Edward G. Robinson stars as a government agent tracking down a sadistic Nazi officer (Orson Welles), who has evaded justice for running Nazi extermination camps. Rankin has crafted a new identity for himself in a quaint Connecticut town by marrying Mary (Loretta Young), the daughter of a local judge; but as his past begins to catch up with him, will his wife side with the investigators or her husband...
"Beauty and the Beast " is a landmark feat of cinematic fantasy in which master filmmaker Jean Cocteau conjures spectacular visions of enchantment, desire and death that have never been equalled. Josette Day is luminous yet feisty as Beauty, and Jean Marais gives one of his best performances as the Beast, at once brutal and gentle, rapacious and vulnerable, shamed and repelled by his own bloodlust. Henri Alekan's subtle black and white cinematography combine with Christian Berard's masterly costumes and set designs to create a magical piece of cinema, a children's fairytale refashioned into a stylised and highly sophisticated dream.
L.A. private eye Philip Marlowe (Humphrey Bogart) takes on a blackmail case...and follows a trail peopled with murderers, pornographers, nightclub rogues, the spoiled rich and more. But Raymond Chandler's legendary gumshoe solves it in hard-boiled style - and style is what 'The Big Sleep' is all about.
Ernest Hemingway s spare, laconic short story about two professional killers and their encounter with a mysteriously unresisting victim was significantly expanded into this all-time film noir classic, which Hemingway said was the first adaptation of his work that he really admired. As washed-up boxer turned hitman victim Ole 'Swede' Andreson, Burt Lancaster made his screen debut, and was catapulted to instant stardom, not least for the screen chemistry that he showed opposite sultry Ava Gardner, whose Kitty Collins is the very personification of the femme fatale. German émigré Robert Siodmak was one of the filmmakers who helped create film noir, and Elwood Bredell s high-contrast cinematography, all harsh lighting and long shadows, elevates the film far above a conventional crime drama. But even on that level it s a first-rate demonstration of how to maintain narrative tension, with the flashback structure withholding crucial details until almost the very end.
It's night over Europe, the night of 2nd of May 1945. A crippled Lancaster Bomber struggles home across the English Channel, all crew dead save for the young pilot desperately scanning the radio for signs of life. His prayers are answered, June (Kim Hunter), a young radio operator, picks up his signal, and in the final moments of the young flyer's life, a special bond is formed. The next morning washed up on an English beach, Squadron Leader Peter Carter (David Niven) is alive. He finds June, and the two fall in love. Somehow he survived. It's a miracle...or is it? Peter Carter should have died that night; a heavenly escort missed him in the fog above the Channel, and now he must face the celestial court of appeal for his right to live.
David Lean directed this stylish film presentation of Charles Dickens' heart warming story of a young man befriending an escaped convict who becomes his unknown benefactor, and of the consequences for the young man as he establishes himself in the world.
Alicia Huberman (Ingrid Bergman) gains notoriety when her father, a Nazi spy is convinced of treason against the US following World War II. At a party thrown soon after, Alice meets a handsome stranger named Devlin (Cary Grant) who reveals after a clash of wits and temperament that he is a U.S. Intelligence Agent. Because she has fallen in love with the dashing FBI Agent, Alicia is persuaded into helping Devlin trap and catch Nazi mastermind Alex Sebastian. The more she gets involved in her work, the more at risk she becomes...
Sister Clodagh (Deborah Kerr) leads a group of Anglican nuns to a remote Himalayan range of mountains, there to set up a mission in an abandoned harem. This is her first position of authority and she finds both her physical and her spiritual limits being taxed as she has to maintain order and discipline in a claustrophobically hostile environment. Slowly but surely, however, the privations and hardship they must endure, the extremes of climate and the peculiar amorality of the local natives all combine to slowly corrupt the women's faith, pushing them further into jealousy, anger and madness...
George Bailey (James Stewart) has spent his entire life in the small town of Bedford Falls. Despite his yearning to see the world, George has always sacrificed his personal ambitions for the sake of his family and the local community, settling down to marry his childhood sweetheart, Mary (Donna Reed), and raise a family. However, when a huge amount of money goes missing from the savings and loans company he panics and finds himself preparing to commit suicide. However, he is shown the error of this idea by Clarence (Henry Travers), an angel who has been sent to Earth in order to earn his wings. To this end, Clarence shows George just how badly Bedford Falls and its residents would have turned out had he never been born.
In the story of Gilda, Johnny Farrell (Glenn Ford) goes to work for Ballin Mundson (George MacReady), the proprietor of an illegal gambling casino in a South American city, and quickly rises to become Mundson's "main man". All is well until Mundson returns from a trip with his new bride, Gilda - a woman from Johnny's past. Mundson, unaware of the previous love affair, assigns Farrell the job of ensuring that Gilda is a faithful wife. Fraught with hatred, Gilda does her best to antagonize, intimidate, and instill jealousy in Farrell - until circumstances allow him to get even.
Henri Verdoux (Charles Chaplin) is a man who lures wealthy women by promising them love and sweet happy-ever-afters. But once the wedding bells have chimed he murders them for their fortunes. As ever, this isn't just a simple, dark comedy. Whilst invoking the usual fits of laughter, Chaplin also encourages his audience to ask many questions, this time on the nature of evil.
Robert Mitchum, Jane Greer and Kirk Douglas star in this quintessential film noir which catapulted Mitchum into superstardom and set the standard for the genre for years to come. When Kathie Moffett (Greer) shoots her admirer, Whit Sterling (Douglas), a big-time gambler, and absconds with $40,000 of his money, Starling hires private detective Jeff Bailey (Mitchum) to find her. Bailey leaves New York and catches up with Kathie in Mexico. Kathie denies taking the money and after falling for her charms, Bailey notifies Sterling that he could not find her.
Determined to make a life for herself and her daughter, Lucy Muir (Gene Tierney), a young widow, moves into a cottage overlooking the windswept English coast. She soon learns that it's haunted by the ghost of its former owner, a salty sea captain (Rex Harrison). But the Captain's effort to scare off his new tenant soon develops into a most unlikely love affair. When Lucy runs out of money, the Captain "ghost writes" a book for her based on his life story. Their publishing success, however, brings her the amorous attentions of a man who's still very much alive (George Sanders). Soon Lucy must decide between the pleasures of the spirit and those of the flesh, and the Captain must choose a course that may haunt him forever.
James Mason is Johnny McQueen, the idealistic leader of an illegal organisation in Northern Ireland. Shot during an armed raid he is badly wounded. Stumbling through the back streets of Belfast his friends, enemies and the police begin to close in as he tries to find a place to hide...
'Bicycle Thieves' tells the story of Antonio (Lamberto Maggiorani), a long unemployed man who finally finds employment putting up cinema posters for which he needs a bicycle. His wife pawns all the family linen to redeem their already pawned bicycle and for Antonio salvation has come, until it is stolen. Antonio and his son take to the streets in a desperate search to find the bicycle which is so crucial to his livelihood.
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