A powerful and extraordinary film... undoubtedly one of the best films of the year. An unflinching look at the complexities of human conflict in America. A Brentwood housewife and her DA husband. A Persian store owner. Two police detectives who are also lovers. A black television director and his wife. A Mexican locksmith. Two car-jackers. A rookie Cop. A middle-aged Korean couple. They all live in L.A. and in the next 36 hours, they will all collide...
It's 2019, the world is on the brink of absolute destruction. Tokyo shimmers with tech-noir fetishism, gangs of cyber-punk bikers cruise the sprawl of the post-atomic city and rioting crowds surge under the neon-topped buildings looming a thousand storeys into the sky. Now, old gods return to do battle with Akira and something more than comic book ultra-violence is unleashed...
The Christmas spirit isn't served up with more heartfelt warmth or observant hilarity than it is beloved adaptation of Jean Shepherd's holiday story. In 1940s Indiana, nine-year-old Ralphie (Peter Billingsley) dreams of his ideal Christmas gift: a genuine Red Ryder 200-shot Carbine Action Air Rifle. But when gruff dad (Darren McGavin) and doting mom (Melinda Dillon) regularly respond with "You'll shoot your eye out!" Ralphie mounts a full-scale, hint-dropping, Santa-begging campaign. He also endures all kinds of childhood calamities from snowsuit paralysis to the yellow-eyed Scotty Farkus affair to the dreaded tongue-on-a-frozen-flagpole gambit.
Set during disco's heyday, Boogie Nights is a hilarious and hysterical expose of the pornography industry as seen from those inside. Eddie (Mark Wahlberg) is a 17-year-old busboy looking for a break when veteran porn director Jack Horner (Burt Reynolds) spots him in a disco. Jack immediately senses that the virile and well-endowed young man can make him very, very rich. Lead by Jack into the wickedly glamorous realm of porn movies, Eddie emerges as Dirk Diggler, the superstar who's always pleased to see you...
Champaner... a small farming village in Central India. The year is 1893. On the outskirts of the village stands a British cantonment, commanded by Captain Russell - an arrogant and capricious man, who wields the power of life and death over the villages under his jurisdiction. When the villagers are unable to pay the crippling land tax imposed on them by their British rulers due to drought and famine. Captain Russell offers them a challenge. To assemble a team and face the British soldiers in a game of cricket, a game they have never heard of. If the villagers win, the land tax will be waived, if they lose, it will be tripled. One man Bhuvan, an enigmatic young farmer with courage horn of conviction thinks the challenge is worth staking their entire future on. But has he got what it takes to convince the other villagers and in turn beat the English rulers at their own game?
Set in the picture-postcard small town environs of Lumberton, Kyle MacLachlan plays the clean cut Jeffrey Beaumont, who, whilst returning from a visit to his hospitalised father, makes the shocking discovery of a severed human ear. After reporting his discovery to a local police detective, Jeffrey decides to pursue his own line of enquiry, aided by the detective's daughter, Sandy (Laura Dern). This sets Jeffrey on a voyage of discovery that takes him to the very heart of Lumberton's seedy and sinister underworld where he encounters a collection of misfits whose various chronic compulsions to engulf him in their twisted and nightmarish world.
A sly piece of pop subversion, this irresistible satire of Reagan-era materialism features Tom Cruise in his star-is-born breakthrough as a Chicago suburban prepster whose college-bound life spirals out of control when his parents go out of town for the week and an enterprising call girl (Rebecca De Mornay) invites him to walk on the wild side. While Cruise boogying in his briefs yielded one of the most iconic pop-cultural moments of the 1980s, it is the film's unexpected mix of tender romance (enhanced by a moody synth score by Tangerine Dream) and sharp-witted capitalist critique that remains fresh and daring.
Four ordinary men in two canoes navigate a river they only know as a line on a map, taking on a wilderness they only think they understand. Deliverance, written by James Dickey based on his novel, surges with the urgency of masterful storytelling, like Georgia's Chattooga River along which it was shot. Equally masterful is the portrayal of each man's change of character under stress, harrowingly enacted by award winners Jon Voight, Burt Reynolds, Ned Beatty and Ronny Cox. Director John Boorman sets us on the knife-edge of survival - and draws us in with the irresistible force of a raging current.
Business blooms at Mushnik's Flower Shop when an exotic potted plant called Audrey II arrives. It turns out to be a carnivorous "mean, green mother from outer space," filling that little shop with lotsa horrors. "Little Shop of Horrors" first flowered in a low-budget 1960 Roger Corman movie, resprouted as a smash 1980 off-Broadway musical and now comes full circle in this 1986 movie musical adaptation of the stage hit with a score by multiple Academy Award winners Alan Menken and Howard Ashman.
Exiled from their home nations, four strangers from separate corners of the earth agree to undertake a dangerous mission to transport unstable dynamite through the dense jungle of South America in order to earn their passage home. When the slightest bump in the road could equal instant death, the real question is not whether these men will survive this nerve-shredding ordeal but who will they have become if they return at all?
The exciting adventure of the day we make contact with life beyond Earth comes to the screen with a profound sense of wonder and a dazzling visual sweep that extends to the outer reaches of space and the imagination. Jodie Foster is astronomer Ellie Arroway, a woman of science. Matthew McConaughey is religious scholar Palmer Joss, a man of faith. They're opposite ends of a spectrum - and sudden players on the world stage as the countdown to humanity's greatest journey begins.
Tom Hanks, Geena Davis and Madonna star in this major-league comedy from the team that brought you Big. Hanks stars as Jimmy Dugan, a washed-up ball player whose big league days are over. Hired to coach in the All-American Girls League of 1943 - while the male pros are at war - Dugan finds himself drawn back into the game by the heart and heroics of his "all-girl" team. Jon Lovitz adds a scene stealing cameo as the sarcastic scout who recruits Dottie Hanson (Davis) the "baseball dolly" with a Babe Ruth swing. Teammates Madonna, Lori Petty and Rosie O'Donnell round out the roster, taking the team to the World Series. Based on the true story of the pioneering women who blazed the trail for generations of athletes.
From producers Spike Lee and Sam Kill comes a love story told in four quarters, 'Love and Basketball' follows Quincy (Omar Epps) and Monica (Sanaa Latlran), childhood adversaries and talented athletes who have a love for the game of basketball and each other. As each pursues their dream of competing in professional sports, they must lace their own respective hurdles.
Sydney Sweeney (Anyone But You, Euphoria, The White Lotus) stars as Cecilia, an American nun of devout faith, embarking on a new journey in a remote convent in the picturesque Italian countryside. Cecilia's warm welcome quickly devolves into a nightmare as it becomes clear her new home harbours a sinister secret and unspeakable horrors.
In one of cinemas most influential, and gripping, roles, James Dean plays Jim Stark, the new kid in town whose loneliness, frustration and anger mirrored those of most postwar teens - and reverberates more than 40 years later. Natalie Wood (as Jim's girlfriend Judy) and Sal Mineo (in his screen debut as Jim's tag-along pal Plato) were Academy Award nominees for their achingly true performances.
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