard Keel star, supported by a cast of buckskinned dancers and petticoated danseuses. And what steppin'! The barn-raising sequence alone - back-flipping, plank-leaping athleticism - leaves a daylong smile. "Bless Your Beautiful Hide", all you brides and brothers!
A tyrant schoolteacher - Delasalle (Paul Meurisse) in a seedy boarding school has both his wife (Vera Clouzot) and his mistress (Simone Signoret) looking for a way out as he maltreats them both. They decide to work together to murder their tormentor. The two women drown Delasalle in the bath then dump the body in a swimming pool. When the pool is drained and no body found they start to worry. When his suit is returned, cleaned, they start to panic. Is he alive? Does someone else know? A spiral of perfectly crafted tension hurtles you to an unparalleled conclusion and an ending you will never forget!
An outstanding achievement for award-winning animators John Halas and Joy Batchelor, this landmark adaptation brilliantly conveys the horror and humour of George Orwell's scathing satire. Inspired by the dream of Old Major, a prize boar, the overworked animals of Manor Farm rise up against their negligent, drunken owner and drive him out. Led by two young pigs, Snowball and Napoleon, they establish their own self-sufficient farm, but as the farm flourishes it begins to slide into dictatorship...
Jefferies (James Stewart), a photographer with a broken leg, takes up the fine art of spying on his Greenwich Village neighbours during a summer heat wave. But things really hot up when he suspects one neighbour (Raymond Burr) of murdering his invalid wife and burying the body in a flower garden.
Judy Garland is singer Esther Blodgett, an undeniable talent on the rise. She catches the eye of Norman Maine (James Mason), an alcoholic actor in career decline. Their intense love transforms them both. Only one will survive Hollywood's slings and arrows.
With extraordinary beauty, talent and grace, Spanish dancer Maria Vargas (Ava Gardner) was born to be a star. Aided by American movie director Harry Dawes (Humphrey Bogart), she attains great success and fortune in Hollywood's land of dreams. But, though she gives her all for stardom, there is one thing Maria will never compromise - her soul. No matter what the cost, The Barefoot Contessa will dance to no-one's music but her own.
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