They say crime doesn't pay. Private detective Philip Marlowe (Dick Powell) knows better. The fat wad of folding money warming his breast pocket is the kind of thing that keeps him going through thick and thicker as he wades chin deep into a mystery involving a missing necklace and a missing hoodlum's moll named Velma.
Robert Mitchum, Jane Greer and Kirk Douglas star in this quintessential film noir which catapulted Mitchum into superstardom and set the standard for the genre for years to come. When Kathie Moffett (Greer) shoots her admirer, Whit Sterling (Douglas), a big-time gambler, and absconds with $40,000 of his money, Starling hires private detective Jeff Bailey (Mitchum) to find her. Bailey leaves New York and catches up with Kathie in Mexico. Kathie denies taking the money and after falling for her charms, Bailey notifies Sterling that he could not find her.
Ernest Hemingway s spare, laconic short story about two professional killers and their encounter with a mysteriously unresisting victim was significantly expanded into this all-time film noir classic, which Hemingway said was the first adaptation of his work that he really admired. As washed-up boxer turned hitman victim Ole 'Swede' Andreson, Burt Lancaster made his screen debut, and was catapulted to instant stardom, not least for the screen chemistry that he showed opposite sultry Ava Gardner, whose Kitty Collins is the very personification of the femme fatale. German émigré Robert Siodmak was one of the filmmakers who helped create film noir, and Elwood Bredell s high-contrast cinematography, all harsh lighting and long shadows, elevates the film far above a conventional crime drama. But even on that level it s a first-rate demonstration of how to maintain narrative tension, with the flashback structure withholding crucial details until almost the very end.
Larry Talbot (Lon Chaney Jr.) returns from college in America to his father's (Claude Rains) mansion in Wales. After meeting Gwen Conliffe (Evelyn Ankers) in the local village, he escorts her to the local fair. She tells him the local legend of the werewolf, but he laughs it off - even when gypsy fortune teller Maleva (Maria Ouspenskaya) and her son Bela (Bela Lugosi) also tell him to beware. Later in the evening Gwen's friend Jenny is attacked by a wild wolf. Larry rescues her, but is bitten in the process. Sure enough, when the next full moon comes round, Larry finds himself transformed into the wolfman - a murderous creature that can only be destroyed by silver.
Faust's tale is a classic one of a man who sells his soul to the devil. In an attempt to gain control of the Earth, Mephisto (Emil Jannings) wagers an angel (Werner Puetterer) that he can corrupt the soul of the elderly professor Faust (Gosta Ekman). Mephisto unleashes a plague that spreads amongst its inhabitants. Faust, unable to find a cure-renounces both God and science invoking the aid of Satan through a mysterious book.
The first and possibly the greatest pairing of Lugosi and Karloff is one of the darkest, most macabre horrors ever made. Dr. Werdegast (Bela Lugosi), a POW for fifteen years has been freed and now seeks news of his wife and daughter and vengeance on Hjalmar Poelzig, the man whose betrayal lead to his imprisonment and the deaths of thousands of his countrymen during the war. He tracks him down to the castle he has built on the site of their old fortress and soon discovers the diabolical secrets held within its walls. Poelzig is now the leader of a satanic cult, engaging in macabre practises and rituals. One man's pure evil against the others tormented need for revenge leads to an absorbing battle and a shocking climax.
When Samira (Lupita Nyong'o) returns home to New York City, her simple trip turns into a harrowing nightmare when mysterious creatures that hunt by sound attack. Accompanied by her cat Frodo and an unexpected ally (Joseph Quinn), Samira must embark on a perilous journey through the city that has suddenly gone silent, where the only rule is to stay quiet to stay alive.
Trapped in a violent, controlling relationship with a wealthy and brilliant scientist, Cecilia Kass (Elisabeth Moss) escapes in the dead of night and disappears into hiding. But when her abusive ex suddenly dies, Cecilia suspects his death was a hoax. As a series of eerie coincidences turn lethal, threatening the lives of those she loves, Cecilia's sanity begins to unravel while she desperately tries to prove she is being hunted by someone nobody can see.
Pasolini's final and most controversial film has been banned censored and reviled the world over since it's first release. The film is based on the Marquis de Sade's novel '120 Days of Sodom', with the setting transposed to Mussolini's miniature Fascist Republic of Salo, Italy in 1944. The film's content and imagery is extreme, and it retains the power to shock, repel and distress a quarter of a century on. 'Salo' remains a cinematic milestone - culturally significant, politically vital and visually stunning.
When Marcus (Vincent Cassel) and his girlfriend Alex (Monica Bellucci) decide to go to a party with their friend Pierre (Albert Dupontel), they are totally unaware that their world is about to be torn apart in the most unimaginably brutal way possible. Plunged headlong into a nightmarish world of darkness, where an act of extreme sexual and physical violence will serve as the spark for yet more violence, Marcus and Pierre soon discover what they themselves are capable of.
In the dusty heat of the American southwest, innocent country boy Caleb Colton (Adrian Pasdar) is seduced by a beautiful girl (Jenny Wright) into joining a roving pack of vicious drifters, lead by the enigmatic Jesse (Lance Henriksen). But this is no ordinary band of outlaws. Caleb is now trapped in a nightmare of soulless evil that waits in the shadows, hellish mayhem that thrives on blood; the horror that begins Near Dark.
Research scientist Eddie Jessup (William Hurt) believes other states of consciousness are as real as everyday reality. Using sensory deprivation, then adding powerful, hallucinogenic drugs, he explores these altered states...and endures experiences that make madness seem a blessing.
"They're Here", playful at first...but not for long. A storm erupts, a tree attacks and little Carol Anne Freeling (Heather O'Rourke) is whisked onto a spectral void. As her family confronts horrors galore, something else is here too: a new benchmark in Hollywood ghost stories.
From the mind behind 'Evangelion' comes a hit larger than life. When a massive, gilled monster emerges from the deep and tears through the city, the government scrambles to save its citizens. A rag-tag team of volunteers cuts through a web of red tape to uncover the monster's weakness and its mysterious ties to a foreign superpower. But time is not on their side - the greatest catastrophe to ever befall the world is about to evolve right before their very eyes.
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