George Bailey (James Stewart) has spent his entire life in the small town of Bedford Falls. Despite his yearning to see the world, George has always sacrificed his personal ambitions for the sake of his family and the local community, settling down to marry his childhood sweetheart, Mary (Donna Reed), and raise a family. However, when a huge amount of money goes missing from the savings and loans company he panics and finds himself preparing to commit suicide. However, he is shown the error of this idea by Clarence (Henry Travers), an angel who has been sent to Earth in order to earn his wings. To this end, Clarence shows George just how badly Bedford Falls and its residents would have turned out had he never been born.
Hilarious but harrowing, the film charts the disintegration of the friendship between Renton (Ewan McGregor), Spud (Ewen Bremner), Sick Boy (Jonny Lee Miller), Tommy (Kevin McKidd) and Begbie (Robert Carlyle) as they proceed seemingly towards a psychotic, drug-fuelled self-destruction.
Eight-year-old Kevin McCallister (Macaulay Culkin) has become the man of the house, overnight! Accidentally left behind when his family rushes off on a Christmas vacation, Kevin gets busy decorating the house for the holidays. But he's not decking the halls with tinsel and holly. Two bumbling burglars are trying to break in, and Kevin's rigging a bewildering battery of booby traps to welcome them!
Deep in the suburbs of Pasadena, a bored, confused and alienated twenty-one year old graduate named Benjamin Braddock (Dustin Hoffman) awkwardly drifts from moment to moment, in constant turmoil over his lack of direction and the uncertain, impending future. Driven by a desire for experience and desperate to avoid the corporate, deluded and mediocre world of his affluent parents, Benjamin succumbs to the advances of an older woman and begins an affair with the persuasive and enigmatic Mrs. Robinson (Anne Bancroft) the wife of one of his father's business partners. But what starts as a farcical fling becomes painfully complicated when Ben finds himself falling in love with her daughter.
Elizabeth Taylor and Richard Burton are ideal as malevolent marrieds Martha and George in first-time film director Mike Nichols' searing film of Edward Albee's groundbreaking 'Who's Afraid of Virginia Woolf?'. Taylor won her second Academy Award (and New York Film Critics, National Board of Review and British Film Academy Best Actress Awards). Burton matches her as her emotionally spent spouse. And George Segal and Best Supporting Actress Oscar winner Sandy Dennis score as another couple straying into their destructive path. The movie won a total of five Academy Awards and remains a taboo-toppling landmark over 40 years later.
Julie (Juliette Binoche) loses her composer husband and their child in a car crash and, though devastated, she tries to make a new start, away from her country house and a would-be lover. But music still surrounds her and she uncovers some unpleasant facts about her husbands life. Slowly Julie learns to live again, as music and the gift of creativity prove to be a healing force.
Dreamy-eyed grade-schooler Mason (Ellar Coltrane) is facing upheaval: his struggling single mom Olivia (Patricia Arquette) has decided to move him and older sister Samantha (Lorelei Linklater) to Houston - just as their long-absent father Mason Sr. (Ethan Hawke) re-enters their world. Thus begins a decade of constantly unfolding heartbreak and wonder as Mason swims against the tide of family moves and controversies, faltering marriages, new schools, first loves, lost loves, good times and scary times that shape the person he will be.
A keen observer of America's social fabric, writer-director John Sayles uncovers the haunted past buried beneath a small Texas border town in this sprawling neowestern mystery. When a skeleton is discovered in the desert, lawman Sam Deeds (Chris Cooper), son of a legendary local sheriff, begins an investigation that will have profound implications both for him personally and for all of Rio County, a place still reckoning with its history of racial violence. Sayles's masterful film - novelistic in its intricacy and featuring a brilliant ensemble cast, including Joe Morton, Elizabeth Peña, and Kris Kristofferson - quietly subverts national mythmaking and lays bare the fault lines of life at the border.
"One Cut of the Dead" opens in a run-down, abandoned warehouse where a film crew are making a zombie film. Yet this is no ordinary warehouse. It's been said that it's the site of military experiments on humans. From nowhere, real zombies arrive and terrorize the crew! This may sound like a the plot of a cliched zombie film, but 'One Cut of the Dead' is something completely different! Starting off with a non-stop one-take 37 minute shot, the film then completely switches direction and turns the zombie genre completely upside-down into a charming, audience-friendly comedy with an ending you won't see coming!
Gregory Peck won an Oscar for his brilliant performance as the Southern lawyer who defends a black man accused of rape in this film version of the Pulitzer Prize winning novel. The setting is a dusty Southern town during the Depression. A white woman accuses a black man of rape. Though he is obviously innocent, the outcome of his trial is such a foregone conclusion that no lawyer will step forward to defend him - except Peck, the town's most distinguished citizen. His compassionate defense costs him many friendships but earns him the respect and admiration of his two motherless children.
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