Akira Kurosawa's acclaimed study of power, revenge and retribution is set against the magnificent backdrop of feudal warfare in sixteenth century Japan. Transposing the events of Shakespeare's King Lear to the blood-thirsty 'Period of Warring States', 'Ran' tells the story of a bitter power struggle within the family of Warlord Hidetora Ichimonji (Tatsuya Nakadai). After fifty years of ruthless slaughter Hidetora divides his kingdom among his sons, seeking peaceful retirement. However, as his life descends into chaos, he is unable to escape the corruption within his family and the torment within his soul.
In this outstanding psychological and political thriller, we get a fascinating insight into the lengths and depths that the East European government went to in order to keep tabs on the lives of its population in 80's. When cold and brutal official Wiesler (Ulrich Mühe) is given the task of spying on acclaimed playwright Dreyman (Sebastian Koch) and his actress girlfriend, he relishes the task, knowing that if he uncovers subversive behaviour he will gain favor with his boss. But the longer he listens in on the couple, their friendships, passions and ideas, the more he realises that his own life and the harsh political regime are lacking in color and joy in many respects. Slowly he begins to doubt morality of is job and politics. As the lines between orders and compassion become blurred, Wiesler becomes more involved with his subject, walking a dangerous path between his duty and his new found reality.
Silent movies are giving way to talking pictures - and a hoofer-turned-matinee idol (Gene Kelly) is caught in that bumpy transition, as are his buddy (Donald O'Connor), prospective ladylove (Debbie Reynolds) and shrewish costar (Jean Hagen).
Hilarious but harrowing, the film charts the disintegration of the friendship between Renton (Ewan McGregor), Spud (Ewen Bremner), Sick Boy (Jonny Lee Miller), Tommy (Kevin McKidd) and Begbie (Robert Carlyle) as they proceed seemingly towards a psychotic, drug-fuelled self-destruction.
One of the most popular screen Western ever made, this Academy Award-winning classic blends adventur, romance and comedy to tell the true story of the West's most likeable outlaws. No-one is quicker then Butch Cassidy (Paul Newman) when it comes to get rich quick schemes, and his sidekick Sundance (Robert Redford) is a wizard with a gun. When these two bungling bank and train robbers tire of running from the law, they set out for Bolivia with Sundance's girlfriend (Katherine Ross). Though they can barely speak enough Spanish to communicate: "This is a stick-up!", that's only a minor detail to the two nicest "bad-guys" who ever rode the West.
When kooky, spooky college profs Peter Venkman (Bill Murray), Ray Stantz (Dan Aykroyd) and Egon Spengler (Harold Ramis) lose their university jobs, they decide to go freelance, de-haunting New York City with a new ghost removal service. As soon as they open their doors, their first order of business becomes saving beautiful cellist Dana Barrett (Sigourney Weaver) and nerdy Louis Tully (Rick Moranis), who've inadvertently opened the gates of hell...right in their own apartment building!
Eight-year-old Kevin McCallister (Macaulay Culkin) has become the man of the house, overnight! Accidentally left behind when his family rushes off on a Christmas vacation, Kevin gets busy decorating the house for the holidays. But he's not decking the halls with tinsel and holly. Two bumbling burglars are trying to break in, and Kevin's rigging a bewildering battery of booby traps to welcome them!
North by Northwest (1959)Alfred Hitchcock's North by Northwest / Breathless / In a North West Direction / In a Northwesterly Direction / The CIA Story / The Man in Lincoln's Nose
Roger Thornhill (Cary Grant) is not a spy. And he's certainly no murderer. Nevertheless, Thornhill's a wanted man: enemy agents want him dead, the police want him arrested, and a cool, mysterious blonde (Eva Marie Saint) just plain wants him. A victim of mistaken identity, Thornhill can't afford to make any mistakes of his own - so he embarks on a death-defying run for his life. Relentlessly pursued by plane, train and automobile, Thornhill's cross-country chase finally ends atop Mt. Rushmore where, if he doesn't watch his step, he could be in for a terrible fall.
"Raging Bull" is arguably the finest work from the Scorsese and De Niro partnership. De Niro gives and amazing portrayal of a man whose animal side lurks just beneath the surface, ever ready to erupt. Vivid and unremitting in its uncompromising brutality and honesty, the fight sequences are famed for their realism. Violent throughout, this film is a testament to Scorsese's and De Niro's skills, creating a thoroughly absorbing film about such an unlikable character. Renowned for throwing himself into the roles of his character, De Niro went on a diet to gain fifty pounds during production for the role of the faded star.
Harry Caul (Gene Hackman) is a respected but less-than-perfect surveillance expert who is wracked with self-doubt and carrying a heavy conscience since his work led to the death of two of his subjects. So when he comes to believe that his latest assignment - eavesdropping on a pair of young lovers - may end in murder, Harry can no longer avoid confronting the moral consequences of his chosen profession.
Deep in the suburbs of Pasadena, a bored, confused and alienated twenty-one year old graduate named Benjamin Braddock (Dustin Hoffman) awkwardly drifts from moment to moment, in constant turmoil over his lack of direction and the uncertain, impending future. Driven by a desire for experience and desperate to avoid the corporate, deluded and mediocre world of his affluent parents, Benjamin succumbs to the advances of an older woman and begins an affair with the persuasive and enigmatic Mrs. Robinson (Anne Bancroft) the wife of one of his father's business partners. But what starts as a farcical fling becomes painfully complicated when Ben finds himself falling in love with her daughter.
It's 1987 and Patrick Bateman (Christian Bale) is living the American dream. He has a great job, he's handsome, he's athletic and has the attention of many beautiful women. However, Patrick has a dark secret that he keeps hidden from those around him; Patrick is a psychopath. Dissatisfied with this charmed life, Patrick spends his evenings prowling the streets looking for victims; whether they are his business associates or strangers he meets in passing, he makes no distinction. Cultivating his serial killer persona as much as his yuppie lifestyle, the two sides of Patrick's life soon begin to merge and he begins to wonder where one side of his life ends and the other begins.
Alvin's eyesight is poor, he has little money and he can't stand the thought if being driven anywhere. So when he discovers his estranged brother has suffered a stroke he decides to make the journey by the only means of transport available to him - a John Deere lawnmower. Hundreds of miles, six weeks and several breakdowns later Alvin Straight (Richard Farnsworth) finally pulls up at his destination, where the fate of his brother awaits him.
A woodcutter experiences a horrific series of events - an ambush, rape and murder. In the telling of the tale however, each of the four participants give different views of what actually happened - is any of them telling the truth? Kurosawa's masterful film plays on the subjective nature of truth while unfurling a riveting tale of violence and greed.
Los Angeles, city of angels. Amnesiac and wounded, a mysterious femme fatale wanders on the sinuous road of Mulholland Drive. She finds a shelter at Betty's house (Naomi Watts). an aspiring actress just arrived from her hometown and in search of stardom in Hollywood. First of all intrigued by the stranger who calls herself Rita (Laura Elena Harring), Betty discovers that her handbag is dull of dollar bundles. The two women get to know each other better and decide to investigate in order to discover Rita's true identity....
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