'Chungking Express', cult filmmaker Wong Kar-Wai's hugely influential international breakthrough, is a supremely stylish combination of love story and thriller, set in and around Hong Kong's infamous Chungking Mansions, a vast complex of shabby hostels, bars and clubs. The film tells the stories of two lovelorn cops and the women with whom they become involved: a mysterious drug dealer dressed in a blonde wig and sunglasses, and an impulsive young dreamer.
As she braced for an IRS audit, middle-aged emigré Evelyn Wang (Michelle Yeoh) felt a failure as wife, daughter, mother, and businesswoman. It was a heck of a time to discover that she could tap into the abilities of countless variant versions of herself across reality - and that she would need them to conquer a threat poised to collapse it all. Audacious fantasy-action farce from the makers of "Swiss Army Man" co-stars Ke Huy Quan, Stephanie Hsu, James Hong, and Jamie Lee Curtis.
Silent movies are giving way to talking pictures - and a hoofer-turned-matinee idol (Gene Kelly) is caught in that bumpy transition, as are his buddy (Donald O'Connor), prospective ladylove (Debbie Reynolds) and shrewish costar (Jean Hagen).
In this outstanding psychological and political thriller, we get a fascinating insight into the lengths and depths that the East European government went to in order to keep tabs on the lives of its population in 80's. When cold and brutal official Wiesler (Ulrich Mühe) is given the task of spying on acclaimed playwright Dreyman (Sebastian Koch) and his actress girlfriend, he relishes the task, knowing that if he uncovers subversive behaviour he will gain favor with his boss. But the longer he listens in on the couple, their friendships, passions and ideas, the more he realises that his own life and the harsh political regime are lacking in color and joy in many respects. Slowly he begins to doubt morality of is job and politics. As the lines between orders and compassion become blurred, Wiesler becomes more involved with his subject, walking a dangerous path between his duty and his new found reality.
A tall, handsome 'preacher' - his knuckles eerily tattooed with 'love' and 'hate' - roams the countryside, spreading the gospel...and leaving a trail of murdered women in his wake. To Reverend Harry Powell (Robert Mitchum), the work of the Lord has more to do with condemning souls than saving them, especially when his own interests are involved. Now his sights are set on $10,000 - and two little children are the only ones who know where it is. 'Chill...dren!' the preacher croons to the terrified boy and girl hiding in the cold, dark cellar...innocent young lambs who refuse to be led astray.
Elizabeth Taylor and Richard Burton are ideal as malevolent marrieds Martha and George in first-time film director Mike Nichols' searing film of Edward Albee's groundbreaking 'Who's Afraid of Virginia Woolf?'. Taylor won her second Academy Award (and New York Film Critics, National Board of Review and British Film Academy Best Actress Awards). Burton matches her as her emotionally spent spouse. And George Segal and Best Supporting Actress Oscar winner Sandy Dennis score as another couple straying into their destructive path. The movie won a total of five Academy Awards and remains a taboo-toppling landmark over 40 years later.
Yasujiro Ozu's elegiac final film, 'An Autumn Afternoon', charts the inevitable eclipse of older generations by irreverent youth. Revisiting the story of his earlier masterpiece Late Spring (1949), Ozu once again casts Chishu Ryu in the role of Hirayama, the concerned father to unmarried Michiko. Harangued on all sides to marry off Michiko, Hirayama reluctantly prepares to bid his old life farewell. A cast of tragi-comic characters weaves seamlessly through this gently satirical portrayal of life's inevitable, endless cycle.
A woodcutter experiences a horrific series of events - an ambush, rape and murder. In the telling of the tale however, each of the four participants give different views of what actually happened - is any of them telling the truth? Kurosawa's masterful film plays on the subjective nature of truth while unfurling a riveting tale of violence and greed.
Desperate to escape his mind-numbing routine, uptown Manhattan office worker Paul Hackett (Griffin Dunne) ventures downtown for a hookup with a mystery woman (Rosanna Arquette). So begins the wildest night of his life, as bizarre occurrences - involving underground - art punks, a distressed waitress, a crazed Mister Softee truck driver, and a bagel-and-cream-cheese paperweight-pile up with anxiety-inducing relentlessness and thwart his attempts to get home. With this Kafkaesque cult classic, Martin Scorsese-abetted by Michael Ballhaus's kinetic cinematography and scene-stealing supporting turns by Linda Fiorentino, Teri Garr, Catherine O'Hara, and John Heard - directed a darkly comic tale of mistaken identity, turning the desolate night world of 1980s SoHo into a bohemian wonderland of surreal menace.
Sister Clodagh (Deborah Kerr) leads a group of Anglican nuns to a remote Himalayan range of mountains, there to set up a mission in an abandoned harem. This is her first position of authority and she finds both her physical and her spiritual limits being taxed as she has to maintain order and discipline in a claustrophobically hostile environment. Slowly but surely, however, the privations and hardship they must endure, the extremes of climate and the peculiar amorality of the local natives all combine to slowly corrupt the women's faith, pushing them further into jealousy, anger and madness...
A National Emergency grips the US as the zombie population grows at an alarming rate. Two S.W.A.T. officers, a helicopter pilot and his girlfriend escape the city and take refuge in an abandoned shopping mall after securing it following a series of flesh-shredding confrontations with the undead. Their survival is threatened when a band of looters leave a door open allowing the zombies access to the mall once more and a final stand-off for survival must play out.
Mark (Carl Boehm), a focus puller at the local film studio, supplements his wages by taking glamour photographs in a seedy studio above a newsagent. By night he is a sadistic killer, stalking his victims with his camera forever in his hand trying to capture the look of genuine, unadulterated fear - an obsession that stems from his disturbing and terrifying childhood at the hands of his scientist father. Mark slowly becomes enamoured with Helen (Anna Massey), who lives with her blind mother (Maxine Audley) in the flat downstairs, but how long before he turns the deadly gaze of his camera towards her?
Dani (Florence Pugh) and Christian (Jack Reynor) are a young American couple with a relationship on the brink of falling apart. But after a family tragedy keeps them together, a grieving Dani invites herself to join Christian and his friends on a trip to a once-in-a-lifetime midsummer festival in a remote Swedish village. What begins as a carefree summer holiday in a land of eternal sunlight takes a sinister turn when the insular villagers invite their guests to partake in festivities that render the pastoral paradise increasingly unnerving and viscerally disturbing. From the visionary mind of Ari Aster comes a dread-soaked cinematic fairytale where a world of darkness unfolds in broad daylight.
Trapped on her family's isolated farm, Pearl (Mia Goth) must tend to her ailing father under the bitter and overbearing watch of her devout mother. Lusting for a glamorous life like she's seen in the movies, Pearl finds her ambitions, temptations, and repressions all colliding in this stunning, technicolor-inspired origin story of X's iconic villain.
When British P.O.W.'s build a vital railway bridge in enemy-occupied Burma, Allied commandos are assigned to destroy it in David Lean's epic World War II adventure 'The Bridge on the River Kwai'. Spectacularly produced, 'The Bridge on the River Kwai' captured the imagination of the public and won seven 1957 Academy Awards, including Best Picture, Best Actor (Alec Guinness), and Best Director. Even it's the theme song, an old WWI whistling tune, the 'Colonel Bogey March', became a massive worldwide hit. 'The Bridge on the River Kwai' continues today as one of the most memorable cinematic experiences of all time.
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